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In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite. His father was a first cousin of King Priam of Troy, making Aeneas a second cousin to Priam's children. He is a character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Vidarr of the Æsir.
In the Aeneid of Virgil, Achaemenides was a son of Adamastos of Ithaca, and one of Ulysses's crew. He was marooned on Sicily when Ulysses fled the Cyclops Polyphemus, until Aeneas arrived and took him to Italy with his company of refugee Trojans.
In Greek mythology, Psamathe is a Nereid, one of the fifty daughters of the sea god Nereus and the Oceanid Doris. By Aeacus, the king of Aegina, she is the mother of a son, Phocus. When Phocus is killed by his half-brothers Peleus and Telamon, Psamathe sends a giant wolf at Peleus' herd.
Picus was a figure in Roman mythology, the first king of Latium. He was the son of Saturn, also known as Stercutus. He was the founder of the first Latin tribe and settlement, Laurentum, located a few miles to the Southeast of the site of the later city of Rome. He was known for his skill at augury and horsemanship. According to Festus he got his name as a consequence of the fact that he used to rely on a woodpecker for the purpose of divination. Picus was also described to be quite handsome, sought after by nymphs and naiads. The witch Circe attempted to seduce him with her charms and herbs while he was on a hunting trip, but he savagely rejected her. She turned him into a woodpecker for scorning her love. When his comrades accused Circe of her crime and demanded Picus' release, she turned them too into a variety of beasts. Picus' wife was Canens, a nymph. After Picus' transformation she wandered madly through the forest for 6 days until finally she lay down on the bank of the Tiber and died. They had one son, Faunus.
In Greek mythology, Caeneus was a Lapith hero of Thessaly.
The Metamorphoses is an 8 AD Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising 11,995 lines, 15 books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework.
In Greek mythology, Thaumas was a sea god, son of Pontus and Gaia, and the full brother of Nereus, Phorcys, Ceto and Eurybia.
Anchises was a member of the royal family of Troy in Greek and Roman legend. He was said to have been the son of King Capys of Dardania and Themiste, daughter of Ilus, who was son of Tros. He is most famous as the father of Aeneas and for his treatment in Virgil's Aeneid. Anchises' brother was Acoetes, father of the priest Laocoön.
In Greek mythology, the name Butes referred to several different people.
In Greek mythology, the name Halaesus or Halesus may refer to:
In Roman mythology, Somnus ("sleep") is the personification of sleep. His Greek counterpart is Hypnos. Somnus resided in the underworld. According to Virgil, Somnus was the brother of Death (Mors), and according to Ovid, Somnus had a 'thousand' sons, the Somnia, who appear in dreams 'mimicking many forms'. Ovid named three of the sons of Somnus: Morpheus, who appears in human guise, Icelos / Phobetor, who appears as beasts, and Phantasos, who appears as inanimate objects.
In Roman mythology, the Aeneads were the friends, family and companions of Aeneas, with whom they fled from Troy after the Trojan War. Aenides was another patronymic from Aeneas, which is applied by Gaius Valerius Flaccus to the inhabitants of Cyzicus, whose town was believed to have been founded by Cyzicus, the son of Aeneas and Aenete. Similarly, Aeneades was a patronymic from Aeneas, and applied as a surname to those who were believed to have been descended from him, such as Ascanius, Augustus, and the Romans in general.
The river Eridanos or Eridanus is a river in northern Europe mentioned in Greek mythology and historiography.
In Greek mythology, Calliope is the Muse who presides over eloquence and epic poetry; so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the "Chief of all Muses".
Greco-Roman mythology features male homosexuality in many of the constituent myths. In addition, there are instances of cross-dressing, and of androgyny which has been grouped under the acronym LGBTQ+.
In Greek mythology, the name Ilioneus may refer to:
In Greek and Roman mythology, Aura is a minor deity, whose name means "breeze". The plural form, Aurae is sometimes found. According to Nonnus, Aura was the daughter of the Titan Lelantos and the mother, by Dionysus, of Iacchus, a minor deity connected with the Eleusinian mysteries, while Quintus Smyrnaeus makes the Aurae daughters of Boreas, the North-wind. Aurae was the title of a play by the Athenian comic poet Metagenes, who was contemporary with Aristophanes, Phrynichus, and Plato.
In epic poetry, athletics are used as a literary tools to accentuate the themes of the epic, to advance the plot of the epic, and to provide a general historical context to the epic. Epic poetry emphasizes the cultural values and traditions of the time in long narratives about heroes and gods. The word "athletic" is derived from the Greek word athlos, which means a contest for a prize. Athletics appear in some of the most famous examples of Greek and Roman epic poetry including Homer's Iliad and Odyssey, and Virgil's Aeneid.
Philip Russell Hardie, FBA is a specialist in Latin literature at the University of Cambridge. He has written especially on Virgil, Ovid, and Lucretius, and on the influence of these writers on the literature, art, and ideology of later centuries.
Alessandro Barchiesi is an Italian classicist. A specialist on Latin poetry, he is best known for his work on Horace, Vergil and Ovid. Having spent the majority of his career in Italy and the United States, he has served as a professor of Classics at New York University since 2016.
References
- Barchiesi, A. (1999) "Venus' Masterplot: Ovid and the Homeric Hymns," in P. Hardie, A. Barchiesi, and S. Hinds (eds) Ovidian Transformations: Essays on Ovid's Metamorphoses and its Reception (Cambridge Philological Society, Supplementary Volume no. 23). 112–26.
- Paschalis, M. (1997) Virgil's Aeneid: Semantic Relations and Proper Names. Oxford: Clarendon Press.
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