Deodhani dance is a Shaman folk dance from the Indian state of Assam. It can be performed either solo or in a group. Deodhani may have 2 origins. Firstly, the Austro-Dravidian Kaibarta-Jalkeot 'Deodha-Joki' dance origin of Undivided Kamrup region alongwith the Tibeto-Burman Bodo origin of 'Doudini Mwsanai'. [1] A group performance of Deodhani generally consists of three or four women. The dance form is associated with the worship of the snake goddess Marei/Maroi. [2] A Deodhani dance is generally performed to the accompaniment of songs sung by an Ojha traditional chorus leader in the Darrang district of Assam but is traditionally performed and accompanied by the 'BorDhul ie. The traditional Logdrum of the Kaibarta-Jalkeot people of Kamrup region. [3]
Deodhani is derived from two words – Deo, which means God, and Dhani, which means woman, literally meaning a woman possessed (Shaman) by god. A male Shaman form is also present, called 'Deodha-Joki' in Kamrup by the Kaibarta-Jalkeot people and 'Deodhai' elsewhere in Assam. Deodhani depicts the dance of a Shaman woman or man when he or she is possessed by a spiritual being. In Deodhani, the songs sung by Ojapali are known as Xuknoni in undivided Darrang district and is quite distinct from the aboriginal 'Deodha-Joki' origin & ritualistic oracle cum Shamanistic dance form of the Kaibarta-Jalkeot community in Undivided Kamrup district it is accompanied by Bor-Dhol's. [4] [5]
Dancers take a sword and shield and present a virile war dance during the performance. [5] [6]
Bihu is of three types and it is an important cultural festival unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Barman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.
The Bodoland Territorial Region (BTR) is an autonomous division in Assam, India, and a proposed state in Northeast India. It is made up of four districts on the north bank of the Brahmaputra River below the foothills of Bhutan and Arunachal Pradesh. It is administered by an elected body known as the Bodoland Territorial Council which came into existence under the terms of a peace agreement signed in February 2003 and its autonomy was further extended by an agreement signed in January 2020. The region covers an area of over nine thousand square kilometres and is predominantly inhabited by the Bodo people and other indigenous communities of Assam.
Kamrup Rural district, or simply Kamrup district, is an administrative district in the state of Assam in India formed by dividing the old Kamrup district into two in the year 2003; other being Kamrup Metropolitan district, named after the region it constitutes. This district, along with Nalbari, Barpeta, Kamrup Metropolitan, Bajali and Baksa districts has been created from the Undivided Kamrup district.
The Dooars or Duars are the alluvial floodplains in eastern-northeastern India and southern Bhutan that lie south of the outer foothills of the Himalayas and north of the Brahmaputra River basin. This region is about 30 km (19 mi) wide and stretches over about 350 km (220 mi) from the Teesta River in West Bengal to the Dhansiri River in Udalguri district of Assam. The region forms the gateway to Bhutan. It is part of the Terai-Duar savanna and grasslands ecoregion.
The Bagurumba is a traditional dance of the indigenous Boro people living in the State of Assam and North East India. It is also called '''butterfly dance''' because it's personification of movements of butterflies and birds. In this occasion, only the Bodo women perform the dance, wearing their colourful traditional attire dokhna, jwmgra (fasra) and aronai. The dance is accompanied by handmade percussion instruments such as 'kham', sifung, jota, serja, and gongwna, tharkha.
Bathow Puja is an important religious festival of the Bodo-Kacharies of Assam, India. In this festival, the people worship a god known by different names like Gila Damra, Khuria Bwrai, Sri Brai, Bathow Bwrai etc. The different forms of this festival are-Garja, Kherai and Marai. Among these festivals Kherai is the most significant.
Kaivalya is the ultimate goal of aṣṭāṅga yoga and means "solitude", "detachment" or "isolation", a vrddhi-derivation from kevala "alone, isolated". It is the isolation of purusha from prakṛti, and liberation from rebirth, i.e., Moksha. Kaivalya-Mukti is described in some Upanishads, such as Muktika and Kaivalya as the most superior form of Moksha which can grant liberation both within this life, as Jivanmukti, and after death, as Videhamukti.
Udalguri district (Pron:ˌʊdʌlˈgʊəri), also known as Odalguri, is a district in the Bodoland Territorial Region of the state of Assam in Northeastern India. Udalguri town is the headquarters of the district.
The Mech is an ethnic group belonging to the Bodo-Kachari group of peoples. It is one of the scheduled tribes of India, listed both in West Bengal and Assam, India. They inhabit West Bengal, Nepal, Assam and Nagaland.
The Tiwa people, are a Tibeto-Burmese ethnic group primarily inhabiting the Northeast Indian states of Assam, Meghalaya, Arunachal Pradesh, Manipur and Nagaland, and some parts of neighbouring Bangladesh and Myanmar.
Folk dances of Assam include the Bihu and the Bagurumba, the Bhortal, the Ojapali dance. Assam is home to many groups: Muslim, Indo-Aryan, Rabha, Bodo, Dimasa, Karbi, Mising, Sonowal Kacharis, Mishmi and Tiwa (Lalung) etc. These cultures come together to create an Assamese culture. Residents of the state of Assam are known as "Axomiya" (Assamese). Most tribes have their own language, although Assamese is the primary language of the state.
Kamrupi Dhuliya are traditional folk drummers from Undivided Kamrup district who play large and wide big drums called Bor Dhul mostly in ethnic festivals, traditional wedding or especially folk religious traditions of aboriginal Saivitie or Sakti cults mostly. It is a part of the native culture of the Kaibarta-Jalkeot community of Lower Assam.
Ojapali is a traditional shamanistic type of indigenous folk dance from Assam in the northeastern region of India. Ojapali is believed to have evolved from Kathakata tradition and is performed in a group; it is believed to be one of the oldest art forms of Assam. Originally evolved in the Kamata state the western and northern part of river Brahmaputra later limited to Darrang area under the patronisation of Darrangi King Dharmanarayana. The repertoire of this performance consists of songs, dialogues, gesture, improvised acting and dramatisation etc. The group consists of an Oja, who leads the performance and four or five palies, who supplement the performance with continuously playing cymbal. Among the Palies Daina pali who stand on the right-hand side of the Oja is the active one and he and Oja take the performance forward. Many believe that Shankardev took inspiration from Ojapali to create his Ankiya Bhaona. Moreover, he also created his own Sattriya Ojapali. Generally Darrangi Suknanni Ojapali sings the lyrics written by Sukabi Narayanadeva in Padmapurana. Padma Purana covers the story of serpent goddess Maroi(manasa devi). Ojapali is associated with Shakti Puja, including the deities manasa, kali, durga, kesikhaiti, kakogoshani etc.
Kamrup is the modern region situated between two rivers, the Manas and the Barnadi in Western Assam, with the same territorial extent as the Colonial and post-Colonial "Undivided Kamrup district". It was the capital region of two of the three dynasties of Kamarupa and Guwahati, the current political center of Assam, is situated here. It is characterized by its cultural artifacts.
Goalpara region, largely congruous to the historical undivided Goalpara district, is a region that is associated with the people and culture of Goalpara. It is bounded on the north by Bhutan, on the east by the Kamrup region, in the south by Meghalaya and in the west by Cooch Behar and Jalpaiguri in West Bengal and Rangpur in Bangladesh. The natural landmarks are: Sankosh and Brahmaputra rivers on the west, the Manas River on the east in the north bank, and a corresponding region in the south bank; the Garo Hills in the south and Bhutan Hills in the north.
Kamrupi culture refers to the cultural norms of people of colonial Kamrup district.
Lower Assam division is one of the 5 administrative divisions of Assam in India. It was formed in 1874, consisting of the undivided Kamrup district of Western Assam, undivided Darrang and Nagaon districts of Central Assam and Khasi & Jaintia hills of Meghalaya, created for revenue purposes. The division is under the jurisdiction of a Commissioner, who is stationed at Guwahati. The division currently covers the Western Brahmaputa Valley. Shri Jayant Narlikar, IAS is the current Commissioner of Lower Assam division.
The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India.
The National List of Intangible Cultural Heritage (ICH) of India is an attempt to recognize the diversity of Indian culture embedded in its intangible heritage. It aims to raise awareness about the various intangible cultural heritage elements from different states of India at national and international level and ensure their protection.
Mohoho is a folk festival celebrated in the lower Assam region of India, especially in the districts of Kamrup, Goalpara, Barpeta, Nalbari, and Darrang. The festival is held in the month of Agrahayana or Aghun, which is November–December as per modern day Georgian Calendar, during the full moon night.