Related Research Articles
Baldassare Galuppi was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments.
Opera seria is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once opera seria was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
Didone abbandonata is an opera libretto in three acts by Pietro Metastasio. It was his first original work and was set to music by Domenico Sarro in 1724. The opera was accompanied by the intermezzo L'impresario delle Isole Canarie, also by Metastasio.
Didone abbandonata is an opera, or dramma per musica, by Giuseppe Sarti, set to a libretto by the renowned poet Metastasio. The opera was first performed in the winter of 1762 in Copenhagen, and was composed especially for the Danish court of the time. The opera consists of three acts, and the libretto is based upon the well-known story of Dido and Aeneas.
Giuseppe Aprile was an Italian castrato singer and music teacher. He was also known as 'Sciroletto' or 'Scirolino'.
Joseph Schuster was a German composer.
Francesco Zoppis was an Italian composer.
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal.
Caterina Gabrielli, born Caterina Fatta, was an Italian coloratura singer. She was the most important soprano of her age. A woman of great personal charm and dynamism, Charles Burney referred to her as "the most intelligent and best-bred virtuosa" that he had ever encountered. The excellence of her vocal artistry is reflected in the fact that she was able to secure long-term engagements in three of the most prestigious operatic centers in her day outside of Italy.
Didone abbandonata was an opera in three acts composed by Tomaso Albinoni. Albinoni's music was set to Pietro Metastasio's libretto, Didone abbandonata, which was in turn based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid. The opera premiered on 26 December 1724 at the Teatro San Cassiano in Venice and was the first time that an opera based on a Metastasio libretto was performed in Venice.
Dido, Queen of Carthage was an opera in three acts by Stephen Storace. Its English libretto by Prince Hoare was adapted from Metastasio's 1724 libretto, Didone abbandonata, which had been set by many composers. Storace's opera premiered on 23 May 1792 at The King's Theatre in London combined with a performance of his masque, Neptune's Prophecy. The story is based on that of Dido and Aeneas in the fourth book of Virgil's Aeneid. The opera was not a success and was never revived after its original run of performances. The score has been lost.
Didone abbandonata is an opera in three acts composed by Domenico Sarro to a libretto by Pietro Metastasio of the same name which was based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid. The opera premiered on 1 February 1724 at the Teatro San Bartolomeo in Naples.
Andrea Adolfati was an Italian composer who is particularly remembered for his output of opera serias. His works are generally conventional and stylistically similar to the operas of his teacher Baldassare Galuppi. Although his music largely followed the fashion of his time, he did compose two tunes with unusual time signatures for his day: an air in 5
4 meter and another in 7
4 meter.
Didone may refer to:
Didone abbandonata is a libretto by Metastasio
Didone abbandonata is a setting by Leonardo Vinci of the libretto Didone abbandonata by Metastasio first set to music by Domenico Sarro in 1724. It was premiered at the Teatro delle Dame for the 1726 Carnival season in Rome.
Didone abbandonata is a 1742 opera by Johann Adolph Hasse setting the libretto Didone abbandonata by Metastasio. It was first performed at Hubertusburg palace, near Dresden.
Didone abbandonata is an opera in three acts by Niccolò Jommelli of the libretto Didone abbandonata by Pietro Metastasio. It was composed just after Jommelli left Venice in 1746 and revised in 1763. It was first performed on January 28, 1747, at the Teatro Argentina in Rome.
Maria Giovanna Agresta is an Italian operatic soprano.
Didone abbandonata is an 1823 opera in two acts by Saverio Mercadante to a libretto by Andrea Leone Tottola after Metastasio's Didone abbandonata. It was first performed on 18 January 1823 at the Teatro Regio in Turin.
References
- ↑ History of Music in Russia from Antiquity to 1800 Samuel William Pring, Miloš Velimirović - 2008 St. Petersburg audiences had become acquainted with his music in 1758, during Elizabeth's reign, when his opera ... Didone abbandonata was Galuppi's second opera for the St. Petersburg stage (it premiered on 24 November 1766). The first ...