Manoos | |
---|---|
Directed by | V. Shantaram |
Written by | A. Bhaskarrao |
Produced by | Prabhat Film Company |
Starring | Shahu Modak Shanta Hublikar Sundara Bai Ram Marathe |
Cinematography | V. Avdhoot |
Music by | Master Krishnarao |
Production company | |
Release date |
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Running time | 164 minutes |
Country | India |
Languages | Marathi Hindi |
Manoos, also called Life's for Living, is a 1939 Indian Marathi social melodrama film directed by V. Shantaram. [1] The movie was simultaneously made in Hindi as Aadmi. The film was based on a short story called "The Police Constable". [2] The story was by A. Bhaskarrao, with screenplay and dialogue by Anant Kanekar. [3] The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao, with lyrics by Kanekar. [4] The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao and Raja Paranjpe. [5]
Manoos, termed as a "reformist social melodrama", [6] involved the subject of an honest policemen's love for a prostitute and his attempts to rehabilitate her, and the rejection by society. [7]
Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings, he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour, he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drink and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.
Shantaram was "admired" as a visionary for his social reformist films like Shejari in Marathi or Padosi in Hindi is about Hindu-Muslim unity, Manoos/ Aadmi for the topic of alcoholism as well as upliftment of women, and Kunku / Duniya Na Mane for women's emancipation. [8] The film completed 75 years in 2014, and still "remains fresh". [9] The film is stated to be "classic" along with his other two films Kunku (1937) and Shejari or Padosi (1941), [10] and cited as one of the "best social films" that became successful. [11] Manoos was appreciated by the audiences and commended by Charlie Chaplin. [12]
Shantaram had initially decided to take Shanta Apte as the sex-worker and had auditioned the music director Vasant Desai for the hero's role. Desai's screen test was successful, however, he was disappointed when Shantaram informed him that he was taking the newcomer Shahu Modak for the part. [13] Modak's debut role had been as a child star opposite Shanta Apte in Shyam Sunder (1932), where he played the child Krishna. With Manoos/Aadmi he became a "top level star". [14] Shantaram visited the red light areas of Bombay in order to achieve accurate sets, which were recreated by S. Fattelal at Prabhat Studios. Director Shyam Benegal stated in the news report that "it was hard to believe" the scenes were shot in a studio. [2] A retired army officer was hired to give training to Modak and the other cast playing policemen. The training sessions turned out be vigorous and lengthy and Modak had to ask them to be stopped. [9]
The film bore some similarity to Waterloo Bridge (1931), directed by James Whale. [4]
The music composer was Master Krishnarao and the lyricist was Anant Kanekar. [15] The song, "Kashala Udyachi Baat- Hi Sarun Chalali Raat" (Why do you worry about tomorrow, the night is slipping away)' became popular. [2] It contained a mix of six Indian languages, Marathi, Hindi, Tamil, Telugu, Bengali, Gujarati and Punjabi. [4] According to Anil Damle, grandson of Vishnupant Govind Damle, the music composer Anil Biswas and other regional composers were hired to get "the correct lyrics and pronunciation". [9] It was critically acclaimed by Baburao Patel in his review of the film in the cine-magazine Filmindia of October 1939. Another notable song cited was "Man Paapi Bhoola Kaun Ise Samjhaye" sung by Bai Sundrabai. [16] There is also a parody of the famous Ashok Kumar and Devika Rani song from Achhut Kanya (1936) "Main Ban Ka Panchhi" to "Main Panch Ban Ban Dolu Re" sung by Shanta Hublikar. [15]
# | Title | Singer(s) |
---|---|---|
1 | "Diwali, Diwali Aali" | Shanta Hublikar |
2 | "Lootuya Premacha Bazar" | Hublikar |
3 | "Kashala Udyachi Baat" | Shanta Hublikar |
4 | "Tod Soh Moha" | Shahu Modak |
5 | "Man Paapi Bhoola" | Sundarabai |
6 | "Ja Ja Kushal" | Shanta Hublikar |
7 | "Gulzar Nari Nyari" | Ram Marathe |
# | Title | Singer(s) |
---|---|---|
1 | "So Jaa Sapne Ki Aasha Koi Nahin Hai" | Shanta Hublikar |
2 | "Premi Premnagar Mein Jaayen" | Shanta Hublikar |
3 | "Kis Ke Liye Kal Ki Baat" | Shanta Hublikar |
4 | "Ta Ra Ra Nao Naa" | Ram Marathe |
5 | "Man Paapi Bhoola" | Sundara Bai |
6 | "Jaag Jaag Jaag, Meethi Neend Se Jaga" | Shahu Modhak |
7 | "Barjori Karke Saiyan Ne" | Ram Marathe |
8 | "Bahar Aayi Piyari" | Shanta Hublikar |
9 | "Main Jaan Gayi" | Shanta Hublikar |
Shantaram Rajaram Vankudre, referred to as V. Shantaram or Shantaram Bapu, was an Indian film director, film producer, screenwriter and actor known for his work in Hindi and Marathi films. He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.
Prabhat Film Company was an Indian film production company and film studios founded in 1929 by the noted film director V.Shantaram and his friends.
Keshavrao Date (1889–1971) was an Indian film actor, who worked in both silent and sound movies. He tried to run his own drama company but found it difficult to perform the dual roles of manager and actor.
Kunku is a 1937 Marathi classic social drama film directed by V. Shantaram, and based on the novel, Na Patnari Goshta by Narayan Hari Apte, who also wrote film's screenplay. The film was simultaneously shot and released in Hindi as Duniya Na Maane.
Baburao Krishnarao Mestry, popularly known as Baburao Painter was an Indian filmmaker and artist. He was a man of many talents with proficiency in painting, sculpture, film production, photography, and mechanical engineering.
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, directed by Shantaram Rajaram Vankudre. It is based on the puranic story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana.
Balgandharva is a 2011 Indian Marathi-language biographical film on one of the Marathi singers and stage actors Narayan Shripad Rajhans, famously known as Bal Gandharva. The name was bestowed to Narayan by Lokmanya Tilak after listening to his public performance in Pune while he was very young.
Das Baje, also called 10 O'Clock, is an Indian film. It was released in 1942. This was a debut direction for Raja Nene, a protege of V. Shantaram, and produced under Shantaram's Prabhat Film Company banner. The film was a bilingual, made in Hindi, and in the Marathi language as Daha Wajta. The music direction was by Keshavrao Bhole. The story was written by Kashyap and Pawar, with dialogues in Hindi by Ashant. The photography was by E. Mohammed. It starred Paresh Bannerji, Urmila and Vasant Thengdi in the lead roles, with Baby Shakuntala and Manajirao forming the supporting cast.
Anshuman Joshi is an Indian actor who works in Marathi language films. He began his career with the movie Shala in 2011. He later acted in the Malayalam movie Thankam in 2023. The name of his character was also Anshuman Joshi. He played the role of a Marathi Police officer in the movie.
Apna Desh is a 1949 Hindi social drama film set against the backdrop of Partition and directed by V. Shantaram for his Rajkamal Kalamandir banner.
Netaji Palkar is a 1927 Indian biopic historical silent film directed by V. Shantaram. Kaishavrao Dhaiber who was an apprentice with Damle, co-directed the film. He was to become the chief cinematographer for Shantaram in his later films. Made under the Maharashtra Film Company, Kolhapur, it was the first film directed by Shantaram. The director of photography was S. Fattelal and the cast included Ansuya, Balasaheb Yadav, Ganpat Bakre and Zunzarrao Pawar.
Shejari is also known as Padosi in Hindi version as. Padosi is a 1941 Indian social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were Duniya Na Mane (1937) and Aadmi (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram.
Khooni Khanjar is a 1930 Indian silent film directed by V. Shantaram. The film was a costume action drama film co-directed by Keshavrao Dhaiber. It was produced by Prabhat Film Company. The cinematography was by Sheikh Fattelal and Vishnupant Govind Damle. The cast included Mane Pahelwan, Ganpat G. Shinde, P. Jairaj, Sakribai and Shankarrao Bhosle.
Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Bibbo was a music composer, singer and actress who worked in both Indian and Pakistani films. She acted in Indian cinema from 1931 to 1947 before moving to Pakistan, following Partition of India in 1947. She started her acting career with Ajanta Cinetone Ltd. in 1933, working with directors like M. D. Bhavnani and A. P. Kapoor. She was one of the top leading ladies of the 1930s along with actresses like Devika Rani, Durga Khote, Sulochana, Mehtab, Shanta Apte, Sabita Devi, Leela Desai and Naseem Banu. She was referred to as "one of the most important female stars of the 1930s and 1940s". Her fame had her featured in the lyrics of a popular song from the film Gharib Ke Lal (1939) sung by Mirza Musharraf and Kamla Karnataki, with music by Sagheer Asif and lyrics by Rafi Kashmiri. "Tujhe Bibbo Kahoon Ke Sulochana", where Sulochana referred to another popular actress of the time. This was the first time a song featuring famous actors was used in the lyrics of a film song.
Hansa Wadkar (1923–1971) was a Marathi and Hindi film and stage actress of Indian cinema. She started her acting career at the age of thirteen years, as a heroine in the bilingual film Vijaychi Lagne (1936). Wadkar went on to make a name for herself working in the reputable film companies like Bombay Talkies, Prabhat Film Company and National Studios. Her career defining role was in Vishnupant Damle's Sant Sakhu (1941) where she enacted the role of the female saint Sakhu. Her other memorable roles were in the Tamasha genre films like Lokshahir Ram Joshi (1947), termed as the "Classic Marathi Tamasha musical". Sangtye Aika (1959) was another of Marathi cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two of Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika. The title "Sangtye Aika" was used by Wadkar for her autobiography compiled in 1971. The autobiography was initially serialised in the Marathi magazine Manoos helped by journalist Arun Sadhu.
Shanta Hublikar, was an actress and singer from early years of Indian cinema. Shanta worked in Marathi, Hindi and Kannada films from 1934 to 1963. Her songs Ab kis liye kalki baat from Aadmi and its Marathi version Kashala udyachi baat from Manoos became immensely popular and established her as a star actress of her time.