German Stadium | |
Location | Nuremberg, Nazi Germany |
---|---|
Capacity | 405,000 |
Surface | Grass |
Construction | |
Broke ground | September 1937 |
Architect | Albert Speer |
Tenants | |
Nazi party rally grounds |
The Deutsches Stadion ("German Stadium") was a monumental stadium designed by Albert Speer for the Nazi party rally grounds in Nuremberg, southern Germany. Its construction began in September 1937, and was scheduled for completion in 1943. Like most other Nazi monumental structures, however, its construction was interrupted by the outbreak of World War II and was never finished.
According to Speer himself, it was inspired not by the Circus Maximus in Rome but by the Panathenaic Stadium of Athens, which had impressed him greatly when he had visited it in 1935. [1] Speer's stadium was a gigantic inflation of its Greco-Roman model, from which he borrowed the horseshoe configuration and the propylaeum, now transformed into a raised, pillared, temple-like structure (Säulenvorhof) attached to the open end of the stadium by an internally pillared courtyard. [2] Since the stadium was not set like the Panathenaic Stadium structure at the bottom of a gully, but on a flat area of land (24 hectares), its five tiers of seats for 405,000 spectators had to be supported in the usual Roman manner by massive barrel vaults. The external façade of pink granite blocks, which would have risen to a height of about 90 metres, consisted of a series of arches 65 metres high resting on a podium of dark red granite. The arcade and podium again suggests a Roman, not a Greek, circus or stadium, which did not traditionally rest on a substructure. In order to deliver such a vast number of spectators to their seats quickly, express lifts were to be installed to take spectators 100 at a time to seats on the top three tiers. [3] The short transverse axis of the stadium culminated at each of its ends in a raised Ehrentribüne (Tribune of Honour) for the Führer, special guests and the press. Once more, Roman practice provided the architectural precedent. [4]
Speer apparently adopted a horseshoe shape for his building only after rejecting the oval shape of an amphitheatre. The latter plan, he claimed, would have intensified the heat and produced psychological discomfort, a comment he does not elucidate. When Speer remarked on the staggering cost of the building, Hitler, who laid its cornerstone on September 9, 1937, merely retorted that it would cost less than two battleships of the Bismarck class. [5]
Wolfgang Lotz, writing about the stadium in 1937, commented that it would contain twice the number of spectators originally accommodated by the Circus Maximus. Inevitably for the period, he also emphasized the community feeling that such a building would engender between competitors and spectators:
As in ancient Greece, the elite and most experienced men chosen from the mass of the nation will compete against each other here. An entire nation in sympathetic wonder is seated on the tiers. Spectators and competitors merge in one unity. [6]
The idea of staging Pan-Germanic athletic games here was perhaps suggested by the Panathenaic Games, but Speer's stadium was, despite his own statement, stylistically more Roman than Greek in inspiration and with its huge barrel-vaulted substructures and arcaded exterior façade, more like the Circus Maximus than the Panathenaic Stadium. Nazi building exhibits a mixture of Greek and Roman elements, with Roman predominating. [7]
But Hitler did not want such a stadium to serve merely as a centre for German athletic sport. The restored Panathenaic Stadium had been used for the 1896 Summer Olympics and the 1906 Intercalated Games, held out of series. [8] In 1936 these games were held in the Reichssportfeld in Berlin, but Hitler insisted that after 1940, when the games were to have been held in Tokyo, all future games were to be held in the Deutsches Stadion. [9] [10] This stadium was in all its dimensions far larger than the 1936 Olympic Stadium in Berlin, which held only 115,000 spectators. [11] Hitler anticipated that after winning the war, the world would have no choice but to send its athletes to Germany every time the Olympic Games were held at which, no doubt, victors would have received their prizes from the Führer, surrounded by the party faithful on the pulvinar on the short axis of the cavernous stadium.[ citation needed ]
After the war, the horseshoe-shaped foundation of the building quickly filled with groundwater and was named "Silbersee" (Silver lake) by locals. The site became a dump for debris of Nuremberg's destroyed buildings and any kind of other waste, including what today is considered hazardous waste. The southern part of the horseshoe was filled up to ground level with waste in 1951. After that a mountain of waste continued to grow until the dump was closed in 1962. The landfill, which contains 5,53 million m³ waste, [12] was covered with a layer of earth and trees were planted on it. The new mountain was named "Silberbuck".
Since the dump has no containment and is permeated by ground water, dangerous material is constantly leaking into the Silbersee. The lower layers of water in the lake contain extremely high amounts of hydrogen sulfide, which makes humans unconscious when breathed in. Approximately 50 people have already died in the lake. [13]
The small village of Achtel in Hirschbach, Bavaria is the site of a sports grandstand constructed as a prototype for part of the Deutsches Stadion. It was constructed mostly of wood, which was removed after the war and was used to reconstruct local buildings. Today only the concrete supports remain. [14]
Berthold Konrad Hermann Albert Speer was a German architect who served as the Minister of Armaments and War Production in Nazi Germany during most of World War II. A close ally of Adolf Hitler, he was convicted at the Nuremberg trial and sentenced to 20 years in prison.
Inside the Third Reich is a memoir written by Albert Speer, the Nazi Minister of Armaments from 1942 to 1945, serving as Adolf Hitler's main architect before this period. It is considered to be one of the most detailed descriptions of the inner workings and leadership of Nazi Germany but is controversial because of Speer's lack of discussion of Nazi atrocities and questions regarding his degree of awareness or involvement with them. First published in 1969, it appeared in English translation in 1970.
Fritz Todt was a German construction engineer and senior figure of the Nazi Party. He was the founder of Organisation Todt (OT), a military-engineering organisation that supplied German industry with forced labour, and served as Reich Minister for Armaments and Ammunition in Nazi Germany early in World War II, directing the entire German wartime military economy from that position.
Joachim Clemens Fest was a German historian, journalist, critic and editor who was best known for his writings and public commentary on Nazi Germany, including a biography of Adolf Hitler and books about Albert Speer and German resistance to Nazism. He was a leading figure in the debate among German historians about the Nazi era. In recent years his writings have earned both praise and strong criticism.
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Albert Speer was a German architect and urban planner. He was the son of Albert Speer (1905–1981), Adolf Hitler's chief architect before assuming the office of Minister of Armaments and War Production for Germany during World War II. His grandfather, Albert Friedrich Speer, was also an architect.
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Werner Julius March was a German architect, son of Otto March (1845–1913), and brother of Walter March, both also well-known German architects. Werner March designed Germany's 1936 Olympic stadium. Werner March was born in Charlottenburg and died in Berlin.
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The Cathedral of Light or Lichtdom was a main aesthetic feature of the Nazi Party rallies in Nuremberg from 1934 to 1938. Designed by architect Albert Speer, it consisted of 152 anti-aircraft searchlights, at intervals of 12 metres, aimed skyward to create a series of vertical bars surrounding the audience. The Cathedral of Light was documented in the Nazi propaganda film Festliches Nürnberg, released in 1937.
Deutsches Stadion was a multi-use sports stadium in Berlin, Germany. It was located at Deutsches Sportforum in the present-day Westend quarter on the northern rim of the large Grunewald forest. Built according to plans designed by Otto March, it was opened on 8 June 1913, on the occasion of Emperor Wilhelm's II silver jubilee, due to host the 1916 Summer Olympics that were cancelled after the outbreak of World War I. The stadium was destroyed 20 years later and replaced by the current Olympiastadion.
Olympiapark Berlin, previously the Deutsches Sportforum and the Reichssportfeld, is a sports and entertainment complex located in Berlin, Germany. The complex served as the Olympic Park of the 1936 Summer Olympics.
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