Degradation Trip is the second solo album by Alice in Chains guitarist and vocalist Jerry Cantrell, released on June 18, 2002.[1] It marks his difficult transition from Columbia Records to Roadrunner, and was dedicated to Alice in Chains lead singer Layne Staley, who died two months before the album's release.[6][8] The title was taken from the song "Solitude", the fifth track from the album.[9]Degradation Trip featured two singles and was well received by critics, faring better than Cantrell's solo debut and bearing stronger resemblance to his work in Alice in Chains. The tracks "Anger Rising" and "Angel Eyes" were released as singles. "Anger Rising" reached No. 10 on Billboard's Mainstream Rock Tracks and stayed on the chart for 18 weeks.[10] The album has sold 100,000 copies in the U.S. as of December 2002.[11] In April 2019, it was ranked No. 21 on Rolling Stone's "50 Greatest Grunge Albums" list.[12]Degradation Trip was released on vinyl for the first time on January 20, 2017, with a limited edition of 1,500 copies on transparent green vinyl.[8]
The album was the result of an intense writing process that resulted in 25 songs.[13] Cantrell enlisted new bandmates (Faith No More drummer Mike Bordin and then-Ozzy Osbourne/Black Label Society bassist Robert Trujillo) to officially dissociate himself from the incapacitated Alice in Chains and, after being dropped from Columbia, faced a turbulent recording process funded entirely by himself. After a lack of label interest, Cantrell eventually acquired a deal with Roadrunner who requested that he condense the material to 14 tracks.[13] On November 26, 2002, the full Degradation Trip sessions' songs were released in their entirety as Degradation Trip Volumes 1 & 2. Cantrell's backing band for the Degradation Trip tour was Comes with the Fall, featuring Alice in Chains' future co-lead vocalist, William DuVall.
Background
Not long after the April 1998 release of Cantrell's solo debut, Boggy Depot, he began work on a sophomore record which he confidently projected for a mid-'99 release.[14] The majority of this follow-up, later entitled Degradation Trip, was written in the seclusion of a house in the Cascade Mountains. In a state of self-imposed isolation, Cantrell recorded the demos using a four-track recorder and a Gibson Les Paul.[15] In 2002, he detailed the experience of writing the album and its outcome:
"In '98, I locked myself in my house, went out of my mind, and wrote 25 songs. I rarely bathed during that period of writing; I sent out for food; I didn't really venture out of my house in three or four months. It was a hell of an experience. The album is an overview of birth to now. . . Boggy Depot is like kindergarten compared to this. The massive sonic growth from Boggy Depot to Degradation Trip is comparable to the difference between our work in the Alice in Chains albums Facelift to Dirt, which was also a tremendous leap."[13]
"I got into a writing session which lasted for three or four months where I just continued to spew and pour all of this shit out of the depths of myself from every level and aspect of my life. I dealt with a lot of issues that aren't easy for me to verbally get across. I think it's easier for me to do it in a musical venue. But it was the hardest thing I've ever done in my life. I'm glad I did it and I'm glad I went through the experience, but it's certainly something I don't ever want to do again."
Amidst writing a surplus of material between fall 1998 and spring '99, Cantrell showed two of his new songs to Alice in Chains' lead singerLayne Staley, who had been living in seclusion for some time prior and had not worked with Cantrell in some time. Staley contributed to the songs which would become "Get Born Again", a single from Nothing Safe: Best of the Box, and the song "Died". Thus, rather than becoming Cantrell's solo work, this led to their recording by Alice in Chains in 1998, released the following year. They would later be recognized as the final material written by the band with Staley.[16]
When asked about his thoughts on the album in a 2018 interview with Billboard magazine, Cantrell said:
"I was just really fucked up back then to be honest with you, and you can totally hear it on that record. It was done right before I got sober, and it was also done right when I was dealing with the death of my band, and then the unhappy coincidence of Layne passing away right after I released that record. So it was not a good time in my life, and it totally comes across on that record. It does strike a chord with a lot of people. It's a record I don't listen to a lot anymore because of all those things I mentioned. And I sobered up a year after Layne passed. But it's a record that's important to me, and I'll see Robert and Mike every once in a while and they're like, "We should do some fucking shows, man. Some Degradation Trip shows." (laughs) I tell him we'll do it someday."[17]
Recording and production
By April 2000, Cantrell already had over 30 songs written, so he put aside his confinement and began to search for a band to begin the recording process of Degradation Trip.[18] To continue developing his second solo album, Cantrell enlisted drummer Mike Bordin and bassist Robert Trujillo of Ozzy Osbourne (and later Metallica). The choice would deliberately refrain Cantrell from his Alice in Chains bandmates and therefore distinguish his solo career from his past.[19] He originally booked studio time with Dave Jerden, who produced Alice in Chains' first two albums; however, Cantrell fired him after two days, claiming "It was just not working out personally... Mike and Robert had hooked up with me and we had been through rehearsals, and we got into the studio with Dave and it all blew up on us on the second day. It took us months to get regrouped again."[5] Cantrell was unable to find a replacement for Jerden and decided to self-produce Degradation Trip with his friend Jeff Tomei. They waited another three months for Bordin and Trujillo to become available again, but Cantrell found himself losing Columbia Records' approval of the project. As soon as recording began, his contract with Sony, parent to Columbia, had ended, leaving him with staggering studio bills. He continued financing it on his own, even mortgaging his house to do so,[19] and developed the album to its completion without label interference. Cantrell reflected in early 2002 on his time making a record without a label:
"It was very strange for me, because my experience in this business has been with one band and one label. The last couple years I was not only on my own making a record of the magnitude that I committed myself to, but I was having to deal with being like a brand new artist going around to all these different labels and meeting with them and hearing the same things over and over: 'Yeah, we love it. We love you,' and then have nothing happen. It was a little disheartening after a while."[5]
Trujillo noted the difficulty in re-recording Cantrell's "little hoodrat demos". He was asked to replicate the demo arrangements which were on cassette and, according to Trujillo, had nearly indistinguishable bass. It resulted that Trujillo, inspired by Pino Palladino, developed his own code for writing down bass compositions which he would continue using in the future.[20] However, he remarked positively on his recording experience with Cantrell: "I was primarily just there to enhance the bass, but he taught me a lot about simplicity and using space and notes that really mean something to a song."[21]
Finally, he was picked up by Roadrunner who insisted Cantrell narrow his solo work to 14 songs.[4] He was told, however, that the remaining tracks would later be released in some form. Indeed, on November 26, 2002, a second version of the album – considered to be the "definitive" and originally intended version – was released. This limited editiondouble album includes 11 additional recordings that Roadrunner forced Cantrell to cut, in fear that a double album would have low commercial viability. As such, Cantrell has called the single-disc release the "Reader's Digest version" of Degradation Trip.[22]
"From Boggy [Depot] to this record is like the jump that Alice made from Facelift to Dirt times two, as far as the musical growth goes."
With its aggressive, metallic approach and dark tones, Degradation Trip more easily compares to Cantrell's previous work in Alice in Chains than that of his more experimental solo debut. A hallmark of Cantrell's style, many unorthodox rhythms and time signatures are exhibited throughout the album as well as heavy use of wah-wahguitar effect and choir-like vocal harmonies.
The album's grungy heaviness is balanced, however, by moody acoustic ballads such as the somber "Angel Eyes". Serene, twangy guitar riffs featured in the likes of "Gone" allude more to Cantrell's Southern roots.
Its lyrics, often haunting and confessional, range from cynical sarcasm to explicitly morbid portrayals. Cantrell vents on the demise of his band and other personal issues with depictions of drug abuse, troubled relationships, and the rocky, hedonistic lifestyle of a musician. The album's title refers to Cantrell's self-imposed isolation and appears in "Solitude", a brooding acoustic track. The lyrical impact of songs such as "Psychotic Break", which also describes Cantrell's seclusion and reflects on deceased friends and family, was only prophetically magnified upon the sudden death of Layne Staley in April 2002.[2]
Packaging and title
The album title comes from a line in the song "Solitude", the fifth track from Degradation Trip.[9]
The album cover was unveiled on April 10, 2002.[24] The artwork was designed by Pascal Brun, and the photographs were shot by Comenius Röthlisberger, both from Team Switzerland.[25] The front cover features a green image of Cantrell's dismembered left arm lying on a green field with guitar strings wrapped around his fingers and attached to the inner side of his elbow, alluding to the movement of playing the guitar. Female body parts are featured on the booklet for each lyric, with the song title tattooed on the skin. The booklet also contains an image of Cantrell lying on the ground bare chested with his eyes and lips upside down, and a dismembered right hand with a screw replacing the index finger. Pictures of Cantrell alongside Robert Trujillo and Mike Bordin complete the booklet. The back cover has a photo of Cantrell, Trujillo and Bordin in a field, and the dedicatory "This record is dedicated to Layne Staley" above the track listing.[26][25]
Promotion and touring
Two singles were released off the album, "Anger Rising" and "Angel Eyes". The former debuted in April 2002 and had a music video which gained the album substantial coverage on MTV2. The acoustic ballad "Angel Eyes" surfaced on radio in September. MTV2 also aired short segments of a primitively animated Cantrell discussing various aspects of his music and personal life. Prior to the release of Degradation Trip, "She Was My Girl" appeared on the soundtrack for the film Spider-Man (2002).[27]
With his album still being shopped around to labels, Jerry Cantrell began a national club tour with a show in his new hometown, San Francisco, California,[3] in January 2001. Supported by Comes with the Fall and Swarm, he recruited M.I.R.V. guitarist Bryan Kehoe to join himself, Bordin, and Trujillo on stage. The three bands performed together from March 13 to April 5, 2001.[28]
In May 2001, Cantrell had an accident while playing football after a concert at the Kentucky Derby and broke his left hand and had to undergo reconstructive surgery, which caused the tour to be postponed.[29][30] Cantrell's first concert after the surgery was at the Key Club in West Hollywood on July 1, 2001.[31]
Comes with the Fall, a young band that Cantrell admired, would continue touring with him into the following year and even participate during his sets, which included both solo work and Alice in Chains songs.[16][32]
In support of his new album, Cantrell embarked on a two-month North American solo tour beginning April 20, 2001.[28] Cantrell, who had recently signed with Roadrunner,[4] performed at the 16th annual South by Southwest music conference in March 2002.[33] Despite the death of Layne Staley during this time, Cantrell opted not to cancel any shows, stating, "The shows I played between the time I got the word about Layne and Layne's funeral were very important to me in terms of being able to continue on. It's one of those things where if you take a break and allow things to settle in, it might be harder to get up again."[15] Cantrell later told Pennsylvania's The Times, "It's difficult to do interviews - it's hard to talk about it. I'm just thankful to have a tour and work - something I can focus on."[34]William DuVall of Comes with the Fall (future Alice in Chains vocalist), who performed Staley's vocals during concerts,[32] elaborated on this emotional period:
"I lost my grandfather in the same week, so Cantrell and I both hit the road with immense personal losses dogging us. There were times on stage—there was one show in Charlotte where it was just so heavy. I’m holding back tears onstage, and Jerry would start crying onstage too a lot at that point, and a lot of times we would just look at each other when we were singing the stuff because it was the only way... it was heavy. I can’t quantify it really in words."[35]
Cantrell canceled the show that he was scheduled to perform at Zephyrhills's Livestock Festival on April 28, 2002, in order to attend Staley's funeral in Seattle.[36] Cantrell was replaced by heavy metal band Neurotica.[37]
That summer, Cantrell toured with Nickelback, whom he had befriended at a Roadrunner Records Christmas party, and played in select cities with Creed. However, Bordin and Trujillo were occupied recording Ozzy Osbourne's latest album, forcing Comes with the Fall to both perform as Cantrell's band and open for him in October.[16] The solo musician found himself ironically opening for bands that his previous elder group, Alice in Chains, had undeniably influenced.[16] Regarding the tours, Cantrell expressed enthusiasm toward Nickelback, a Canadian band with high admiration for Cantrell.[16] During some shows, Cantrell also joined Nickelback to play the Alice in Chains song "It Ain't Like That" together, as documented on Nickelback's Live at Home DVD. However, Cantrell also noted his annoyance toward Creed's indifference and lack of friendliness while touring with them, he said; "Personally speaking, I had a great time with the Nickelback guys who are actually real guys and a young fuckin’ hot band, the whole vibe of being around that's exciting. The Creed thing was a little more stale. I just didn't find them very personable guys. I was on tour with them for fuckin’ ever and I still hadn't even met em’. When you spend two months together, you generally find some time to fuckin’ say hello or whatever. It was really kinda weird in that respect. I'd never been on a tour that was that fuckin’ stale on a personal level".[16]
Cantrell also took part in the Canada's Edgefest. One particularly heated show forced Cantrell to swap places with Sevendust who were having trouble crossing into Canada, and postponed their slot. The sudden inconvenience led to technical problems with Cantrell's set and a rift between the two parties; his guitar shorted out early on, and he later tripped on a microphone cord before angrily ending his set early. Cantrell then gave the crowd a disparaging remark about the upcoming Sevendust. Lajon Witherspoon, frontman of Sevendust, then spoke out during their set: "When Jerry Cantrell says fuck Sevendust, I say fuck you, Jerry Cantrell. I hope you heard me, Jerry Cantrell."[38] However, Sevendust's spokesman soon after claimed that the two parties had apologized over the misunderstanding and that Cantrell was largely just upset over the technical difficulties. Further details revealed that Sevendust's bus broke down on their way to Ontario and that they waited two hours for officers to clear them to cross the border.[39]
After opening for Nickelback and Creed, Cantrell began a headlining tour on October 9. This included Comes with the Fall, Mad at Gravity and Udora as openers.[40]
Degradation Trip was originally scheduled to be released on May 19, 2002,[45] but the release was pushed back to June 25,[24] and finally pushed forward to June 18.[46]
The album debuted at No. 33 on the Billboard 200 chart,[47] selling more than 31,000 copies.[48] The album stayed on the top 200 for 5 weeks,[49] and sold 100,000 copies as of December 2002.[11]
The album received overwhelmingly positive reviews from various media and stronger enthusiasm than Cantrell's solo debut. Many critics noted that the album holds many similarities to the Alice in Chains sound while also featuring new elements. Its bleak lyrical themes also gained much attention, particularly due to the recent death of Layne Staley.
Months prior to the album's release, Jon Wienhorn of MTV declared it "Cantrell's best and most personal outing since Alice in Chains' last stand, and in many ways the disc takes over where that band left off."[5]Allmusic's Stephen Thomas Erlewine claimed that "serious listeners and longtime fans will [...] appreciate the album as Cantrell's best record since Dirt" and regarded Cantrell as being "on top of [his] game".[42] Sandy Masuo of Rolling Stone considered it less adventurous than Boggy Depot but noted, "There's no happy ending when all is said and done, but it's a more poetic trip than most angst merchants offer these days, and for that reason alone it's a journey worth taking." Blender's J.D. Considine similarly praised Cantrell's lyrics: "For all the overdubbed vocals and layered guitars, it’s the writing, not the arranging, that carries this album. Cantrell creates songs, not just riffs, and Degradation Trip is packed with memorable melodies and strikingly vivid lyrics."
Alice in Chains is an American rock band from Seattle, Washington, formed in 1987. Since 2006, the band's lineup has comprised vocalist/guitarists Jerry Cantrell and William DuVall, bassist Mike Inez and drummer Sean Kinney. Vocalist Layne Staley and bassist Mike Starr are former members of the band. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Often associated with grunge music, Alice in Chains' sound incorporates heavy metal elements. The band is known for its distinctive vocal style, which often included the harmonized vocals between Staley and Cantrell, making Alice in Chains a two-vocal band.
Layne Thomas Staley was an American singer and songwriter who was the original lead vocalist of Alice in Chains, which rose to international fame in the early 1990s as part of Seattle's grunge movement. He was known for his distinctive vocal style as well as his harmonizing with bandmate Jerry Cantrell. Prior to his success with Alice in Chains, Staley was also a member of the glam metal bands Sleze and Alice N' Chains. He was also a part of the supergroups Mad Season and Class of '99.
Jerry Fulton Cantrell Jr. is an American guitarist, singer, and songwriter. He is best known as the founder, lead guitarist, co-lead vocalist, and main songwriter of the rock band Alice in Chains. The band rose to international fame in the early 1990s during Seattle's grunge movement and is known for its distinctive vocal style and the harmonized vocals between Cantrell and Layne Staley. Cantrell started to sing lead vocals on Alice in Chains' 1992 EP Sap. After Staley's death in 2002, Cantrell took the role of Alice in Chains' lead singer on most of the songs from the band's post-Staley albums, Black Gives Way to Blue (2009), The Devil Put Dinosaurs Here (2013), and Rainier Fog (2018), with DuVall harmonizing with him in the new songs and singing Staley's vocals in the old songs in live concerts.
Alice in Chains is the third studio album by American rock band Alice in Chains. It was released on November 7, 1995, by Columbia Records, and was the follow-up to the highly successful Dirt (1992). This is the band's first full-length studio album to feature bassist Mike Inez and their last studio album to feature original lead vocalist Layne Staley before his death in 2002. It is also their final studio album to be released through Columbia. As with their previous releases, the album's songs focus on heavy emotional content and subject matter such as drug addiction, depression, religion, broken relationships, and the internal tensions within the band. The album's music relies less on metallic riffs and more on melody and texturally varied arrangements, integrating some of the more delicate acoustic moods of their EPs.
Unplugged is a live album by the American rock band Alice in Chains, released on July 30, 1996, by Columbia Records. It was recorded on April 10, 1996, at the Brooklyn Academy of Music's Majestic Theatre for the television series MTV Unplugged. The show was directed by Joe Perota and first aired on MTV on May 28, 1996. Home video releases of the MTV broadcast were released on VHS in October 1996, and on DVD in October 1999. The MTV Unplugged was Alice in Chains' first concert in two and a half years, and contains live, acoustic versions of the band's biggest hits and lesser-known songs.
Sean Howard Kinney is an American musician, best known as the drummer and co-founder of the rock band Alice in Chains. Kinney also founded the short-lived supergroup Spys4Darwin, and has collaborated with other artists such as Johnny Cash and Metallica. He played drums for his Alice in Chains bandmate, Jerry Cantrell's first solo album, Boggy Depot (1998). Since 2009, Kinney has been co-owner of the Crocodile club in Seattle. He was a guest drummer on NBC's Late Night with Seth Meyers in September 2018. Kinney has earned nine Grammy Award nominations as a member of Alice in Chains.
Michael Allen Inez is an American rock musician who has been the bassist of Alice in Chains since 1993. He is also recognized for his work with Ozzy Osbourne from 1989 to 1993. Inez has also been associated with Slash's Snakepit, Black Label Society, Spys4Darwin, and Heart. He is of Filipino descent. Inez has earned seven Grammy Award nominations as a member of Alice in Chains.
Michael Christopher Starr was an American musician best known as the original bassist for the rock band Alice in Chains, with which he played from the band's formation in 1987 until January 1993. He was also a member of Sato, Gypsy Rose, Sun Red Sun and Days of the New. In 2011, Starr died of a prescription drug overdose at the age of 44.
Degradation Trip Volumes 1 & 2 is a double album by Jerry Cantrell, released on November 26, 2002, through Roadrunner Records. It is an expanded limited edition of Cantrell's Degradation Trip album, which was released five months earlier. All the songs were written long prior to the first release of Degradation Trip. The title was taken from the song "Solitude", the fifth track from the album. Roadrunner Records, uneasy toward the idea of a double album release, made Cantrell condense it, but promised to eventually release all of his material.
William Bradley DuVall is an American musician best known as the current co-lead vocalist and rhythm guitarist for the rock band Alice in Chains. He joined Alice in Chains in 2006, replacing the band's original lead singer, Layne Staley, who died in 2002, and shares vocal duties with guitarist/vocalist Jerry Cantrell. DuVall has recorded three albums with the band: 2009's Black Gives Way to Blue, 2013's The Devil Put Dinosaurs Here, and 2018's Rainier Fog. DuVall won an ASCAP Pop Music Award for co-writing the song "I Know" for Dionne Farris in 1996 and has earned three Grammy Award nominations as a member of Alice in Chains.
Comes with the Fall is an American rock band from Atlanta, Georgia formed in 1999. Since 2001, the lineup has been composed of William DuVall, Adam Stanger (bass), and Bevan Davies. Nico Constantine was the band's second guitarist before departing in 2001. They served as Jerry Cantrell's backing band in support of his solo album Degradation Trip in 2002, while DuVall joined Alice in Chains as lead singer during the band's reunion concerts in 2006, becoming an official member in 2008. The band's name is from the cult horror classic Rosemary's Baby that an investigating Mia Farrow spells out on scrabble pieces.
"Get Born Again" is a song by the American rock band Alice in Chains and, along with "Died", one of the last two songs recorded with vocalist Layne Staley before his death in 2002. The song was released as the lead single from the compilation Nothing Safe: Best of the Box (1999) on June 1, 1999. It peaked at No. 4 on the Billboard Mainstream Rock Tracks chart, and at No. 12 on the Modern Rock Tracks chart. "Get Born Again" was nominated for the Grammy Award for Best Hard Rock Performance in 2000. The song was also included on the compilation albums Music Bank (1999) and The Essential Alice in Chains (2006).
"Died" is a song by Alice in Chains and the final one recorded with vocalist Layne Staley before his death in 2002. The song was included on the compilation albums Music Bank (1999) and The Essential Alice in Chains (2006).
"Anger Rising" is a song by American rock musician Jerry Cantrell. It was the lead single from his 2002 solo album, Degradation Trip. Cantrell's fourth single overall, the track made its radio debut in early April 2002. The single spent 18 weeks on Billboard's Mainstream Rock Tracks chart and peaked at No. 10.
"Nutshell" is a song by Alice in Chains that originally appeared on the band's 1994 extended play Jar of Flies. The band played it on MTV Unplugged in 1996, and this rendition of the song was included on the compilation album Music Bank (1999), as well as The Essential Alice in Chains (2006). Since 2011, guitarist/vocalist Jerry Cantrell dedicates "Nutshell" to Alice in Chains' late original members Layne Staley and Mike Starr during the band's concerts.
Black Gives Way to Blue is the fourth studio album by the American rock band Alice in Chains, released on September 29, 2009, on the 17th anniversary of the release of their second album, Dirt. It is their first record without original lead singer Layne Staley, who died in 2002, and their first album with new vocalist and rhythm guitarist William DuVall sharing vocal duties with lead guitarist/vocalist Jerry Cantrell, who sings lead vocals on most of the songs. The title track is a tribute to Staley featuring Elton John on piano. This is the first Alice in Chains album released on Virgin Records and their first venture away from Columbia, who handled all of their previous releases. The album debuted at No. 5 on the Billboard 200, and was certified gold by the RIAA on May 26, 2010, with shipments exceeding 500,000 copies in the U.S. and over 1 million copies sold worldwide. "Check My Brain" and "A Looking in View" were both nominated for the Grammy Award for Best Hard Rock Performance in 2010 and 2011, respectively. Black Gives Way to Blue won Revolver magazine's Golden Gods Award for Album of the Year in 2010.
Adam Stanger is an American musician best known as the bassist for the band Comes with the Fall. The Year is One, the band's second album, was released in 2001 to positive reviews. The following year, Comes with the Fall were announced to be Jerry Cantrell's opening and backing band for his tour in support of Degradation Trip, Cantrell's second solo album. Comes with the Fall toured with Cantrell throughout 2002, while they released a live album, titled Live 2002, the same year. A live DVD Live Underground 2002 towards the end of the 2003 and they planned to record and release a new album by 2004.
"Angel Eyes" is a song by American rock musician Jerry Cantrell. It was the second and final single from his 2002 solo album, Degradation Trip. The track made its radio debut in September 2002.
"Black Gives Way to Blue" is a song by American rock band Alice in Chains, and the last track on their 2009 studio album of the same name. Written and sung by guitarist/vocalist Jerry Cantrell, it features Elton John on piano. The song is a tribute to the band's late lead singer, Layne Staley, who died in 2002. Cantrell described the song as the band's goodbye to Staley. The first concert that Staley attended was Elton John's, and Cantrell's first album was Elton John Greatest Hits (1974). A piano mix of the song is a bonus track on iTunes. The lyrics to "Black Gives Way to Blue" are printed on the base plate of Jerry Cantrell's signature Cry Baby Wah-Wah pedal.
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