| The Clash discography | |
|---|---|
 The Clash live in Oslo, 1980. | |
| Studio albums | 6 |
| Live albums | 2 |
| Compilation albums | 9 |
| Video albums | 2 |
| Music videos | 13 |
| EPs | 2 |
| Singles | 31 |
| Box sets | 4 |
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 singles.
The Clash's first official recording was the single for "White Riot", released by CBS Records in March 1977. In April, CBS released their self-titled debut album, The Clash , in the United Kingdom, but refused to release it in the United States, saying that the sound was not "radio friendly". [1] A US version of the album with a modified track listing—four songs from the original version were replaced with five non-album singles and B-sides—was released by Epic Records in 1979, after the UK original became the best-selling import album of all time in the United States. [2] Terry Chimes left the band for the second time soon after the recording, so only Joe Strummer, Mick Jones and Paul Simonon were featured on the album's cover, and Chimes was credited as "Tory Crimes". The album ranked number 12 on the UK Albums Chart [3] and number 126 on the Billboard Pop albums chart. [4]
In the same month, the band also released an EP single, Capital Radio , which was given away to NME 's readers. In May, CBS released the single "Remote Control" without asking them first, and, in September, "Complete Control", produced by Lee "Scratch" Perry, was Topper Headon's first recording with the band. It rose to number 28 on the British Singles Chart. [5]
In February 1978, the band came out with the single "Clash City Rockers". June saw the release of "(White Man) In Hammersmith Palais". The Clash second album, Give 'Em Enough Rope , was released by CBS and produced by Sandy Pearlman in November, receiving largely positive reviews. [6] It hit number 2 in the UK, [3] and number 128 on the Billboard chart. [4] The album's first UK single, "Tommy Gun", rose to number 19. In support of the album, the band undertook its first, largely successful tour of the US.
In February 1979, CBS released the single, "English Civil War", and in May the EP, The Cost of Living. In August and September 1979, the Clash recorded their third studio album, London Calling . Produced by Guy Stevens, the double album was a mix of different styles, with greater maturity and production polish. [7] London Calling, released in December 1979 by CBS and regarded as one of the greatest rock albums ever recorded, [8] reached number 9 on the British chart [3] and number 27 on the US chart. [4] In the UK, London Calling's title track, released a few days before the album's release, rose to number 11—the highest position any Clash single reached in the UK before the band's breakup. [9] The album's final track, "Train in Vain"—included at the last minute and thus not appearing in the track listing on the cover—was released in the Netherlands, Germany, Spain, Brazil, New Zealand, and Australia in June 1980. The single was not released in the UK, and in the US was backed with "London Calling". It turned out to be the band's biggest US hit to date, reaching number 23 on the Billboard chart.
In August, the band came out with another single, "Bankrobber", which reached number 12 in the UK. In October, Epic released the compilation album Black Market Clash , only in the US. The compilation reached number 74 in the US. In the following November, CBS released the single "The Call Up", which reached number 40 in the UK. In December, CBS released the 3-LP, 36-song Sandinista! . The album again reflected a broad range of musical styles, including extended dubs and the first forays into rap by a major rock band. Produced by the band members with the participation of Mikey Dread, Sandinista! was their most controversial album to date, both politically and musically. [1] [10] The album fared well in America, charting at number 24. [4] [11]
During 1981, the band came out with a single, "Hitsville UK". Released in January, the single reached number 56 in the UK and number 53 on the US Mainstream Rock chart. In April, CBS released the single for the song "The Magnificent Seven" which peaked at number 34 on the UK Singles Chart in 1981, and at number 21 on the US Billboard Club Play Singles in 1982. In the same month, CBS released the 12-inch single "The Magnificent Dance". In November, CBS released the single, "This Is Radio Clash", which further demonstrated their ability to mix diverse influences such as dub and hip hop. It reached number 47 on the UK Singles Chart.
They set to work on their fifth studio album in the fall of 1981. Combat Rock was originally planned to be a 2-LP set with the title Rat Patrol from Fort Bragg, but were unable to mix it to either the group's or to CBS's satisfaction. Glyn Johns, brought in by manager Bernard Rhodes to edit and mix the album, reconceived it as a single LP and had Joe Strummer re-record several vocals. In April 1982, the band released the first single from the album, "Know Your Rights", which reached number 43 in the UK. The album contains two "US-radio friendly"[ according to whom? ] singles, "Should I Stay or Should I Go" and "Rock the Casbah". "Should I Stay or Should I Go" reached number 17 in the UK and number 45 on the US Billboard Hot 100 chart, while "Rock the Casbah" peaked at number 17 in the UK and number 8 on the US Billboard Hot 100. [1] [12] The album itself was the band's most successful, hitting number 2 in the UK [3] and number 7 in the US. [4]
After Combat Rock was released, Topper Headon was asked to leave the band, [1] [13] and then in September 1983, Mick Jones was fired. The first single from Cut the Crap , "This Is England", was released by CBS in September 1985. It reached number 24 in the UK. Cut the Crap , the last studio album of the band, actually composed by Strummer, Simonon, Pete Howard, Nick Sheppard, and Vince White, was produced by Rhodes and released by CBS in November. [14] It reached number 16 in the UK [3] and number 88 in the US. [4] The Clash effectively disbanded in early 1986.
In 1988, Epic released the double-disc, 28-track compilation The Story of the Clash, Volume 1 presenting a relatively thorough overview of their career. In March 1991, a reissue of "Should I Stay or Should I Go" gave the band its first and only number 1 UK single. In the same year, CBS and Epic released the triple-disc, 64-song box set Clash on Broadway that covers their entire career, and the compilation album The Singles , that includes all their singles, except for 1985's "This Is England". In 1993, Epic released Super Black Market Clash , a compilation that contains B-sides and rare tracks not available on their other albums. In 1999, Epic released the compilation album of live material, From Here to Eternity: Live .
The Clash: Westway to the World , a documentary film about the band, was released by Sony Music Entertainment in 2000, and, in 2003, it won the Grammy Award for the best long form music video. [4] [15] In 2003, Epic and Sony BMG released The Essential Clash , a career-spanning greatest hits album and DVD, dedicated to Joe Strummer, who died during the production of the album. In 2004, Sony Legacy released London Calling: 25th Anniversary Edition . It contains The Vanilla Tapes, missing recordings made by the band in mid-1979 during the London Calling sessions, [16] as a bonus disc, and a DVD featuring the making of the album, the music videos for "London Calling", "Train in Vain" and "Clampdown", and video footage of The Clash recording sessions in Wessex Studios. In 2006, Sony BMG released the box set Singles Box which includes all the singles that they released in the UK. In 2007, Sony BMG released The Singles that presents a stripped-down view of the singles of the band. In 2008, Sony Music Entertainment released The Clash Live: Revolution Rock, produced and directed by Don Letts, it features live material and interviews from 1978 to 1983, [17] [18] and, in October, the live album Live at Shea Stadium , which features the recording of the band's second night at Shea Stadium in 1982.
September 2013 saw the arrival of three releases by The Clash: the 12-CD box set Sound System , featuring the band's entire studio catalogue re-mastered (minus Cut the Crap ), plus three extra CDs, one DVD and various other materials; 5 Album Studio Set , featuring the band's first five studio albums re-mastered; and the 2-CD, 33-song best of collection The Clash Hits Back . [19] All the music within the three releases had been remastered, mainly by Mick Jones, from the original tapes. Sound System had an enthusiastic reception, [20] and both the 12-CD box set and the best of compilation both entered the UK Albums Chart. [9]
| Title | Album details | Peak chart positions | Certifications | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [9] | AUS [21] | AUT [22] | CAN [23] | NOR [24] | NZ [25] | SPA [26] | SWE [27] | SWI [28] | US [4] | |||
| The Clash |
| 12 | — | — | — | — | — | — | 42 | — | 126 | |
| Give 'Em Enough Rope |
| 2 | 79 | — | — | — | 15 | — | 36 | — | 128 |
|
| London Calling |
| 9 | 16 | 17 | 12 | 4 | 12 | 52 | 2 | 72 | 27 | |
| Sandinista! |
| 19 | 36 | — | 3 | 8 | 3 | — | 9 | — | 24 | |
| Combat Rock |
| 2 | 32 | — | 12 | 7 | 5 | — | 9 | 56 | 7 | |
| Cut the Crap |
| 16 | 69 | — | 59 | — | 35 | — | 30 | — | 88 |
|
| "—" denotes releases that did not chart or were not released in that country. | ||||||||||||
| Title | Album | Peak chart positions | ||||
|---|---|---|---|---|---|---|
| BEL [33] | FRA [34] | SWE [27] | UK [9] | US [4] | ||
| From Here to Eternity: Live |
| — | 17 | 47 | 13 | 193 |
| Live at Shea Stadium |
| 75 | 57 | 26 | 31 | 93 |
| "—" denotes releases that did not chart or were not released in that country. | ||||||
| Title | Album details | Peak chart positions | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| AUS [21] [35] | BEL [36] | FRA [34] | GER [37] | NZ [25] | POR [38] | SPA [26] | SWE [27] | UK [9] [9] | US [4] | Certifications | ||||
| Black Market Clash |
| — | — | — | — | 15 | — | — | — | — | 74 | |||
| The Story of the Clash, Volume 1 |
| 52 | — | — | 53 | 3 | — | — | 50 | 7 | 142 | |||
| 1977 Revisited |
| — | — | — | — | — | — | — | — | — | — | |||
| The Singles (1991) |
| — | — | — | — | 2 | — | — | — | 68 | — | |||
| Super Black Market Clash |
| — | — | — | — | — | — | — | — | — | — | |||
| The Essential Clash |
| 76 | — | — | — | 50 | — | — | 22 | 18 | 99 |
| ||
| The Singles (2007) |
| 57 | — | — | — | 36 | 22 | 83 | — | 13 | — |
| ||
| The Clash Hits Back |
| — | 120 | 174 | — | 27 | — | — | — | 13 | — |
| ||
| Joe Strummer 001 |
| — | 145/98 | — | 68 | — | — | 27 | — | 30 | — | |||
| "—" denotes releases that did not chart or were not released in that country. | ||||||||||||||
| Title | Album details | Peak chart positions | ||
|---|---|---|---|---|
| BEL [36] | UK [9] | Certifications | ||
| Clash on Broadway |
| — | — |
|
| Singles Box |
| — | — | |
| Sound System |
| 99 | 53 | |
| 5 Album Studio Set |
| — | — | |
| "—" denotes releases that did not chart or were not released in that country. | ||||
| Title | EP details | Chart positions | |
|---|---|---|---|
| UK [9] | IRE [39] | ||
| Capital Radio |
| — | — |
| The Cost of Living |
| 22 | 24 |
| Single | Year | Peak chart positions | Certifications | Album | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK [9] | AUS [40] | AUT [22] | CAN | GER [37] | IRE [39] | NLD [41] | NZ [25] | SWI [28] | US [4] | ||||
| "White Riot" b/w "1977" | 1977 | 38 | — | — | — | — | — | — | — | — | — | The Clash | |
| "Remote Control" b/w "London's Burning" (live) | 52 [upper-alpha 1] | — | — | — | — | — | — | — | — | — | |||
| "Complete Control" b/w "City of the Dead" | 28 | — | — | — | — | — | — | — | — | — | Non-album singles (included on the US release of The Clash) | ||
| "Clash City Rockers" b/w "Jail Guitar Doors" | 1978 | 35 | — | — | — | — | — | — | — | — | — | ||
| "(White Man) In Hammersmith Palais" b/w "The Prisoner" | 32 | — | — | — | — | — | — | — | — | — | |||
| "Tommy Gun" b/w "1–2 Crush on You" | 19 | — | — | — | — | — | — | — | — | — | Give 'Em Enough Rope | ||
| "English Civil War" b/w "Pressure Drop" | 1979 | 25 | — | — | — | — | 29 | — | — | — | — | ||
| "Groovy Times" b/w "Gates of the West" | — | — | — | — | — | — | — | — | — | — | The Cost of Living | ||
| "I Fought the Law" (US only) b/w "(White Man) In Hammersmith Palais" | — | — | — | — | — | 24 | — | — | — | — | |||
| "London Calling" b/w "Armagideon Time" | 11 | 28 | — | — | — | 16 | — | 23 | — | — | London Calling | ||
| "Clampdown" (AUS only) b/w "The Guns of Brixton" | — | — | — | — | — | — | — | — | — | — | |||
| "Train in Vain" b/w "London Calling" | 1980 | — | — | — | 62 | — | — | — | 26 | — | 23 | ||
| "Rudie Can't Fail" (NL only) b/w "Bankrobber" / "Rockers Galore... UK Tour" | — | — | — | — | — | — | — | — | — | — | |||
| "Bankrobber" b/w "Rockers Galore... UK Tour" | 12 | — | — | — | — | 14 | — | 14 | — | — | Non-album single | ||
| "The Call Up" b/w "Stop the World" | 40 | 69 | — | — | — | — | — | 42 | — | — | Sandinista! | ||
| "Police on My Back" (AUS only) b/w "The Crooked Beat" | — | — | — | — | — | — | — | — | — | — | |||
| "Hitsville U.K." b/w "Radio One" | 1981 | 56 | — | — | — | — | — | — | — | — | — | ||
| "The Magnificent Seven" b/w "The Magnificent Dance" | 34 | — | — | — | — | — | 21 | — | — | — | |||
| "Somebody Got Murdered" (Spain only) b/w "Hitsville U.K." | — | — | — | — | — | — | — | — | — | — | |||
| "This Is Radio Clash" b/w "Radio Clash" | 47 | 40 | — | — | — | — | — | 28 | — | — | Non-album single | ||
| "Know Your Rights" b/w "First Night Back in London" | 1982 | 43 | — | — | — | — | — | — | — | — | — | Combat Rock | |
| "Rock the Casbah" b/w "Long Time Jerk" | 30 | 3 | — | 26 | — | — | 21 | 4 | — | 8 | |||
| "Should I Stay or Should I Go" / "Straight to Hell" (double A-side) | 17 | 37 | — | 40 | — | 16 | — | — | — | 45 | |||
| "This Is England" b/w "Do It Now"/"Sex Mad Roar" | 1985 | 24 | 62 | — | — | — | 13 | — | 26 | — | — | Cut the Crap | |
| "Are You Red..Y" (AUS only) b/w "Three Card Trick" | — | 85 | — | — | — | — | — | — | — | — | |||
| "London Calling" (re-release) b/w "Brand New Cadillac"/"Rudie Can't Fail" | 1988 | 46 | — | — | — | — | — | — | — | — | — | The Story of the Clash | |
| "I Fought the Law" b/w "City of the Dead"/"1977" | 29 | — | — | — | — | — | — | 17 | — | — |
| ||
| "Return to Brixton" b/w "The Guns of Brixton" | 1990 | 57 | — | — | — | — | — | — | — | — | — | Non-album single | |
| "Should I Stay or Should I Go" (re-release) b/w "Rush" (Big Audio Dynamite II) | 1991 | 1 | — | 5 | — | 5 | 2 | 3 | 2 | 4 | — | The Singles | |
| "Rock the Casbah" (re-release) b/w "Mustapha Dance" | 15 | — | — | — | — | 10 | — | — | — | — |
| ||
| "London Calling" (second re-release) b/w "Brand New Cadillac" | 64 | — | — | — | — | 18 | — | — | — | — |
| ||
| "Train in Vain" (re-release) b/w "The Right Profile" | — | — | — | — | — | — | — | — | — | — | |||
Notes
| Year | Title | Director |
|---|---|---|
| 1982 | The Clash: Live in Tokyo | The Clash |
| 1985 | This Is Video Clash | Lindsey Clinell, Don Letts, Keef & Co |
| 2003 | The Essential Clash (DVD) Features: Music videos and live performances; Hell W10 (1983); London Weekend Show's Interview 1976. [43] | Don Letts, Joe Strummer, Keef & Co, Lindsey Clinell |
| 2008 | The Clash Live: Revolution Rock | Don Letts |
| Year | Title | Director |
|---|---|---|
| 1980 | Rude Boy | Jack Hazan and David Mingay |
| 2000 | Westway to the World | Don Letts |
| 2006 | The Clash: Up Close and Personal | |
| 2007 | Joe Strummer: The Future Is Unwritten | Julian Temple |
| 2012 | The Rise and Fall of The Clash | Danny Garcia |
| 2013 | Audio Ammunition [44] |
| Year | Title | Director |
|---|---|---|
| 1977 | "White Riot" | Don Letts |
| "Complete Control" | ||
| 1978 | "Tommy Gun" | Keef & Co |
| 1979 | "London Calling" | Don Letts |
| "Clampdown" | ||
| 1980 | "Train in Vain" | |
| "Bankrobber" | ||
| "The Call Up" | ||
| 1981 | "This Is Radio Clash" | |
| 1982 | "Rock the Casbah" | |
| 1984 | "Should I Stay or Should I Go" (live at Shea Stadium) | |
| "Career Opportunities" (live at Shea Stadium) | ||
| 1988 | "I Fought the Law" | |
| 1991 | "Should I Stay or Should I Go" | |
| 2020 | "The Magnificent Seven" |
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
London Calling is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The Clash is the debut studio album by English punk rock band, The Clash. It was released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Give 'Em Enough Rope is the second studio album by the English punk rock band the Clash, released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of the self-titled studio album. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart, and number 128 in the Billboard 200. The album is tied with Combat Rock (1982) for being the highest-charting album for the Clash in their native United Kingdom.
Sandinista! is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's songs were credited to The Clash as a group, rather than to Joe Strummer and Mick Jones. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
Combat Rock is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by drummer Topper Headon's "Rock the Casbah" which became a staple on the newly launched MTV. Combat Rock continued the influence of funk and reggae like previous Clash albums, but also featured a more radio-friendly sound which alienated Clash fans. While the recording process went smoothly, the producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band while Strummer and bassist Paul Simonon reinstated Bernie Rhodes as manager, a move unwelcomed by Jones. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio-friendly sound of Combat Rock. Lyrically, Combat Rock focuses on the Vietnam War, postcolonialism, the decline of American society, and authoritarianism.
Nicholas Bowen "Topper" Headon is an English drummer and multi-instrumentalist, best known as the drummer of punk rock band the Clash. Known for his contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003.
Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.
From Here to Eternity: Live is a live album by English punk rock band The Clash. It was released on 4 October 1999 through Epic Records. The songs were recorded at different shows. Some of the recordings featured also appear in the film Rude Boy. "London's Burning", "What's My Name" and "I Fought the Law" were instrumentally overdubbed to repair some technical deficiencies of the original live recording.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.
Michael Geoffrey Jones is a British musician, singer, songwriter, and record producer best known as the co-founder of the Clash, and as that group's guitarist until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band.
The Singles is a compilation album by the English punk rock band the Clash. It includes all of the band's singles, in their original single versions, except for 1977's Capital Radio and 1985's "This Is England", due to its parent album, Cut the Crap (1985), being disowned by the band at that time.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
The Clash: Westway to the World is a 2000 documentary film about the British punk rock band The Clash. In 2003 it won the Grammy Award for Best Long Form Music Video.
The Story of the Clash, Vol. 1 is a double-disc compilation album by the English punk rock band the Clash. Consisting of 28 tracks, it was released on 29 February 1988 by Epic Records. The compilation presents a relatively thorough overview of their career, but does not feature any material from their final studio album, Cut the Crap (1985). An anticipated second volume was to have consisted of live recordings but remains unreleased, although a live compilation, From Here to Eternity: Live, was released in 1999. The original vinyl set was released with four different colored cover variations: red, blue, yellow and green. The compilation was promoted by reissued singles of "I Fought the Law" and "London Calling".
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
"The Guns of Brixton" is a song by the English punk rock band the Clash, originally released on their 1979 album London Calling. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
The Clash were an English rock band that formed in 1976 as part of the original wave of British punk rock. Along with punk rock, they experimented with reggae, ska, dub, funk, rap and rockabilly. For most of their recording career, The Clash consisted of Joe Strummer, Mick Jones, and Paul Simonon, with Terry Chimes or Nicky "Topper" Headon on drums and percussion. The band features in several documentaries and other films.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
"Should I Stay or Should I Go" is a song by English punk rock band the Clash from their album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global music charts. In the United States, "Should I Stay or Should I Go" charted on the Billboard Hot 100 without reaching the top 40. The song received greater attention nearly a decade later as the result of an early-1990s Levi's jeans commercial, leading to the song's 1991 re-release, which topped the UK Singles Chart and reached the top 10 in New Zealand and many European charts. The song was listed in Rolling Stone's 500 Greatest Songs of All Time in 2004.
Books
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Videos
