Denzil Forrester | |
---|---|
Born | 1956 (age 66–67) Grenada, Caribbean |
Education | Central School of Art; Royal College of Art |
Known for | Artist |
Awards | South Bank Sky Arts Award (2021) |
Denzil Forrester MBE (born 1956) is a Grenada-born artist who moved to England as a child in 1967. [1] Previously based in London, where he was a lecturer at Morley College, [2] [3] he moved to Truro, Cornwall, in 2016. [4]
Born in 1956 in Grenada in the Caribbean, Denzil Forrester moved to England when he was aged 10. [2] He attended the Central School of Art, earning a BA degree, and was one of only a few Black artists to gain an MA in Fine Art (Painting) at the Royal College of Art in the early 1980s. [5] Since then, his work has been widely shown in many exhibitions. [6] In 1982, he was included in the Royal Academy Summer Exhibition for the first time with his works "Winston Rose" and "Winston Rose 2" – portraying his friend who had been killed in a police van – and the following year his piece "Dub Charge" was also shown there. [7] In 1983, he won the Rome Scholarship, and subsequently received a Harkness Scholarship that enabled him to spend 18 months in New York City (1986–88). [2]
He has also been the recipient of two major awards at the Royal Academy Summer Show, [8] including in 1987 the Korn/Ferry International Award. [2] [9] His paintings are in the collections of Freshfields, the Arts Council of Great Britain, the Harris Museum and Art Gallery, Preston, the Walker Collection, Atlanta, [10] as well as the Government Art Collection. [11]
Notable exhibitions in which Forrester has participated include From Two Worlds, at the Whitechapel Art Gallery in 1986, and Dub Transition: A Decade of Paintings 1980–1990 (1990). [12] In 1995, he organised and curated The Caribbean Connection, exhibitions and cultural exchanges around the work of Caribbean artists. [13] [8] The exhibition was held from 15 September to 13 October 1995 at the Islington Arts Factory (where Forrester's studio was located) [14] featured Ronald Moody (from Jamaica), Aubrey Williams (Guyana), Frank Bowling (Guyana), John Lyons (Trinidad) and Bill Ming (Bermuda), with the catalogue providing a "Historical Background Sketch" by John La Rose and Errol Lloyd. [13]
Forrester's 2018 exhibition, From Trench Town to Porthowan, at the Jackson Foundation Gallery in Cornwall from 26 May to 23 June that year, was a retrospective curated by Peter Doig and Matthew Higgs. [15] [4]
Forrester is the subject of a documentary film by Julian Henriques entitled Denzil's Dance. [16]
In 2019, Art on the Underground commissioned Forrester's first major public commission, a large-scale artwork titled "Brixton Blue", to be on view at Brixton station from September 2019 to September 2020. [17]
Forrester was appointed Member of the Order of the British Empire (MBE) in the 2021 New Year Honours for services to art. [18] [19]
In 2021, Morley College named an art studio in Forrester's honour, when Sara Robertson-Jonas, Head of Visual and Digital Arts, said: "During his time at Morley, Denzil inspired generations of students to achieve their potential as artists. Denzil epitomises the many high calibre tutors at Morley who are professional artists, musicians and writers who come to share this love of creativity with others. ...It is wonderful to now see him receive international recognition for his work and for us to commemorate his contribution to Morley by naming his favourite teaching space The Denzil Forrester Studio." [20]
In common with other early Black British artists, such as Tam Joseph and Eugene Palmer, having been born in the Caribbean and brought up in the UK Forrester reflects in his paintings a duality of cultural influences; as John Lyons observed: "Denzil's respect for tradition is a manifestation of the will to find an identity within two cultures, Afro-Caribbean and European, for both have played a vital role in his process of maturing as an artist." [21]
Eddie Chambers has characterised Forrester's work as ranging from "dark, brooding and sometimes menacing works, through to bright, liberated paintings resonating with bright and vibrant colours", [5] his subject matter encompassing the atmosphere of nightclubs and of carnival, typically using large-scale canvases to produce paintings that critic John Russell Taylor has called "distinctive and unmistakable". [5] [12] Together with its depictions of street scenes and social commentary about city life, [22] particularly dealing with the racial tensions of the 1980s in the UK, [1] [23] Forrester's work has been described as "a series of historical documents related to the making of Black Britain". [5] [12]
—Foundations of Fame, The London Institute
—The Caribbean Connection, Islington Arts Factory (15 September–13 October)
—Denzil Forrester: Dub Transition: A Decade of Paintings 1980–1990, Harris Museum & Art Gallery, Preston (22 September–3 November) [12]
—Figuring Out the 80s, Laing Gallery, Newcastle —Painters at the Royal College of Art, 150th Anniversary Show
Malcolm A. Morley was a British-American visual artist and painter. He was known as an artist who pioneered in various styles, working as a photorealist and an expressionist, among many other genres.
Yinka Shonibare CBE, RA,, is a British-Nigerian artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is the brightly coloured Ankara fabric he uses. Because he has a physical disability that paralyses one side of his body, Shonibare uses assistants to make works under his direction.
Sonia Dawn Boyce, is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Faisal Abdu'Allah is a British artist and barber. His work includes photography, screenprint and installations.
Sir Richard Sheridan Patrick Michael Aloysius Franklin Bowling, known as Frank Bowling, is a British artist who was born in British Guiana. He is particularly renowned for his large-scale, abstract "Map" paintings, which relate to abstract expressionism, colour field painting and lyrical abstraction. Bowling has been described as "one of Britain’s greatest living abstract painters", as "one of the most distinguished black artists to emerge from post-war British art schools" and as a "modern master". British cultural critic and theorist Stuart Hall situates Bowling’s career within a first generation, or “wave” of post-war, Black-British art, one characterised by postwar politics and British decolonisation. He is the first black artist to be elected a member of the Royal Academy of Arts.
Eugene Olive Palmer is a Jamaican-born British artist. His work uses archival records, photographs, and contemporary media imagery as basis for his paintings. Palmer has had a long association with art curators and exhibitors Eddie Chambers and Keith Piper and is recognised as one of the leading Black artists working in Britain. He currently lives and works in London.
Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.
Winston Branch is a British artist originally from Saint Lucia, the sovereign island in the Caribbean Sea. He still has a home there, while maintaining a studio in California. Works by Branch are included in the collections of Tate Britain, the Legion of Honor De Young Museum in San Francisco, California, and the St Louis Museum of Art in Missouri. Branch was the recipient of a Guggenheim Fellowship in 1978, the British Prix de Rome, a DAAD Fellowship to Berlin, a sponsorship to Belize from the Organization of American States, and was Artist in Residence at Fisk University in Tennessee. He has been a professor of fine arts and has taught at several art institutions in London and in the US. He has also worked as a theatrical set designer with various theatre groups.
Alexander Mackenzie was a British abstract artist, an active member of the Penwith Art Society and Newlyn Art Gallery and educator. Mackenzie was born on 9 April 1923 in Liverpool. He was married to Coralie Crockett and the couple had three daughters, Pat, Althea and Rachel.
Hurvin Anderson is a British painter.
Charlotte Verity, Lady Le Brun is a painter living and working in London, UK. A monograph on her work, Charlotte Verity was published by Ridinghouse, in November 2016.
Frank Avray Wilson was a British artist, author and vegetarian. He was one of the first British artists to use Tachist or action painting techniques.
Ray Atkins is a British figurative artist, member of the St Ives School & the London Group and educator. He was born in 1937 in Exeter, Devon, and studied art at Bromley College of Art and at the Slade School of Fine Art. He is known particularly for his large paintings, painted in situ over a period of weeks or months.
Claudette Elaine Johnson is a British visual artist. She is known for her large-scale drawings of Black women and her involvement with the BLK Art Group. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today".
Errol Lloyd is a Jamaican-born artist, writer, art critic, editor and arts administrator. Since the 1960s he has been based in London, to which he originally travelled to study law. Now well known as a book illustrator, he was runner-up for the Kate Greenaway Medal in 1973 for his work on My Brother Sean by Petronella Breinburg.
John Lyons is a Trinidad-born poet, painter, illustrator, educator and curator. He has worked as a theatre designer, exhibition adviser and as a teacher both of visual art and creative writing. As an art critic, he has written essays for catalogues, notably for Denzil Forrester's major touring exhibition Dub Transition, for Jouvert Print Exhibition and Tony Phillips' Jazz and The Twentieth Century.
No Colour Bar: Black British Art in Action 1960–1990 was a major public art and archives exhibition, the first of its kind in the UK, held at the Guildhall Art Gallery, City of London, over a six-month period, with a future digital touring exhibition, and an associated programme of events. No Colour Bar took its impetus from the life work and archives of Jessica Huntley and Eric Huntley, Guyanese-born campaigners, political activists and publishers, who founded the publishing company Bogle-L'Ouverture Publications and the associated Walter Rodney Bookshop.
Althea McNishFSCD was an artist from Trinidad who became the first Black British textile designer to earn an international reputation.
Andrew Litten is a Cornwall-based English artist born in 1970 in Aylesbury, UK. His paintings have been exhibited in the United Kingdom, including the Tate Modern in London, China, USA, Germany, Australia, Mexico, Poland and Italy.
Barbara Tribe (1913–2000) was an Australian-born artist who spent most of her career in Cornwall. She is regarded as a significant twentieth-century portrait artist, working both in painting and sculpture.