Demetrius and the Gladiators | |
---|---|
Directed by | Delmer Daves |
Written by | Philip Dunne |
Based on | Characters from The Robe by Lloyd C. Douglas |
Produced by | Frank Ross |
Starring | |
Cinematography | Milton R. Krasner |
Edited by | Robert Fritch Dorothy Spencer |
Music by | Franz Waxman |
Production company | |
Distributed by | 20th Century-Fox |
Release date |
|
Running time | 101 minutes |
Country | United States |
Language | English |
Budget | $1.99 million [2] |
Box office | $26,000,000 [3] |
Demetrius and the Gladiators is a 1954 American biblical drama film and a sequel to The Robe . The picture was made by 20th Century-Fox, directed by Delmer Daves and produced by Frank Ross. The screenplay was written by Philip Dunne based on characters created by Lloyd C. Douglas in The Robe.
The movie presents Victor Mature as Demetrius, a Christian slave made to fight in the Roman arena as a gladiator, and Susan Hayward as Messalina, a reprobate who is the wife of Claudius, the uncle of the depraved emperor Caligula. The cast also features Ernest Borgnine, William Marshall, Michael Rennie, Jay Robinson as Caligula, Debra Paget, Anne Bancroft in one of her earlier roles, and Julie Newmar as a briefly seen dancing entertainer. The film is in Technicolor and CinemaScope.
After his friends Marcellus and Diana are executed for heresy and treason, Demetrius makes it his mission to hide the Robe of Christ. One day, while with his beloved, Lucia (Debra Paget), he is arrested for assaulting a Roman centurion and sentenced to the arena. There, Demetrius trains as a gladiator and soon wins acclaim, proving his valor against a pack of hungry tigers. The emperor, Caligula, appoints him bodyguard of Messalina (Susan Hayward), unfaithful wife of Claudius (Barry Jones). He soon tires of waiting on his mistress and returns to the arena. Later, Lucia disguises herself to gain entrance to the gladiator school to see Demetrius. However, the two are forcibly separated on orders from a jealous Messalina. Lucia is then assaulted by Dardanius (Richard Egan) and four other gladiators. Demetrius prays for God to save her, but it appears Dardanius has broken Lucia's neck. All are shocked at Lucia's sudden demise. Demetrius then renounces his faith in Christ.
Previously, Demetrius had avoided killing human competitors in the arena because of his religion. All that now changes. He ferociously slays all five of the gladiators who assaulted Lucia. The spectators are thrilled by his savagery. Emperor Caligula asks Demetrius to renounce Christ. He does so. Thus, Caligula frees him and inducts him into the Praetorian Guard with the rank of Tribune. Having rejected Christianity, Demetrius begins a lusty affair with Messalina that lasts for months. One day, Caligula holds audience with Demetrius and orders him to retrieve the Robe. Later while carrying out the emperor's command, he is surprised to discover Lucia, lying on a bed, clutching the Robe. It turns out she never died. Demetrius realizes his mistake, prays to God for forgiveness, and Lucia awakens.
Nevertheless, Demetrius takes the Robe to the Emperor, as ordered. He is horrified that Caligula has had a prisoner killed so he can use the powers of the Robe to bring him back to life—which he fails to do. As Demetrius steps toward Caligula to attack, he is stopped by the guards. On Caligula's orders, he is returned to the arena. However, Demetrius refuses to take part in the mayhem. So the Emperor orders the Praetorian Guard to execute Demetrius. But the Praetorian Guard (already angry over bad wages and conditions) execute Caligula instead. Afterward, Claudius is installed as Caligula's successor. In his first formal address as Rome's leader, Claudius decrees that Christians will no longer be persecuted by the state. The Robe is returned to the disciple Peter and his followers.
The sequel was planned even before The Robe had been released. It was originally known as The Story of Demetrius. [4] Filming was completed by September 1953. [5]
Demetrius and the Gladiators was a massive commercial success. In its initial release, the film earned $4.25 million in US theatrical rentals, [6] [7] against a budget of less than $2 million. Overall, it grossed $26 million in North America, [3] making it one of the highest-grossing films of 1954.
Bosley Crowther of The New York Times wrote that "we've got to hand it to Producer Frank Ross and Philip Dunne, the writer who put this one together out of whole cloth instead of 'The Robe' ... they have millinered this saga along straight Cecil B. Devotional lines, which means stitching on equal cuttings of spectacle, action, sex and reverence." [8] Variety called the film "a worthy successor" to The Robe, "beautifully fashioned with all the basics of good drama and action that can play, and quite often do, against any setting, period or modern." [9] Edwin Schallert of the Los Angeles Times wrote, "As long as Mature is merely bluffing at being a gladiator, and trying at the same time to remain true to the principles of Christianity, the drama of the picture limps along ... Once Mature suddenly goes on a rampage as a fighter in the arena, 'Demetrius' takes on new life. It holds onto that animation most creditably even when its central character reforms." [10] Richard L. Coe of The Washington Post stated, "Because there is less of the religious aspect of its Lloyd C. Douglas predecessor, and much more of the man-versus-lions-versus-men-versus-women-versus-vino of the early Cecil B. DeMille school herein, I suspect that, moviewise at least, 'Demetrius and the Gladiators' is a more enjoyable, less stuffy entertainment." [11] Harrison's Reports wrote, "Excellent! As a general rule, it is too much to hope that a sequel to an outstanding picture will be as good as the original, but 'Demetrius and the Gladiators,' which is a CinemaScope sequel to 'The Robe,' is one of the rare exceptions to the rule, for it not only matches the spectacular production quality of the original but also surpasses it in entertainment appeal." [12] The Monthly Film Bulletin wrote, "This sequel to The Robe seems much less inhibited by religious awe than its predecessor. Its spectacle is more lusty; its vulgarity unabashed. Twice it turns back reverently to The Robe (in flashback) as to a chastening altar, but happily soon regains its own noisy bounce in describing suggestive doings in dirty ancient Rome." [13]
Julia Agrippina, also referred to as Agrippina the Younger, was Roman empress from AD 49 to 54, the fourth wife and niece of emperor Claudius, and the mother of Nero.
Tiberius Claudius Caesar Augustus Germanicus was a Roman emperor, ruling from AD 41 to 54. A member of the Julio-Claudian dynasty, Claudius was born to Drusus and Antonia Minor at Lugdunum in Roman Gaul, where his father was stationed as a military legate. He was the first Roman emperor to be born outside Italy.
Gaius Caesar Augustus Germanicus, better known by his nickname Caligula, was Roman emperor from AD 37 until his assassination in AD 41. He was the son of the Roman general Germanicus and Augustus' granddaughter Agrippina the Elder, members of the first ruling family of the Roman Empire. He was born two years before Tiberius was made emperor. Gaius accompanied his father, mother and siblings on campaign in Germania, at little more than four or five years old. He had been named after Gaius Julius Caesar, but his father's soldiers affectionately nicknamed him "Caligula".
The Julio-Claudian dynasty comprised the first five Roman emperors: Augustus, Tiberius, Caligula, Claudius, and Nero.
Valeria Messalina was the third wife of Roman emperor Claudius. She was a paternal cousin of Emperor Nero, a second cousin of Emperor Caligula, and a great-grandniece of Emperor Augustus. A powerful and influential woman with a reputation for promiscuity, she allegedly conspired against her husband and was executed on the discovery of the plot. Her notorious reputation probably resulted from political bias, but works of art and literature have perpetuated it into modern times.
The Robe is a 1942 historical novel about the Crucifixion of Jesus, written by Lloyd C. Douglas. The book was one of the best-selling titles of the 1940s. It entered the New York Times Best Seller list in October 1942, four weeks later rose to No. 1, and held the position for nearly a year. The Robe remained on the list for another two years, returning several other times over the next several years including when the film adaptation was released in 1953.
I, Claudius is a historical novel by English writer Robert Graves, published in 1934. Written in the form of an autobiography of the Roman Emperor Claudius, it tells the history of the Julio-Claudian dynasty and the early years of the Roman Empire, from Julius Caesar's assassination in 44 BC to Caligula's assassination in AD 41. Though the narrative is largely fictionalized, most of the events depicted are drawn from historical accounts of the same time period by the Roman historians Suetonius and Tacitus.
Quintus Naevius Cordus Sutorius Macro was a prefect of the Praetorian Guard, from 31 until 38, serving under the Roman Emperors Tiberius and Caligula. Upon falling out of favour, he killed himself.
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
Aelia Paetina or Paetina was the second wife of the Roman Emperor Claudius. Her biological father was a consul of 4 AD, Sextus Aelius Catus, while her mother is unknown.
Debra Paget is an American retired actress and entertainer. She is perhaps best known for her performances in Cecil B. DeMille's epic The Ten Commandments (1956) and in Elvis Presley's film debut, Love Me Tender (1956), as well as for the risqué snake dance scene in The Indian Tomb (1959).
Gladiator is a 2000 historical epic film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Derek Jacobi, Djimon Hounsou and Richard Harris.
Barry Cuthbert Jones was an actor in British and American films, on American television and on the stage.
Nero is an Italian-British-Spanish television film, part of the Imperium series; it was made film available on DVD as of November 2005 in the U.S. and Canada. Produced by EOS Entertainment and Lux Vide for RAI and Telecinco.
A.D. (1985) is an American/Italian miniseries in six parts that adapts the narrative in the Acts of the Apostles. Considered as the third and final installment in a TV miniseries trilogy that began with Moses the Lawgiver (1974) and Franco Zeffirelli's Jesus of Nazareth (1977), it was adapted from Anthony Burgess's 1985 novel The Kingdom of the Wicked, which was itself a sequel to Burgess's book Man of Nazareth, on which was based Zeffirelli's movie. The title is the abbreviation for Anno Domini, as the events occur in the first years of the Christian Era.
Jay Robinson was an American actor specializing in character roles. He achieved his greatest fame playing Emperor Caligula in the film The Robe (1953) and its sequel Demetrius and the Gladiators (1954), and years later portraying the boss of the character played by Warren Beatty in Shampoo (1975).
The Robe is a 1953 American fictional Biblical epic film that tells the story of a Roman military tribune who commands the unit that is responsible for the crucifixion of Jesus. The film was released by 20th Century Fox and was the first film released in the widescreen process CinemaScope. Like other early CinemaScope films, The Robe was shot with Henri Chrétien's original Hypergonar anamorphic lenses.
Gnaeus Pompeius Magnus was a noble Roman who lived during the 1st century. Pompeius was one of the sons of the consul of the year AD 27, Marcus Licinius Crassus Frugi and Scribonia.
Mnester was a renowned pantomime actor who flourished during the reigns of Roman Emperors Caligula and Claudius. Caligula admired Mnester greatly. Suetonius writes that "in relation to all those who were [Caligula's] favourites, his behavior constituted madness. He used to kiss the pantomime actor Mnester even in the middle of the games. And if, when Mnester was performing, anyone made the slightest noise, he had him dragged from his seat and flogged him himself."
Messalina, Messalina!, also known as Caligula II: Messalina, Messalina and Caligula: Sins of Rome, is a 1977 Italian sex comedy and sword-and-sandal spoof.