Clash on Broadway | ||||
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Box set by | ||||
Released | 19 November 1991 | |||
Recorded | 1977–1982 | |||
Genre | Punk rock | |||
Length | 215:22 | |||
Label | CBS/Epic | |||
Producer |
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The Clash compilations and lives chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Entertainment Weekly | A−[ citation needed ] |
Melody Maker | [2] |
Q | [3] |
Clash on Broadway is a box set compilation album by the English punk rock band the Clash, released on Legacy Records in 1991. It comprises 64 tracks on three compact discs, spanning the time period from their 1977 debut single, "White Riot", through the Combat Rock album of 1982. It does not include material from the band's final sessions led by Joe Strummer and Paul Simonon, resulting in the final album Cut the Crap (1985). It was initially released in longbox form.
The set contains five previously unreleased tracks, two early demo recordings, and three live recordings, one of which had been released on a film soundtrack. Thirteen of the eighteen singles released during the time frame covered appear, leaving out "Remote Control", released as a single against the band's wishes, "English Civil War" and "I Fought the Law", both of which appear via live versions, as well as "Hitsville UK" and "Know Your Rights".
Disc one contains mostly recordings taken from the band's early singles, including the extended play single Capital Radio (1977), and their 1977 debut album. The four songs deleted from the British version of The Clash album and replaced by singles tracks for the American version—"Deny", "Protex Blue", "Cheat" and "48 Hours"—are included. Disc two focuses on tracks from the albums Give 'Em Enough Rope (1978) and London Calling (1979), and the extended play single The Cost of Living (1979). Disc three contains tracks from Sandinista! (1980) and Combat Rock (1982), with tracks from the latter including both edited and unedited versions.
All tracks are written by Mick Jones and Joe Strummer, except where noted.
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Janie Jones" (early demo produced by Guy Stevens) | previously unreleased | 2:11 | |
2. | "Career Opportunities" (early demo produced by Guy Stevens) | previously unreleased | 1:58 | |
3. | "White Riot" | A-side of first single (1977) | 1:59 | |
4. | "1977" | B-side of first single (1977) | 1:41 | |
5. | "I'm So Bored with the USA" | The Clash (1977) | 2:25 | |
6. | "Hate and War" | The Clash | 2:06 | |
7. | "What's My Name" | Jones, Strummer, Keith Levene | The Clash | 1:40 |
8. | "Deny" | UK version of The Clash (1977) | 3:05 | |
9. | "London's Burning" | The Clash | 2:10 | |
10. | "Protex Blue" | UK version of The Clash | 1:46 | |
11. | "Police and Thieves" | Junior Murvin, Lee "Scratch" Perry | The Clash | 6:00 |
12. | "48 Hours" | UK version of The Clash | 1:36 | |
13. | "Cheat" | UK version of The Clash | 2:07 | |
14. | "Garageland" | The Clash | 3:14 | |
15. | "Capital Radio One" | Capital Radio EP (1977) | 2:09 | |
16. | "Complete Control" | US version of The Clash (1979) | 3:14 | |
17. | "Clash City Rockers" | US version of The Clash | 3:49 | |
18. | "City of the Dead" | B-side of the "Complete Control" single (1977) | 2:24 | |
19. | "Jail Guitar Doors" | US version of The Clash | 3:05 | |
20. | "The Prisoner" | B-side of the "(White Man) In Hammersmith Palais" single (1978) | 3:00 | |
21. | "(White Man) In Hammersmith Palais" | US version of The Clash | 4:01 | |
22. | "Pressure Drop" | Toots Hibbert | B-side of the "English Civil War" single (1979) | 3:26 |
23. | "1-2 Crush on You" | B-side of the "Tommy Gun" single (1978) | 3:01 | |
24. | "English Civil War" (live recording from the Lyceum Theatre, London, 1979) | traditional, arranged Strummer/Jones | previously unreleased | 2:41 |
25. | "I Fought the Law" (live) | Sonny Curtis | Rude Boy soundtrack (1979) | 2:26 |
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Safe European Home" | Give 'Em Enough Rope (1978) | 3:51 | |
2. | "Tommy Gun" | Give 'Em Enough Rope | 3:17 | |
3. | "Julie's Been Working for the Drug Squad" | Give 'Em Enough Rope | 3:04 | |
4. | "Stay Free" | Give 'Em Enough Rope | 3:40 | |
5. | "One Emotion" | previously unreleased; Give 'Em Enough Rope sessions | 4:40 | |
6. | "Groovy Times" | Cost of Living EP (1978) | 3:30 | |
7. | "Gates of the West" | Cost of Living EP | 3:27 | |
8. | "Armagideon Time" | Willie Williams, Jackie Mittoo | B-side of the "London Calling" single (1979) | 3:50 |
9. | "London Calling" | London Calling (1979) | 3:20 | |
10. | "Brand New Cadillac" | Vince Taylor | London Calling | 2:10 |
11. | "Rudie Can't Fail" | London Calling | 3:30 | |
12. | "The Guns of Brixton" | Paul Simonon | London Calling | 3:11 |
13. | "Spanish Bombs" | London Calling | 3:20 | |
14. | "Lost in the Supermarket" | London Calling | 3:48 | |
15. | "The Right Profile" | London Calling | 3:55 | |
16. | "The Card Cheat" | The Clash | London Calling | 3:51 |
17. | "Death or Glory" | London Calling | 3:57 | |
18. | "Clampdown" | London Calling | 3:50 | |
19. | "Train in Vain" | London Calling | 3:11 | |
20. | "Bankrobber" | A-side of UK single (1980) | 4:33 |
No. | Title | Writer(s) | Origin | Length |
---|---|---|---|---|
1. | "Police on My Back" | Eddy Grant | Sandinista! (1980) | 3:18 |
2. | "The Magnificent Seven" | The Clash | Sandinista! | 5:33 |
3. | "The Leader" | The Clash | Sandinista! | 1:42 |
4. | "The Call Up" | The Clash | Sandinista! | 5:28 |
5. | "Somebody Got Murdered" | The Clash | Sandinista! | 3:35 |
6. | "Washington Bullets" | The Clash | Sandinista! | 3:52 |
7. | "Broadway" | The Clash | Sandinista! | 4:57 |
8. | "Lightning Strikes (Not Once But Twice)" (live recording from Bonds International Casino, New York City, 1981) | The Clash | previously unreleased | 3:38 |
9. | "Every Little Bit Hurts" | Ed Cobb | previously unreleased; Sandinista! sessions | 4:38 |
10. | "Stop the World" | The Clash | B-side of "The Call Up" single (1980) | 2:33 |
11. | "Midnight to Stevens" (recorded at People's Hall, Frestonia, London in 1981) | The Clash | previously unreleased | 4:39 |
12. | "This Is Radio Clash" | The Clash | A-side of the "This is Radio Clash" single (1981) | 4:11 |
13. | "Cool Confusion" | The Clash | B-side of the "Should I Stay or Should I Go" single (1982) | 3:15 |
14. | "Red Angel Dragnet" (edited version) | The Clash | Combat Rock (1982) | 3:25 |
15. | "Ghetto Defendant" (edited version) | The Clash | Combat Rock | 4:15 |
16. | "Rock the Casbah" (US single version) | The Clash | Combat Rock | 3:42 |
17. | "Should I Stay or Should I Go" (US single version) | The Clash | Combat Rock | 3:09 |
18. | "Straight to Hell" (unedited version) | The Clash | Combat Rock | 6:56 |
19. | "The Street Parade" (hidden track) | The Clash | Sandinista! | 3:27 |
Sandinista! is the fourth studio album by English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.
Combat Rock is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart.
Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction.
Super Black Market Clash is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, which was a 10-inch EP, containing 9 songs. The man in the foreground of the front cover art is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
The Singles is a compilation album by the English punk rock band the Clash. It includes all of the band's singles, in their original single versions, except for 1977's Capital Radio and 1985's "This Is England", due to its parent album, Cut the Crap (1985), being disowned by the band at that time.
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity.
The discography of the British punk rock band the Clash consists of six studio albums, two extended plays, two live albums and 31 singles.
The Story of the Clash, Vol. 1 is a double-disc compilation album by the English punk rock band the Clash. Consisting of 28 tracks, it was released on 29 February 1988 by Epic Records. The compilation presents a relatively thorough overview of their career, but does not feature any material from their final studio album, Cut the Crap (1985). An anticipated second volume was to have consisted of live recordings but remains unreleased, although a live compilation, From Here to Eternity: Live, was released in 1999. The original vinyl set was released with four different colored cover variations: red, blue, yellow and green.
"The Guns of Brixton" is a song by the English punk rock band the Clash. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side "Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, Give 'Em Enough Rope (1978). It was later included as the opening track of the belated US version of the band's debut album.
"This Is England" is a song by the English punk rock band the Clash, released as a single in September 1985, from their sixth and final studio album, Cut the Crap. Produced by Bernard Rhodes and co-written by Strummer and Rhodes, it was the band's last single, in their later incarnation of Joe Strummer, Paul Simonon, Nick Sheppard, Pete Howard and Vince White.
"The Call Up" is a song by English punk rock group the Clash. It was released as the first single from the band's fourth album, Sandinista!. The single was released in November 1980, in advance of the release of Sandinista!, with "Stop the World" as its B-side.
"This Is Radio Clash" is a song by the English punk rock band the Clash. It was released as a single in 1981 on various formats. The first public performance of the song was on Tom Snyder's Tomorrow show on 5 June 1981.
Capital Radio is a song and an extended play by the English punk rock band the Clash. The original song has been included as "Capital Radio" or "Capital Radio One" on the Capital Radio EP (1977), Black Market Clash (1980), The Story of the Clash, Volume 1 (1988), Clash on Broadway (1991), From Here to Eternity: Live (1999), The Essential Clash (2003), and Singles Box (2006).
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their eponymous debut album (1977). The song is named after Janie Jones, who was a famous madam in London during the 1970s and had been a pop singer during the 1960s.
"Groovy Times" is a song by the Clash, featured on their The Cost of Living EP, and released as a promotional single in 1979 in Australia by Epic Records, and also included with initial pressings of the US release of the band's debut album. It was originally recorded as "Groovy Times Are Here Again" during the recording sessions for Give 'Em Enough Rope, however this demo has never been officially released, but can be found on many Clash bootlegs. It was never performed live.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
Sound System is a box set collection by the Clash released in September 2013. The box contains the band's studio albums newly re-mastered by Mick Jones, with a further three discs featuring demos, non-album singles, rarities and B-sides, a DVD with previously unseen footage by both Don Letts and Julien Temple, original promo videos and live footage, plus an owner's manual booklet, reprints of the band's original 'Armagideon Times' fanzine and merchandise including dog tags, badges, stickers and a poster. The boom box packaging was designed by Paul Simonon. The set was released simultaneously with 5 Album Studio Set, which contains only the five studio albums, and a greatest hits package titled The Clash Hits Back.
5 Album Studio Set is a box set collection by the Clash released in September 2013. The box contains newly re-mastered by Mick Jones of the band's first five albums on eight discs minus their final album, Cut the Crap. The albums came in vinyl replica packaging and the box was designed exclusively by the band.