Company type | Private |
---|---|
Industry | Indian Film industry, Entertainment |
Founded | 1 June 1929 |
Founder | Vishnupant Govind Damle, V. Shantaram, S Fatelal, Keshav Rao Dhaibar, Seetaram Kulkarni [1] |
Defunct | 13 October 1953 |
Headquarters | , India (1933 onwards) |
Key people | V. Shantaram |
Services | Filmmaking |
Website | www |
Prabhat Film Company (popularly known as Prabhat Films) was an Indian film production company and studio facility founded in 1929 in Kolhapur. It was established by filmmaker V. Shantaram, along with Vishnupant Govind Damle, Keshav Rao Dhaibar, S. Fatelal, and S. V. Kulkarni. [2] The company gained prominence during the transition from silent films to talkies and was recognised for its technical excellence and socially conscious storytelling.
In 1933, the company moved to Pune, where it established its own studio. Over 24 years, Prabhat Films produced 45 films in Marathi and Hindi. During the advent of talkies in India, Prabhat Films, along with Kolkata’s New Theatres, stood out for its artistic achievements and socially relevant themes. Some of its notable productions include Kunku (released in Hindi as Duniya Na Mane), Swarajyacha Toran (also called Udaykal ), based on the life of Shivaji, Dharmatma on Saint Eknath, Sant Tukaram on the eponymous saint-poet and social reformer, Shejari (released in Hindi as Padosi ), addressing communal harmony, Manoos (also called Aadmi), tackling alcoholism, and Amar Jyoti, advocating women’s emancipation.
Today, the former premises of Prabhat Film Company in Pune houses the Film and Television Institute of India (FTII). [1] [3] The site also features the Prabhat Museum, which showcases artifacts, original contracts, costumes, props, equipment, posters, and stills from the company's history. [4] Additionally, the University of Chicago Library holds a collection of 27 films produced by Prabhat Film Company between 1932 and 1949. [5]
Baburao Painter's Maharashtra Film Company, based in Kolhapur, had made a name for itself with its silent films in early 1920s. Close friends Vishnupant G Damle and Fateh Lal (Damle Mama and Saheb Mama) were very good artists and held posts with senior responsibility at the company. [6]
Baburao Pendharkar became the de facto head of operations because of Baburao Painter's distaste for financial matters. Pendharkar's cousin Shantaram Vanakudre (V. Shantaram) joined the company and became Baburao Painter's right-hand man.
In 1927–1928, the senior personnel became dissatisfied by Baburao Painter's increasingly lukewarm and erratic behaviour. Damle and Fateh Lal were thinking of starting their own company, as were V. Shantaram and Keshav Rao Dhaibar. The four of them got together, and with Sitaram Kulkarni, well-established jeweller in Kolhapur as their fifth partner and financier, started a new company on 1 June 1929, with an initial investment amount of Rs 15,000. [6] Baburao Pendharkar suggested the name Prabhat (meaning "Dawn"), and the other partners liked it.
Prabhat soon made a name for itself with silent films and produced six films, most of them directed by the tireless V. Shantaram. When India entered the era of talkies with Alam Ara in March 1931, Shantaram predicted that it was a transient phase, and the silent films were the real artistic area. But soon the company realized its mistake, and joined the talkie era with Ayodhyecha Raja (The King of Ayodhya) in Marathi (1932), also starring Durga Khote, which was the first film of Marathi Cinema, and later made under the name Ayodhya Ka Raja in Hindi. The film is based on Raja Harishchandra's story. [7] In 1930s when most of silent movies companies had closed down, Prabhat joined the ranks of "big three" of Indian cinema, which included New Theatres of Calcutta and Bombay Talkies of Mumbai [8]
In September 1933, the company moved to Pune because of its proximity to Mumbai and all the five founder moved with their families, and the doors of the studio finally opened in Pune in 1934. Then followed a golden era of 8–10 years during which the company made some landmark films: Sairandhri (1933), India's first colour film, processed and printed in Germany; Amrit Manthan (1934), Sant Tukaram (1936), Kunku (or Duniya Na Mane in Hindi) in 1937, Manoos (or Aadmi in Hindi) (1939), Shejari (or Padosi ) in 1941. The biopic, title Sant Tukaram, in 1936, made by V. Damle and S. Fattelal of Prabhat Film Company and starring Vishnupant Pagnis as the lead, and released on 12 December 1936 at Central Cinema in Mumbai. The film was not only a big hit but also had won an award at the fifth Venice International Film Festival in 1937, and still remains a part of film appreciation courses. [9] [10] [11]
After Shantaram split away in 1942 to form his own "Rajkamal Kalamandir" studios, and Damle Mama fell ill, the company encountered hard times. People associated with the studio, such as G. Kamble a noted painter, were lured away by Shantaram. [12] Its last major film was Ram Shastri in 1944. Noted director, Guru Dutt started his career as a choreographer, under a three-year contract with the Prabhat Film Company in Pune in 1944. The company was closed in the early 1950s and property auctioned away in 1952. The company formally closed on 13 October 1953.
Major figures associated with Prabhat are composers Govindrao Tembe, Dinkar D. Patil, Keshavrao Bhole, Master Krishnarao, Vasant Desai; actresses Durga Khote, Shanta Apte, Shanta Hublikar, Vasanti, Jayashree Kamulkar; actors Bal Gandharva, Keshavrao Date, Shahu Modak. Other Marathi film companies of note in 1930s include Saraswati Movietone, Shalini Movietone, Hans Pictures. Major film directors : Bhalji (Bhal G) Pendharkar, Master Vinayak. Major music directors : Annasaheb Mainkar, Dhamman Khan, Dada Chandekar.
A number of notable Hindi film personalities were also associated with Prabhat Films, including Guru Dutt, Dev Anand and Rehman. [13]
Later, Anantrao Damle, V G Damle's son, bought back the company's film prints from Mudaliyar of Chennai, who said he was happy to return to Maharashtra its treasures. Damle's sons have followed up his good work and brought out some of Prabhat's vintage films on VCDs, and songs from several Prabhat Films on audio CDs. [15] However, in January 2003, most of the original nitrates of the films, stored at the FTII cold-storage were destroyed in a fire while waiting to be transferred to National Film Archives storage. [16]
The 75th anniversary of Prabhat Films was celebrated in Pune, in June 2004. It included an exhibition of rare photographs and screening of the documentary film, It's Prabhat!. [17] [18]
Shantaram Rajaram Vankudre, also known as V. Shantaram or Shantaram Bapu, was an Indian film director, producer, screenwriter, and actor known for his work in Hindi and Marathi films. He is best known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.
Marathi Cinema, also known as Marathi film industry, is the segment of Indian cinema dedicated to the production of motion pictures in the Marathi language widely spoken in the state of Maharashtra. It is based in Mumbai. It is the oldest film industry of India and one of the leaders in filmmaking in the Indian film industry.
Keshavrao Date (1889–1971) was an Indian film actor, who worked in both silent and sound movies. He tried to run his own drama company but found it difficult to perform the dual roles of manager and actor.
Narayan Hari Apte, popularly known as Nanasaheb Apte was a Marathi popular novelist, writer of advice books and editor from Maharashtra, India.
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932, directed by Shantaram Rajaram Vankudre. It is based on the puranic story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana.
Maharashtra Film Company was an Indian film production company, established by Baburao Painter in Kolhapur. Established in 1918, it was a silent film studio, which was a pioneer in Maharashtra and Marathi cinema, under the patronage of the Shahu Maharaj, the Maharaja of Kolhapur. It released the first significant historical, Sairandhari, released in Pune 7 February 1920. In the coming decade the only other major company was Dada Saheb Phalke's Hindustan Film Company. It made numerous films till the advent of talkies in 1931, but started collapsing after V. Shantaram left in 1929, to form Prabhat Film Company, it finally closed down in 1931.
Vishnupant Govind Damle was an Indian production designer, cinematographer, film director and sound engineer for Marathi films. His 1937 film Sant Tukaram was the first Marathi film to be screened at an international film festival. It won a "Special Recommendation" at the 5th Venice International Film Festival.
Das Baje, also called 10 O'Clock, is an Indian film. It was released in 1942. This was a debut direction for Raja Nene, a protege of V. Shantaram, and produced under Shantaram's Prabhat Film Company banner. The film was a bilingual, made in Hindi, and in the Marathi language as Daha Wajta. The music direction was by Keshavrao Bhole. The story was written by Kashyap and Pawar, with dialogues in Hindi by Ashant. The photography was by E. Mohammed. It starred Paresh Bannerji, Urmila and Vasant Thengdi in the lead roles, with Baby Shakuntala and Manajirao forming the supporting cast.
Sant Tukaram, also known as Saint Tukaram, is a 1936 Marathi film, produced by Prabhat Film Company and based on the life of Tukaram (1608–50), a prominent Varkari saint and spiritual poet of the Bhakti movement in India. The film was directed by Vishnupant Govind Damle and Sheikh Fattelal and featured Vishnupant Pagnis in the lead role of the saint.
Shantaram Govind Athavale was an Indian director of Marathi, Hindi and English language films, a lyricist, poet, and author. Part of the generation that emerged from the Prabhat Film Company in Pune in the 1930s, he made pioneering contributions to Marathi film.
Rajkamal Kalamandir was a noted film production company and studio in Mumbai. It was established by V. Shantaram in 1942, after he left Prabhat Films. The studio produced films both in Hindi and Marathi, and it was best known for Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959) and Pinjra (1972). In its heyday, Rajkamal was one of the most sophisticated studios of the country.
Vishnupant Damle : The Unsung Hero Of Talkies Is a national award-winning docudrama about life of Shri Vishnupant Damle – one of the founder members of the legendary Prabhat Film Company. V G Damle started his journey as a poor village boy and became a remarkable personality in the film history of India. In the early 19th century, he has worked as an art director, cameraman, sound recordist, producer and director, for many acclaimed films.
Shejari is also known as Padosi in Hindi version as. Padosi is a 1941 Indian social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were Duniya Na Mane (1937) and Aadmi (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram.
Rani Saheba also called Bazarbattu is a 1930 Indian silent film. It is cited as the first children's film made in India. The film was co-directed by V. Shantaram and Keshavrao Dhaiber. The cinematographers were S. Fattelal and Vishnupant Govind Damle and the cast included Keshavrao Dhaiber, Baburao Pendharkar, V. Shantaram and Anant Apte.
Manoos, also called Life's for Living, is a 1939 Indian Marathi social melodrama film directed by V. Shantaram. The movie was simultaneously made in Hindi as Aadmi. The film was based on a short story called "The Police Constable". The story was by A. Bhaskarrao, with screenplay and dialogue by Anant Kanekar. The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao, with lyrics by Kanekar. The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao and Raja Paranjpe.
Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Agnikankan: Branded Oath also called The Branded Oath, is a 1932 Marathi adventure film directed by V. Shantaram. The film was a Prabhat Film Company production and was a bilingual, called Jalti Nishani in Hindi. The cinematography was done by Keshavrao Dhaiber and Art direction by S. Fatehlal. The sound direction was by Vishnupant Govind Damle and the music and lyrics were by Govindrao Tembe. Dialogues for the movie are written by Govindrao Tembe. The character artist Gajanan Jagirdar began his career in films by acting the role of a seventy-five-year-old man at the age of twenty-five. The cast included Shankarrao Bhosle, Kamala Devi, Master Vinayak, Baburao Pendharkar, Nimbalkar and Jagirdar.
Hansa Wadkar (1923–1971) was a Marathi and Hindi film and stage actress of Indian cinema. She started her acting career at the age of thirteen years, as a heroine in the bilingual film Vijaychi Lagne (1936). Wadkar went on to make a name for herself working in the reputable film companies like Bombay Talkies, Prabhat Film Company and National Studios. Her career defining role was in Vishnupant Damle's Sant Sakhu (1941) where she enacted the role of the female saint Sakhu. Her other memorable roles were in the Tamasha genre films like Lokshahir Ram Joshi (1947), termed as the "Classic Marathi Tamasha musical". Sangtye Aika (1959) was another of Marathi cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two of Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika. The title "Sangtye Aika" was used by Wadkar for her autobiography compiled in 1971. The autobiography was initially serialised in the Marathi magazine Manoos helped by journalist Arun Sadhu.
Shanta Hublikar, was an actress and singer from early years of Indian cinema. Shanta worked in Marathi, Hindi and Kannada films from 1934 to 1963. Her songs Ab kis liye kalki baat from Aadmi and its Marathi version Kashala udyachi baat from Manoos became immensely popular and established her as a star actress of her time.