Don't Tell a Soul | ||||
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Studio album by | ||||
Released | February 1, 1989 | |||
Recorded | 1988–1989 | |||
Studio | Cherokee (Hollywood) | |||
Genre | Alternative rock | |||
Length | 38:37 | |||
Label | Sire | |||
Producer | Matt Wallace, The Replacements | |||
The Replacements chronology | ||||
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Singles from Don't Tell a Soul | ||||
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Don't Tell a Soul is the sixth studio album by the American rock band the Replacements, released on February 1, 1989, by Sire Records. [1]
Don't Tell a Soul was the first Replacements album featuring Bob "Slim" Dunlap, who replaced founding guitarist Bob Stinson in early 1987. [2] The album was recorded at Cherokee Studios in Los Angeles and produced by Matt Wallace and the band. It was mixed by Chris Lord-Alge, who decided to give the record "a three-dimensional, radio-ready sound". [3] However, singer and guitarist Paul Westerberg was not satisfied with the new direction, commenting: "I thought the little things I'd cut in my basement were closer to what I wanted." [3]
Don't Tell a Soul was released on February 1, 1989 by Sire Records. The song "I'll Be You" was released as a single. [4] This proved to be the band's only appearance on the Billboard Hot 100: the song peaked at #51 on the May 13, 1989 chart.
In 2008, the album was remastered and reissued by Rhino Entertainment with 7 additional tracks and liner notes by Peter Jesperson. [5] In September 2019, Rhino released Dead Man's Pop , a box set featuring a remixed and resequenced version of Don't Tell a Soul (said to be closer to the band's original intentions) assembled by the album's producer, Matt Wallace, along with rarities, demos, and other unreleased tracks. It includes a two CD release of the 1989 live concert released on vinyl as The Complete Inconcerated Live.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Sun-Times | ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B+ [7] |
Entertainment Weekly | A− [8] |
Los Angeles Times | ![]() ![]() ![]() ![]() |
NME | 9/10 [10] |
Pitchfork | 8.0/10 [5] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin Alternative Record Guide | 4/10 [13] |
Don't Tell a Soul received generally favorable reviews, with critics noting the music's more mature themes and increasing disillusionment, along with a more private outlook. [14] Ira Robbins of Rolling Stone praised Westerberg's writing, stating that Don't Tell a Soul "is full of his sharp-tongued wordplay and idiosyncratic musical structures." [11] In February 1990, the album was ranked at number 16 in The Village Voice 's 1989 Pazz & Jop critics' poll. [15]
The Smashing Pumpkins' James Iha named the song "Achin' to Be" to his "mixtape for dreamers," commenting, "This is great, because he's talking about a would-be artist who's trying to do bigger stuff. And it sounds like someone everyone knows. Like he or she is an artist, but nobody really takes them seriously. So he's talking about her. She danced alone in nightclubs. She's a poet, she's an artist, she's like a movie, but at the end of the song, he's like, 'I'm like that, too. I've been aching for a while and I'm aching to be.' The narrator reveals himself, like, 'I'm just like her and I don't have the courage to go up to her.' Maybe I read too much into it. [Laughs.] But that's how it reads to me." [16]
All tracks are written by Paul Westerberg, except where noted
No. | Title | Writer(s) | Length |
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1. | "Talent Show" | 3:32 | |
2. | "Back to Back" | 3:22 | |
3. | "We'll Inherit the Earth" | 4:22 | |
4. | "Achin' to Be" | 3:42 | |
5. | "They're Blind" | 4:37 | |
6. | "Anywhere's Better Than Here" | 2:49 | |
7. | "Asking Me Lies" | 3:40 | |
8. | "I'll Be You" | 3:27 | |
9. | "I Won't" | 2:43 | |
10. | "Rock 'N' Roll Ghost" | 3:23 | |
11. | "Darlin' One" | Paul Westerberg, Slim Dunlap, Chris Mars, Tommy Stinson | 3:39 |
No. | Title | Writer(s) | Length |
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12. | "Portland" | 4:28 | |
13. | "Wake Up" | 2:13 | |
14. | "Talent Show" (Demo Version) | 2:54 | |
15. | "We'll Inherit the Earth" (Mix 1) | 4:02 | |
16. | "Date to Church" (with Tom Waits) | 3:49 | |
17. | "We Know the Night" (Outtake) | 3:28 | |
18. | "Gudbuy t'Jane" (Outtake) | Noddy Holder, Jim Lea | 4:09 |
The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979 after nineteen-year-old Bob Stinson gifted his eleven-year-old brother Tommy Stinson a bass guitar. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson, and drummer Chris Mars for most of its existence. After two albums in the style of punk rock, they became one of the main pioneers of alternative rock with their acclaimed albums Let It Be and Tim. Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over its creative output. The group disbanded in 1991 and the members eventually found various projects. A reunion was announced on October 3, 2012. Fans affectionately refer to the band as the 'Mats, a nickname which originated as a truncation of "The Placemats".
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
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