Khwaja Ahmad Abbas was an Indian film director, screenwriter, novelist, and journalist in Urdu, Hindi and English.
Dwarakanath Shantaram Kotnis, also known by his Chinese name Ke Dihua, was one of the five Indian physicians dispatched to China to provide medical assistance during the Second Sino-Japanese War in 1938. Known for his dedication and perseverance, he has been regarded as an example for Sino-Indian friendship and collaboration.
Barsaat is a 1949 Indian Hindi-language film directed by Raj Kapoor. The film stars the famous duo of Kapoor and Nargis as well as Prem Nath. It was also the introduction of actress Nimmi in her first film role. Barsaat was one of the first major hit films directed by Kapoor. This success allowed Kapoor to buy RK Studios in 1950. This was Raj Kapoor's second directional venture after Aag. Barsaat became the highest-grossing movie in Indian cinema at the time of its release beating Mehboob Khan's Andaz which released 2 months earlier.
Shantaram Rajaram Vankudre, referred to as V. Shantaram or Shantaram Bapu, was an Indian filmmaker, film producer, and actor known for his work in Hindi and Marathi films. He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.
Dharti Ke Lal is a 1946 Hindustani film, the first directorial venture of the noted film director Khwaja Ahmad Abbas. It was jointly written by Khwaja Ahmad Abbas and Bijon Bhattacharya, based on plays by Bhattacharya and the story Annadata by Krishan Chander. The film had music by Ravi Shankar, with lyrics by Ali Sardar Jafri, Nemichand Jain, Vamiq, and Prem Dhawan.
Vasant Desai (1912–1975) was an Indian film music composer, most remembered for his score in V. Shantaram films like Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Vijay Bhatt's Goonj Uthi Shehnai (1959), Sampoorna Ramayan (1961), Ashirwad (1968) and Hrishikesh Mukherjee's Guddi (1971).
Keshavrao Date (1889–1971) was an Indian film actor, who worked in both silent and sound movies. He tried to run his own drama company but found it difficult to perform the dual roles of manager and actor.
Jankidas Mehra was an Indian actor of Hindi cinema, cyclist, production designer, and writer. He made over 1000 film appearances between the 1930s and 1997.
Husn Lal and Bhagat Ram were the first legendary music directors duo in Bollywood. They are two brothers, Husn Lal and Bhagat Ram.
Vinayak Damodar Karnataki commonly referred to as Master Vinayak was an Indian actor and film director of the 1930s and 1940s.
Sambanand Monappa Pandit was an Indian painter from Karnataka, popular in the school of Realism in contrast to the contemporaneous net-traditionalist Bengal Renaissance and other Indian modern art movements of his time. Most of his subjects oscillated between events from classical Indian literature including the Ramayana, the Mahabharata, the Puranas, and the contemporary cinema of his times. He infused a rare blend of artistic virtuosity and filmi glamour to his portrayal of romantic characters like Radha-Krishna, Nala-Damayanti, and Viswamitra-Menaka as also the many heroes and heroines of Hindi cinema. In addition to his critically acclaimed masterpieces he also illustrated many popular film posters, film magazines and various other publications in what can collectively be termed as calendar art. His works remain hugely popular even today. His mythological paintings and calendar art have been collected widely. He is also widely celebrated in the Indian calendar industry for his "realistic" depiction of themes from Hindu mythology. In these paintings he emphasised the physical forms of the heroes, heroines, gods and goddesses in marked contrast to traditional and classical styles of Indian painting. In his paintings, Pandit depicted his subjects as handsome, muscular, valorous men and sensuously beautiful, voluptuous women set in surroundings suggestive of cinema settings and sceneries.
Sandhya Shantaram is an Indian actress. She is best known for her appearances in various Hindi and Marathi films directed by her husband V. Shantaram, in 1950s-1960s, most notably Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1958), Navrang (1959), Marathi film Pinjra (1972) and Amar Bhoopali (1951).
Parbat Pe Apna Dera is a Bollywood film directed by V. Shantaram. It was released in 1944. The story, dialogues and lyrics were written by Dewan Sharar. The music was composed by Vasant Desai. The film was produced under the Rajkamal Kalamandir banner and starred the "sensitive actress" Vanmala. Ulhas, cited as an actor known for his "melodramatic histrionics and a sonorous voice" was chosen to play the lead role of an "ascetic turned playboy". The cast included Shantarin, Madan Mohan, Kanta Kumari and Baby Nalini.
Rajkamal Kalamandir was a noted film production company and studio in Mumbai. It was established by V. Shantaram in 1942, after he left Prabhat Films. The studio produced films both in Hindi and Marathi, and it was best known for Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959) and Pinjra (1972). In its heyday, Rajkamal was one of the most sophisticated studios of the country.
This article contains a list of books about Hindi film director and actor Raj Kapoor.
Apna Desh is a 1949 Hindi social drama film set against the backdrop of Partition and directed by V. Shantaram for his Rajkamal Kalamandir banner.
Ladki Sahyadri Ki is a 1966 Hindi social drama film directed by V. Shantaram. Also called Iye Marathichiye Nagari in Marathi, it was a bilingual for V. Shantaram productions under the Rajkamal Kalamandir banner. The music was composed by Vasant Desai, with lyrics by Bharat Vyas. The cast included Sandhya, Shalini Abhyankar, Vatsala Deshmukh, Kumar Dighe, Keshavrao Date, and Baburao Pendharkar.
Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Baburao Pendharkar, was an Indian actor, director, film producer and writer.
Gopal Balwant Kamble was an Indian painter known for painting Bollywood movie posters and realist portraits of people from Maharashtra.
