| "Do Nothing" | ||||
|---|---|---|---|---|
 | ||||
| Single by the Specials featuring Rico with the Ice Rink String Sounds | ||||
| from the album More Specials | ||||
| A-side | "Maggie's Farm" | |||
| Released | 5 December 1980 [1] | |||
| Genre | ||||
| Length | 3:41 | |||
| Label | ||||
| Songwriter(s) | ||||
| Producer(s) | Dave Jordan | |||
| The Specials singles chronology | ||||
| ||||
"Do Nothing" is a song by ska/2-tone band the Specials, released in December 1980 by 2 Tone Records as the second single from More Specials . The single peaked at number 4 on the UK Singles Chart. [3]
For the single release of "Do Nothing", the album version of the song was remixed, with Jerry Dammers adding a string synthesiser, credited as the 'Ice Rink String Sounds'. It was released as a double A-side single with a cover version of Bob Dylan's "Maggie's Farm", with reference to then-Prime Minister Margaret Thatcher. [4]
It was the first Specials single in the UK to diverge from the 2 Tone look and have a picture sleeve, with the cover being the band "gathered in a gaudy fun pub clad in polyester leisurewear, an image carrying the pungent subtext that modern life was rubbish". [5] The band's appearance on Top of the Pops with this song also saw a depart from the suits and mod/rude-boy look, with the band wearing Christmas jumpers. Also on Top of the Pops were The Beat, promoting "Too Nice to Talk To" and Horace Panter and David Steele decided to swap roles and mime each other's band's songs. [6]
Reviewing the song for Record Mirror , Mike Gardner wrote: "A new, improved version of Linval Golding's song of social frustration is given a lusher treatment with washes of Jerry Dammers' 'Ice Rink String Sounds' and a heavier rhythm base which does nothing to diminish a quality piece of work." [7] Reviewing for Smash Hits , Ronnie Gurr wrote: "Great Reginald Dixon organ sound from Jerry Dammers and more exemplary trombone etchings from Rico. A truly excellent single. Flip over and find a horrendous cocktail lounge calypso cover of Dylan's "Maggie's Farm". Excusable only if it's a political statement." [8]
| Chart (1981) | Peak position |
|---|---|
| Ireland (IRMA) [9] | 13 |
| UK Singles (OCC) [3] | 4 |
The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.
More Specials is the second album by English ska band the Specials, released by 2 Tone Records in September 1980. After the success of the band's debut album, band member Jerry Dammers assumed the role as the band's leader and stirred them into expanding their 2 Tone sound into other genres of music, most prominently a lounge music and easy listening style inspired by Muzak. Several band members disagreed with Dammers' vision and brought their own influences to the album, including from northern soul and rockabilly, contributing to an eclectic sound palette. The relations between band members continued to sour into the album's accompanying tour and most of the band departed in 1981.
Jeremy David Hounsell Dammers GCOT is a British musician who was a founder, keyboard player and primary songwriter of the Coventry-based ska band the Specials and later the Spatial AKA Orchestra. Through his foundation of the record label Two Tone, his work blending political lyrics and punk with Jamaican music, and his incorporation of 1960s retro clothing, Dammers is a pivotal figure of the ska revival. He has also been acknowledged in his work for racial unity.
Terence Edward Hall was a British musician who came to prominence as the lead singer of the 2-tone band the Specials, and later recorded with groups such as Fun Boy Three, the Colourfield, Terry, Blair & Anouchka, and Vegas.
Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.
2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.
"Ghost Town" is a song by the British two-tone band the Specials, released on 12 June 1981. The song spent three weeks at number one and 11 weeks in total in the top 40 of the UK Singles Chart.
Too Much Pressure is the debut studio album by the English 2 tone ska revival band the Selecter. After the band's official formation in 1979 in Coventry, following the release of a song entitled "The Selecter" by an unofficial incarnation of the band, the band's hit single "On My Radio" prompted their labels 2 Tone and Chrysalis to ask the band to record their debut album. Working with producer Errol Ross, the Selecter recorded the album at Horizon Studios over two months. The album contains original material, mostly composed by band founder and guitarist Neol Davies, as well as numerous ska and reggae cover versions, in a similar fashion to the Specials' debut album.
"Maggie's Farm" is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album Bringing It All Back Home on March 22 of that year. Like many other Dylan songs of the 1965–66 period, "Maggie's Farm" is based on electric blues. It was released as a single in the United Kingdom on June 4, 1965, and peaked at No. 22 on the chart. Dylan only needed one take to record the song, as may be heard on the exhaustive 18-disc Collector's Edition of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966, which includes every alternate take recorded during Dylan's 1965–1966 sessions but only the one version of "Maggie's Farm".
"One Step Beyond" is a tune written by Jamaican ska singer Prince Buster as a B-side for his 1964 single "Al Capone". It was covered by British band Madness for their debut studio album of the same name (1979). Although Buster's version was mostly instrumental except for the song title shouted for a few times, the Madness version features a spoken intro by Chas Smash and a barely audible but insistent background chant of "here we go!". The spoken line, "Don't watch that, watch this", in the intro is from another Prince Buster song, "Scorcher" — and is also used at the start of Dave and Ansell Collins' "Funky Funky Reggae" — whilst the next line "This is a heavy heavy monster sound" is taken from another Dave and Ansell Collins song, "Monkey Spanner". The first of those also became a trademark during the early promos of MTV, where the video was in heavy rotation.
"Gotta Serve Somebody" is a song written and performed by American singer-songwriter Bob Dylan, released as the opening track on his 1979 studio album Slow Train Coming. It won the Grammy Award for Best Rock Vocal Performance by a Male in 1980. It was later anthologized on the compilation albums Biograph (1985), Bob Dylan's Greatest Hits Volume 3 (1994), The Essential Bob Dylan (2000), The Best of Bob Dylan and Dylan (2007).
"Messages" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD) from their self-titled debut studio album (1980). A re-recorded version of the song was released on 2 May 1980 as the album's third and final single, reaching number 13 on the UK Singles Chart and becoming OMD's first top-40 entry. As with their debut single "Electricity", "Messages" features a melodic synth break instead of a sung chorus.
John "Brad" Bradbury was an English drummer and record producer. He is best known for having been the drummer in the English ska group the Specials.
Rhoda Dakar is an English singer and musician, best known as the lead singer of The Bodysnatchers, who were signed to the 2 Tone record label. She also worked with The Specials/Special AKA, and also other 2-Tone artists.
"Mirror in the Bathroom" is a single by the British ska band the Beat, released as a single in 1980 from their debut studio album I Just Can't Stop It. It reached number 4 on the UK Singles Chart and consequently was their highest charting release in the UK until 1983. It was released again in 1995 as a 12" single and early in 1996 as a CD single to promote B.P.M.: The Very Best of the Beat. The reissued single reached number 44 in 1996.
"The Boiler" is a single by Rhoda Dakar with the Special AKA. It was released in January 1982 on 2 Tone Records.
"Let's Do Rock Steady", also known as "(People Get Ready) Let's Do Rock Steady" and "People Do Rock Steady", is rocksteady song by Dandy Livingstone that was first released in October 1967 as the flip side to his single "We Are Still Rude". It was then released in early 1968 on his album Rock Steady with Dandy as "People Do Rock Steady". The song is better known for being covered by the Bodysnatchers in 1980.
"Gangsters" is the first single by the English ska group the Specials.
"Rat Race" is a song by ska/2-Tone band the Specials, released on 16 May 1980 by 2 Tone Records as a double A-side single with "Rude Buoys Outa Jail". The single wasn't included on the UK release of the More Specials album, but was included on the US version, released by Chrysalis Records. The song peaked at no. 5 on the UK Singles Chart and also charted on the US Dance Chart.
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