Mary Isobel Catherine Bernadette O'Brien, better known by her stage name Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, pop and dramatic ballads, with French chanson, country, and jazz in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image–marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup and evening gowns, as well as stylised, gestural performances–made her an icon of the Swinging Sixties.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield, released on 31 March 1969 in the United States by Atlantic Records and by Philips Records internationally. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios.
"I'm Gonna Make You Love Me" is a soul song most popularly released as a joint single performed by Diana Ross & the Supremes and the Temptations for the Motown label. This version peaked for two weeks at No. 2 on the Hot 100 in the United States, selling 900,000 copies in its first two weeks, and at No. 3 on the UK Singles Chart in January 1969.
Dusty... Definitely is the fourth studio album by singer Dusty Springfield, recorded and released in the UK in 1968. Production credits go to both John Franz, and for the first time, Springfield herself. The songs on this album were chosen because Springfield "liked them", as stated in the liner notes. Like the vast majority of her LPs, the album shows a diverse range of styles ranging from soul, pop, folk to lounge.
A Brand New Me is the sixth studio album by English singer Dusty Springfield, released in 1970.
"I Can't Hear You No More" is a composition written by Gerry Goffin and Carole King. It was originally recorded as "I Can't Hear You" in 1964 by Betty Everett. The most successful version was the 1976 top 40 single by Helen Reddy.
Cameo is the eighth studio album released by singer Dusty Springfield, released in 1973.
Living Without Your Love is the eleventh studio album recorded by singer Dusty Springfield, and tenth released. The album was recorded in summer 1978 and released in early 1979.
See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie & Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. See All Her Faces collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that See All Her Faces is best appreciated track by track, rather than as a whole stylistic statement, as her album Dusty in Memphis is often praised to be.
Where Am I Going? is the third studio album by singer Dusty Springfield, released on Philips Records in the UK in 1967. By now, firmly established as one of the most popular singers in Britain, with several hits in America as well, Springfield ventured into more varying styles than before and recorded a wide variety of material for this album. Rather than the straightforward pop of A Girl Called Dusty or the mix of pop and soul of Ev'rything's Coming Up Dusty, Springfield recorded a variety of styles from jazz to soul, to pop and even show tunes. While not the success that her previous two albums were, Where Am I Going? was praised by fans and critics alike for showing a mature and sophisticated sensibility, despite the many different styles of music.
The Look of Love is the fifth album by singer Dusty Springfield to be released in the US, issued on the Philips Records label in late 1967. It gathered seven tracks from Springfield's British 1967 album Where Am I Going? with both the A- and B-sides of the singles "Give Me Time"/"The Look of Love" and "What's It Gonna Be"/"Small Town Girl" and became Springfield's final release on the Philips label in the US. In early 1968 she signed with Atlantic Records in America and as a consequence her 1968 album Dusty... Definitely, recorded for Philips in the UK, was not issued in the US at that time. Her next LP to be released in the North American market instead became her keynote work Dusty in Memphis. The tracks from the entire Dusty...Definitely album, the British recordings on the 1972 release See All Her Faces as well as a series of A- and B-side singles recorded in the UK between the years 1968 and 1972, were all first issued in the US in 1999 on the Rhino/Atlantic Records compilation Dusty in London.
You Don't Have to Say You Love Me is the fourth album of singer Dusty Springfield to be released in the USA, issued on the Philips Records label in 1966. The album was more or less a retitled re-issue of Springfield's British album Ev'rything's Coming Up Dusty, recorded and released in 1965, with the addition of the two hit singles "You Don't Have To Say You Love Me" and "Little By Little", both released in 1966. In fact, Ev'rything's Coming Up Dusty had been released in the US a few months prior, but as the title track of You Don't Have to Say You Love Me became a huge hit single for Springfield, Philips USA decided to repackage and retitle the album after the single.
Ev'rything's Coming Up Dusty is the second studio album by singer Dusty Springfield, released on Philips Records in the UK in 1965. Springfield's 1964 debut album, A Girl Called Dusty, sold well enough to make her Philips Records' top-selling female artist. For this, her second album, Philips presented it in a gatefold sleeve and included extensive liner notes. While including a number of fairly standard "pop" songs, Ev'rything's Coming Up Dusty also saw Springfield venturing more into show tunes like "Who Can I Turn To ?" as well as the soul music for which Springfield became so well known for singing. "Doodlin'" and "That's How Heartaches Are Made" were minor hits for Baby Washington, one of Springfield's personal favourite singers. Springfield also included the song "La Bamba", which was a popular concert number for her, though not in step with the general style of the album. The album gave Dusty another chart success peaking at No.6 on the UK Charts and No.4 on the NME charts that following month.
A Girl Called Dusty is the debut studio album by English singer Dusty Springfield. It was released on 17 April 1964 in the United Kingdom by Philips Records. The album peaked at No. 6 on the UK Album Charts and No.5 on NME charts in May 1964.
Stay Awhile/I Only Want to Be with You is the first album of the singer Dusty Springfield to be released in the USA. It was issued on the Philips Records label in 1964 and includes Springfield's hit singles "I Only Want To Be With You", "Stay Awhile" and "Wishin' and Hopin'".
Ooooooweeee!!! was the third album by the singer Dusty Springfield to be released in the US, issued on the Philips Records label in 1965 and including the hit single "Losing You". Even more than Springfield's first two US albums, Ooooooweeee!!! can be considered as a compilation since it contains tracks both from her first British album, A Girl Called Dusty, and recordings originally issued on various A- and B-side singles and EPs – recorded and released in the UK over a period of some eighteen months. Ooooooweeee!!! also has tracks from Springfield's September 1964 sessions in New York, produced by Shelby Singleton Jr, some of which remain unreleased in Britain until 1998 and the CD re-issue of the 1965 album, Ev'rything's Coming Up Dusty.
Longing is the unreleased ninth studio album by Dusty Springfield, recorded in 1974 and planned for release the same year as her second LP for the ABC Dunhill Records label. Most of the Longing recordings were mixed and released much later on the compilations Simply Dusty (2000) and Beautiful Soul: The ABC Dunhill Collection (2001).
Beer Drinkers and Hell Raisers is an EP by the band Motörhead, released in November 1980. The EP consists of four tracks recorded during sessions for their first album Motörhead, in 1977 at Escape Studios, Kent, England, but were previously unreleased. The EP was released by Big Beat Records, a subsidiary of Chiswick Records, who the band were signed to when the tracks were recorded in 1977. The release was not authorized by the band, though they did not oppose it. The EP entered the UK Singles Charts on 22 November, where it peaked at No. 43.
The Echoes were an English musical group, established in London in early 1960 by singer Chris Wayne, for the Johnny Preston, Conway Twitty and Freddy Cannon tour of Great Britain. During the period 1960 to 1971, the Echoes toured extensively throughout the United Kingdom and elsewhere in the world, playing for various artists and providing the backing on many recordings.
Faithful is the seventh album recorded by Dusty Springfield and was her planned third album for Atlantic Records, recorded in the first half of 1971. In April 2015, Faithful was released as her fifteenth and final studio album, 44 years after its planned release was shelved. It is the only posthumous studio album in Springfield's primary catalog and was her first album in two decades.
