The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.
Reggatta de Blanc is the second studio album by British rock band the Police, released on 5 October 1979 by A&M Records. It was the band's first release to top the UK Albums Chart and features their first two UK number-one singles: "Message in a Bottle" and "Walking on the Moon". In early 1980, the album was reissued in the United States on two 10-inch discs, one album side per disc, and as a collector's edition with a poster of the band.
Rude boy is a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations like rudeboy and rudebwoy, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called "Windrush" generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie, or badman.
Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.
Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces, he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 " (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).
Emmanuel "Rico" Rodriguez, also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with the Members, the Specials, Jools Holland, and Paul Young.
2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.
"Ghost Town" is a song by the British two-tone band the Specials, released on 12 June 1981. The song spent three weeks at number one and 11 weeks in total in the top 40 of the UK Singles Chart.
Derrick Clifton Harriott OD is a Jamaican singer and record producer. He was a member of the Jiving Juniors with Herman Sang before embarking on a solo career. He has produced recordings by Big Youth, Chariot Riders, The Chosen Few, Dennis Brown, The Ethiopians, Keith & Tex, The Kingstonians, Rudy Mills, Scotty, Sly & Revolutionaries, and Winston McAnuff.
"Oye Cómo Va" is a 1962 cha-cha-chá song by Tito Puente, originally released on El Rey Bravo. The song achieved worldwide popularity when it was covered by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959.
"Oh Carolina" is a 1958 song by the Folkes Brothers, produced by Prince Buster and released in 1960, after which it became an early ska hit. It was covered by many various artists, including Shaggy in 1993.
"Can't Stand Losing You" is a song by British rock band the Police, released from their debut album Outlandos d'Amour, both in 1978. The song also was released as the follow-up single to "Roxanne", reaching number 2 in the UK Singles Chart on a re-release in 1979. It was written by the band's lead singer and bassist Sting as a song about suicide.
Dandy Livingstone is a British-Jamaican ska, rocksteady and reggae musician and record producer, best known for his 1972 hit "Suzanne Beware of the Devil", and for his song "Rudy, a Message to You", which was later a hit for the Specials. "Suzanne Beware of the Devil" reached number 14 on the UK Singles Chart and number 78 in Australia. In the early 1960s, Livingstone recorded some of the bestselling UK-produced ska singles of the era.
English ska revival band the Specials have released a diverse discography since their debut in 1979, including: nine studio albums, one collaboration album, five live albums, eleven compilation albums, four extended plays, twenty-three singles, and filmed five videos.
"Love of the Common People" is a song written by John Hurley and Ronnie Wilkins, eventually released in 1970 on John Hurley's album John Hurley Sings about People, but first sung in January 1967 by the Four Preps. The Four Preps' recording was not a hit, but, later in 1967, the Everly Brothers and Wayne Newton would each issue their versions of the song, both of which "bubbled under" in the US charts; Newton's version peaked at No. 106, the Everlys' at No. 114. However, the Everly Brothers' recording was a major hit in Canada, peaking at No. 4. In 1968, Irish artist Joe Dolan with backing group the Drifters recorded a version which hit the top 10 on the Irish Singles Chart, but did not chart elsewhere.
"Let's Do Rock Steady", also known as "(People Get Ready) Let's Do Rock Steady" and "People Do Rock Steady", is rocksteady song by Dandy Livingstone that was first released in October 1967 as the flip side to his single "We Are Still Rude". It was then released in early 1968 on his album Rock Steady with Dandy as "People Do Rock Steady". The song is better known for being covered by the Bodysnatchers in 1980.
"007 (Shanty Town)" is a 1967 rocksteady song by Jamaican band Desmond Dekker and the Aces, released as a single from their debut album of the same name. It was also a hit for Musical Youth in 1983. "007 (Shanty Town)" has been called "the most enduring and archetypal" rude boy song. Its title and lyrics refer to the cool imagery of films such as the James Bond series and Ocean's 11, admired by "rudies".
"Do Nothing" is a song by ska/2-tone band the Specials, released in December 1980 by 2 Tone Records as the second single from More Specials. The single peaked at number 4 on the UK Singles Chart.
