Don't Mess With Mister T. | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | September 1973 [1] | |||
Recorded | March 14, 1973 (#6) March 15, 1973 (#7–8) June 7, 1973 (#1, 3, 5) June 8, 1973 (#2, 4) | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Soul-jazz Hard bop | |||
Length | 32:40 | |||
Label | CTI CTI 6030 | |||
Producer | Creed Taylor | |||
Stanley Turrentine chronology | ||||
|
Don't Mess With Mister T. is a Stanley Turrentine album produced by Creed Taylor on his label, CTI. It was arranged by Bob James and recorded at Van Gelder Studio in June 1973.
The Allmusic review by Ron Wynn awarded the album 4½ stars. [2]
Review scores | |
---|---|
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Bonus tracks on CD reissue
Cherry is a 1972 album by saxophonist Stanley Turrentine featuring Milt Jackson.
Touchdown is the sixth album by Bob James, released in 1978 on his Tappan Zee label thru Columbia.
The Sugar Man is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, Sugar for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records.
Tender Togetherness is a studio album by tenor saxophonist Stanley Turrentine, released in April 1981 on Elektra Records. The album reached No. 13 on the Billboard Jazz Albums chart.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Soul Box is the third studio album by American saxophonist Grover Washington Jr. The project was originally divided in two LPs, both released in 1973 on Kudu Records with quite identical covers as Soul Box Vol. 1 (KU-12) and Soul Box Vol. 2 (KU-13), then issued as a 2-LP set as KUX-1213. Both albums were recorded during March 1973 with the same personnel. With the rising of CD's Soul Box Vol. 1 & Soul Box Vol. 2 were reissued on CD by Motown in the early 1990s. Unfortunately Vol. 2 was mastered incorrectly with a totally wrong track separation. Original tracks #1 + #2 were combined into 1 single track of 17 minutes, track #3 was cut as track #2 and track #4 was cut as track #3. Subsequently a totally wrong printing on the CD and the back cover of the CD was performed: The CD contained & listed only 3 tracks. The printed titles were not matching the corresponding tracks and were stated with wrong durations, not matching the original songs of the LP. It took until 2008, when the two volumes were released on one CD by Verve/GRP Records to get the tracks right again with their track separations and title durations back to the original recordings from the Kudu LP's.
All the King's Horses is the second album by American saxophonist Grover Washington Jr. It was recorded in 1972 and released on Kudu Records the same year. In 2008, it was reissued on CD by Verve/GRP Records.
The Chicago Theme is an album by flautist Hubert Laws recorded at Rudy Van Gelder's Studio in New Jersey in 1974 and released in 1975 on the CTI label.
Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Wild Horses Rock Steady is an album by jazz organist Johnny Hammond recorded for the Kudu label in 1971.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Nightwings is an album by jazz saxophonist Stanley Turrentine. It was recorded for the Fantasy label in 1977 and features performances by Turrentine with an orchestra arranged and conducted by Claus Ogerman.