The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk.
Super Black Market Clash is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite.
From Here to Eternity: Live is a live album by English punk rock band The Clash. It was released on 4 October 1999 through Epic Records. The songs were recorded at different shows. Some of the recordings featured also appear in the film Rude Boy. "London's Burning", "What's My Name" and "I Fought the Law" were instrumentally overdubbed to repair some technical deficiencies of the original live recording.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.
"Career Opportunities" is a song by The Clash, recorded for their debut studio album, The Clash in 1977.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity.
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
"English Civil War" is a song by English punk rock band the Clash, featured on their second album Give 'Em Enough Rope, and released as a single on 23 February 1979. It reached number 25 in the UK Singles Chart and number 29 in the Irish Singles Chart.
Clash on Broadway is a box set compilation album by the English punk rock band the Clash, released on Legacy Records in 1991. It comprises 64 tracks on three compact discs, spanning the time period from their 1977 debut single, "White Riot", through the Combat Rock album of 1982. It does not include material from the band's final sessions led by Joe Strummer and Paul Simonon, resulting in the final album Cut the Crap (1985). It was initially released in longbox form.
"I'm So Bored with the U.S.A." is a song by British punk rock band the Clash, featured on their critically acclaimed 1977 debut album, which was released in the United States in July 1979 as their second album after Give 'Em Enough Rope. It was the album's third track in the original version and second in the US version.
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side "Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, Give 'Em Enough Rope (1978). It was later included as the opening track of the belated US version of the band's debut album.
"Tommy Gun" is a song by the British punk rock band The Clash, released as the first single from their second album Give 'Em Enough Rope (1978).
"Death or Glory" is a song by the English punk rock band the Clash featured on their 1979 album London Calling. The song was written by Joe Strummer and Mick Jones and features Strummer on lead vocals. The song was written about the previous generation of rock stars who swore that they would die before growing old. French rock critic Philippe Manoeuvre called it a "parody of Thin Lizzy".
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their debut album, The Clash (1977). The song is named after Janie Jones, a cabaret singer who organised sex parties at her Kensington home.
"London's Burning" is a song by The Clash from their eponymous debut album. It is the eighth track in the U.K. version of this album, and the seventh track in the U.S. version, from 1979.
The Clash were an English rock band that formed in 1976 as part of the original wave of British punk rock. Along with punk rock, they experimented with reggae, ska, dub, funk, rap and rockabilly. For most of their recording career, The Clash consisted of Joe Strummer, Mick Jones, and Paul Simonon, with Terry Chimes or Nicky "Topper" Headon on drums and percussion. The band features in several documentaries and other films.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
