Deep Breakfast | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 12, 1984 | |||
Recorded | September–October 1984 | |||
Studio | Ray Lynch's home studio [1] | |||
Genre | New-age space music [2] | |||
Length | 40:20 | |||
Label | Ray Lynch Productions Music West (1986 reissue) Windham Hill Records (1992 reissue) [3] | |||
Producer | Ray Lynch | |||
Ray Lynch chronology | ||||
|
Review scores | |
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Source | Rating |
AllMusic | [4] |
Encyclopedia of Popular Music | [5] |
Deep Breakfast is the second album by American new-age artist Ray Lynch, released on December 12, 1984, on Lynch's own label. After signing with Music West Records, the album was released more widely in March 1986. [6] By October 1986 the album had sold 72,000 copies, becoming Lynch's breakout work. [7] The first track "Celestial Soda Pop" was tapped for the theme song of the NPR show Fresh Air , increasing exposure and sales of the album. [8]
Upon its re-release, the album was universally praised for its new-age style melding of electronic and classical sounds. In 1989, the album peaked at number 2 on Billboard 's Top New Age Albums chart, behind David Lanz's album Cristofori's Dream . [9] The album was certified Platinum by the Recording Industry Association of America in 1994. [10]
The album's title and some of the song names were taken from the then-unpublished The Mummery Book by Lynch's spiritual teacher, Adi Da Samraj. [11] [12] [13] The line inspiring the album's name was reprinted on the back of the LP sleeve in 1986: "Evelyn slapped Raymond on the back with a laugh. 'You must be starved, old friend. Come into my apartments, and we'll suffer through a deep breakfast of pure sunlight.'" [3] In an interview with Cymbiosis , Lynch said that "Celestial Soda Pop" was named by a friend of Lynch after hearing that song for the first time. [13]
The artwork used for the album was oil painted by Lynch's friend, Kim Prager. [14]
Joe Brown of The Washington Post praised the album, calling it an album that is "effective with headphones". Brown particularly praised the song "The Oh of Pleasure", stating that it "uses gradual amplification to give the strange sensation that you're being drawn deeper and deeper into the sound." [15] Bill Henderson of the Orlando Sentinel called the album a "rare surprise", praising its "smoothness and sheer beauty." [16] P.J. Birosik of Yoga Journal called the album "the breakthrough new age pop record". [17] David Stockdale of Sunday Tasmanian labeled the album more than "a modern masterpiece" because "It's an absolute joy to behold." Stockdale also compared some of Lynch's works in the album to Vangelis, especially in "Your Feeling Shoulders". [18] William Ruhlmann of AllMusic gave the album five stars, praising the album's use of "deeply textured melodic structure and a buoyant rhythmic underpinning ". [4] Digital Audio & Compact Disc Review praised the album, believing that it is a "step forward toward maturity for New Age music." [19] Electronic Musician noted that the album is rooted from baroque music, specifically in the way Lynch "constructs neoclassical, melodically beautiful songs of remarkable clarity." The magazine also noted that "Lynch's relationship with synthesizers is a bit different from a keyboardist's" due to his background as a lutist. [20] In an article regarding the artist, Steve Korte of CD Review considered the album a classic. [21]
On June 3, 1989, Cash Box magazine commented that the album became "the only gold album ever by a new age artist on an indie label." [22]
Deep Breakfast includes the following tracks. All music is written by Ray Lynch, except where noted. [23]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Celestial Soda Pop" | 4:37 | |
2. | "The Oh of Pleasure" | Tom Canning, Ray Lynch | 5:18 |
3. | "Falling in the Garden" | 2:44 | |
4. | "Your Feeling Shoulders" | 7:28 | |
5. | "Rhythm in the Pews" | 4:09 | |
6. | "Kathleen's Song" | 4:05 | |
7. | "Pastorale" | 5:26 | |
8. | "Tiny Geometries" | 6:08 |
All music composed, arranged, and produced by Ray Lynch except The Oh of Pleasure which was co-written by Lynch and Tom Canning. [24]
Chart (1988-1989) | Position |
---|---|
Billboard New Age Albums [9] | 2 |
Cash Box Indie Jazz Albums [25] | 26 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [10] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
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"Celestial Soda Pop" is a song by American new-age musician Ray Lynch for his third album, Deep Breakfast.
Lynch records and mixes his albums in his home studio.
Several of his themes, "The Oh of Pleasure," "Your Feeling Shoulders," and "Tiny Geometries," as well as the disc's title, were taken from the unpublished Buddhist novel The Mummery by Da Free John.
Many of the titles on Deep Breakfast and No Blue Thing come from The Mummery, Love-Ananda's unpublished novel. Lynch said the novel is about 'the transcendence of the ego,' and it may be published this year. [...] Despite the references to Love-Ananda's book, Lynch said he's not trying to promote a particular philosophy through the music.
'A good friend of mine joked when hearing the first song that I should call it 'Celestial Soda Pop'. He was laughing, but the name stuck and it's a bit humerous. 'Rhythm in the Pews', although my own title, was suggested by a title in The Mummery, a published novel by Love Ananda.
An artist friend of Ray's, Kim Prager (now Zen Player), had heard some of the new music and asked for a copy of it, which Ray gave him. Several weeks later, Kim came back to Ray with this lively oil painting, which really captured the spirit of the music.
More in the Vangelis mould of romantic-melodrama is Your Feeling Shoulders. It soars to a majestic climax on the wings of his resonant keyboards...Deep Breakfast more than lives up to the claim that it's a modern masterpiece. It's an absolute joy to behold.
Deep Breakfast is a triumph for Lynch and a step forward toward maturity for New Age music.
A former lutist with a renaissance quartet, Lynch's relationship with synthesizers is a bit different from a keyboardist's. Specifically, he constructs neoclassical, melodically beautiful songs of remarkable clarity — due in part to the percussive, short-envelope sounds with which he works. You can feel the baroque roots.
His 1984 Deep Breakfast disc (Windham Hill) is considered a classic, and his perky instrumental composition "Celestial Soda Pop" from that album is a standard that you've probably heard dozens of times in your local supermarket or dentist's office.