Douglas Yeo | |
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Born | 1955 Monterey, California |
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Years active | 1981– |
Website | yeodoug |
Douglas Yeo (born 1955) is an American bass trombonist who played in the Boston Symphony Orchestra from 1985 to 2012, where he held the John Moors Cabot Bass Trombone Chair. He was also on the faculty of the New England Conservatory. In 2012 he retired from the BSO and accepted a position as professor of trombone at the Arizona State University School of Music, a position he held until 2016. In 2019, he was appointed to the faculty of Wheaton College (Illinois).
Born in Monterey, California in 1955, Yeo holds a bachelor of music degree with honors from Wheaton College in Illinois and a master of arts degree from New York University. His principal teachers were Edward Kleinhammer and Keith Brown.
Before joining the Boston Symphony Orchestra/Boston Pops Orchestra in May 1985, Yeo was a member of the Baltimore Symphony Orchestra, (1981–1985), and was on the faculties of the Peabody Conservatory of Music, in Baltimore, and The Catholic University of America in Washington, D.C.. His background has included a four-year tenure with the Goldman Band, and performances with the Vienna Philharmonic Orchestra, the Mostly Mozart Festival Orchestra, the Gerry Mulligan Big Band, and orchestras for numerous Broadway shows.
From 1998 to 2008, he was Music Director of the New England Brass Band, [1] which released five compact disc recordings under his direction. In 2006, the New England Brass Band, under Mr. Yeo's direction, won first place in the Honors Section at the North American Brass Band Association [2] National Championship, held in Louisville, Kentucky.
He announced his retirement from the BSO, effective on August 27, 2012, at the conclusion of the Tanglewood 75th anniversary season. He moved to Arizona, where he was appointed Professor of Trombone at Arizona State University (Tempe). [3]
In 2014, he was the recipient of the International Trombone Association's highest honor, the ITA Award, presented to him "in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance." [4]
In addition to playing the bass trombone, Yeo plays bass trumpet, contrabass trombone, and has become a leading exponent of historical brasses such as the buccin, serpent, ophicleide and bass sackbut.
Yeo has been extensively involved in teaching. In addition to his major positions at Wheaton College, Arizona State University, and New England Conservatory, he has eight times been on the faculty of the annual Hamamatsu International Wind Instrument Academy and Festival (Hamamatsu, Japan), and has been guest artist and teacher at the International Trombone and Tuba Festival (Beijing, China), the Dutch Bass Trombone Open (Amsterdam, The Netherlands), and the Nagoya Trombone Festival (Nagoya, Japan).
A prolific writer, Yeo has written more than forty articles on the trombone and orchestral playing for various publications, including International Musician , [17] The Instrumentalist, [18] The Brass Herald , [19] Christianity Today , the Historic Brass Society Journal , [20] the International Trombone Association Journal , [21] and the T.U.B.A. Journal . [22]
He did extensive research in the Boston Symphony archives, resulting in the publication of four photo/historical articles on BSO brass players from 1881 to the present; he mounted an exhibit at Symphony Hall on the history and hobbies of members of the Boston Symphony from 1881 to the present during the 1993–94 season. In 2000, he wrote a trombone teaching curriculum for the University of Reading's (United Kingdom) Music Teaching in Private Practice Initiative of their Department of Arts and Humanities in Education.
He is the co-author, along with Edward Kleinhammer, of Mastering the Trombone (Ensemble Publications), and is author of The One Hundred: Essential Works for the Symphonic Bass Trombonist (Encore Music Publishers), and Serpents, Bass Horns and Ophicleides in the Bate Collection (Oxford University Press). In 2021, he published two books, Homer Rodeheaver and the Rise of the Gospel Music Industry (University of Illinois Press), co-authored with Kevin Mungons, and An Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player (Rowman & Littlefield).
Yeo was the plaintiff in a 1994 court case, Yeo vs. Lexington, that tested important issues in scholastic media law. In 1997 Yeo won on appeal to the First Circuit Court of Appeals but subsequently lost at the First Circuit Court of Appeals (en banc) [23] and carried the case to the US Supreme Court which declined to hear it. [24]
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips (embouchure) cause the air column inside the instrument to vibrate. Most brass instruments use valves to alter the pitch, but trombones have a telescoping slide mechanism instead. Many modern trombone models also have a valve attachment which lowers the pitch of the instrument. Variants such as the valve trombone and superbone have three valves similar to those on the trumpet.
Seiji Ozawa is a Japanese conductor known for his advocacy of modern composers and for his work with the San Francisco Symphony, the Toronto Symphony Orchestra, and the Boston Symphony Orchestra where he served as music director for 29 years. He is the recipient of numerous international awards.
Simon Proctor is a British composer and pianist, known for his works for unusual instruments.
The serpent is a low-pitched early brass instrument with a trombone-like mouthpiece and tone holes like a woodwind instrument. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is generally made from wood, usually walnut, and covered with dark brown or black leather. A distant ancestor of the tuba, the serpent is related to the cornett and used for bass parts from the 17th to the early 19th centuries.
Denis Wick is an influential British orchestral trombonist. He is also an internationally respected brass teacher and designer of brass mutes and mouthpieces. On retirement in 1989 he was awarded the International Trombone Association's annual award; he served as their president 2004–2006.
The bass trombone is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones.
Ian Bousfield is an English musician who has held positions as Principal Trombone with the Vienna Philharmonic Orchestra, the London Symphony Orchestra and the Hallé Orchestra. Also a pedagogue, Bousfield is an instructor in the music division at the Hochschule der Künste in Bern, Switzerland.
Roger Louis Voisin was an American classical trumpeter. In 1959, The New York Times called him "one of the best-known trumpeters in this country."
Jörgen van Rijen is Principal Trombone at the Royal Concertgebouw Orchestra (RCO) in Amsterdam. He is also a founding member of the Dutch trombone ensemble, New Trombone Collective, and Professor of Trombone at the Amsterdam Conservatory.
The alto trombone is the alto member of the trombone family of brass instruments, smaller than the tenor trombone. It is almost always pitched in E♭ a fourth higher than the tenor, although examples pitched in F are occasionally found. The alto trombone was commonly used from the 16th to the 18th centuries in church music to strengthen the alto voice, particularly in the Mass. Alto trombone parts are usually notated in alto clef.
Bernard Rands is a British-American contemporary classical music composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus. For his notable students, See: List of music students by teacher: R to S#Bernard Rands.
Emory Brace Remington (1892–1971) was a trombonist and music teacher. His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
Charles Schlueter, born in Du Quoin, Illinois, is the retired principal trumpeter of the Boston Symphony Orchestra. Schlueter studied with William Vacchiano at the Juilliard School. Prior to his 25 years as principal of the BSO, he also held positions with the Kansas City Symphony, Milwaukee Symphony Orchestra, Cleveland Orchestra, and the Minnesota Orchestra.
Johannes Abraham (Johan) de Meij, born November 23, 1953, in Voorburg, Netherlands, is a Dutch conductor, trombonist, and composer, best known for his Symphony No. 1 for wind ensemble, nicknamed The Lord of the Rings symphony.
The buccin, or buccin à tête de serpent, is a visually distinctive trombone popularized in military bands in France between 1810 and 1845 which subsequently faded into obscurity. It should not be confused with another instrument also called "buccin", revived in France in 1791 and modeled after the ancient Roman buccina which could deliver only four distinct notes.
Roger Argente was Principal Bass Trombone for the Royal Philharmonic Orchestra and teaches at Royal Welsh College of Music and Drama, Cardiff, Wales.
The contrabass trombone is the lowest instrument in the trombone family of brass instruments. A true contrabass trombone is pitched an octave below the B♭ tenor trombone. However, since the late 20th century, it has largely been supplanted by a bass-contrabass instrument pitched in F, a perfect fourth below the tenor trombone. Wagner first specified the contrabass for his Der Ring des Nibelungen opera cycle in the 1870s, and it has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. In the 21st century it has enjoyed something of a revival, particularly in film and video game soundtracks.
Raymond Eugene Premru was an American trombonist, composer, and teacher who spent most of his career in London, England.
Dr. Philip Jameson graduated from Wooster High School in 1959 and attended Baldwin Wallace College for one year.