A Girl Called Dusty | ||||
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Studio album by | ||||
Released | 17 April 1964 | |||
Recorded | January 1964 | |||
Studio | Olympic Studios, Carton Street, London W1 | |||
Genre | Pop | |||
Length | 32:54 | |||
Label | Philips | |||
Producer | Johnny Franz | |||
Dusty Springfield chronology | ||||
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A Girl Called Dusty is the debut studio album by English singer Dusty Springfield. It was released on 17 April 1964 in the United Kingdom by Philips Records. The album peaked at No. 6 on the UK Album Charts and No.5 on NME charts in May 1964. [1]
Dusty Springfield had been a member of the girl group The Lana Sisters from 1958 to 1960, [2] and the folk-pop trio The Springfields from 1960–1963, in the latter case with her brother Tom Springfield. While on tour in the US in the early 1960s she was exposed to soul music, which was to have a profound impact on her subsequent life and career. Although The Springfields were moderately successful, with songs such as "Island of Dreams", "Bambino" and "Silver Threads And Golden Needles" (a No. 16 US country hit), their style of music limited the wide range of material that Dusty Springfield wanted to sing. Therefore, in 1963, Springfield decided to begin a career as a solo singer.
Her first single, "I Only Want to Be with You", was actually recorded while still a member of The Springfields, and was released one week after their final concert. The song was a success in both Britain and the US and led to the recording of A Girl Called Dusty which was released in 1964. The album contained a mix of mostly straightforward pop songs and a few Motown influenced numbers, such as "When The Lovelight Starts Shining Through His Eyes", "Will You Love Me Tomorrow" and "Mockingbird". It also marked Springfield's first collaboration with well-known songwriters Burt Bacharach and Hal David, as well as Gerry Goffin and Carole King, whose songs Springfield continued to record for the rest of her career.
At the time, A Girl Called Dusty was not released to the US market. Instead, Philips released a compilation of singles and tracks recorded for the album as Stay Awhile/I Only Want To Be With You . It was named after her first two singles, which had been Top 20 hits in the US. Later in 1964, Philips released Dusty , a second version of A Girl Called Dusty with a different track listing and different tracks.
A Girl Called Dusty was first released both in mono (BF 7594) and stereo (SBL 7594) on 17 April 1964 by Philips Records, in the LP album format. The album had its first CD release in June 1990 by Philips Records/PolyGram, then a direct transfer from vinyl. In 1997, two years before Springfield's death, a digitally remastered and expanded edition was issued by Mercury Records, then including eight bonus tracks as well as a few alternate mixes. Since most of the original multi-track master tapes are thought to be completely lost in the Philips Records archives, the vast majority of the tracks on the 1997 version are in mono, or in some cases, re-created stereo mixes using alternate vocal takes. The current CD version of A Girl Called Dusty, which still remains in print, is consequently radically different from the original album, as produced by Johnny Franz and Springfield herself.
Review scores | |
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Source | Rating |
Record Mirror | [3] |
The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die . [4]
Side A
Side B
Bonus tracks 1997 CD re-issue
Chart (1964) | Peak position |
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UK Albums (OCC) [5] | 6 |
New Musical Express | 5 |
Melody Maker | 4 |
Year End Album Charts | 19 |
Mary Isobel Catherine Bernadette O'Brien, better known by her stage name Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, pop and dramatic ballads, with French chanson, country, and jazz in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image–marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup and evening gowns, as well as stylised, gestural performances–made her an icon of the Swinging Sixties.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released in March 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
Dusty... Definitely is the fourth studio album by singer Dusty Springfield, recorded and released in the UK in 1968. Production credits go to both John Franz, and for the first time, Springfield herself. The songs on this album were chosen because Springfield "liked them", as stated in the liner notes. Like the vast majority of her LPs, the album shows a diverse range of styles ranging from soul, pop, folk to lounge.
A Brand New Me is the sixth studio album by English singer Dusty Springfield, released in 1970.
"I Just Don't Know What to Do with Myself" is a song written by Burt Bacharach and lyricist Hal David.
Cameo is the eighth studio album released by singer Dusty Springfield, released in 1973.
"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination at the 1968 Academy Awards. The song partially inspired the film Austin Powers: International Man of Mystery (1997).
Where Am I Going? is the third studio album by singer Dusty Springfield, released on Philips Records in the UK in 1967. By now, firmly established as one of the most popular singers in Britain, with several hits in America as well, Springfield ventured into more varying styles than before and recorded a wide variety of material for this album. Rather than the straightforward pop of A Girl Called Dusty or the mix of pop and soul of Ev'rything's Coming Up Dusty, Springfield recorded a variety of styles from jazz to soul, to pop and even show tunes. While not the success that her previous two albums were, Where Am I Going? was praised by fans and critics alike for showing a mature and sophisticated sensibility, despite the many different styles of music.
The Look of Love is the fifth album by singer Dusty Springfield to be released in the US, issued on the Philips Records label in late 1967. It gathered seven tracks from Springfield's British 1967 album Where Am I Going? with both the A- and B-sides of the singles "Give Me Time"/"The Look of Love" and "What's It Gonna Be"/"Small Town Girl" and became Springfield's final release on the Philips label in the US. In early 1968 she signed with Atlantic Records in America and as a consequence her 1968 album Dusty... Definitely, recorded for Philips in the UK, was not issued in the US at that time. Her next LP to be released in the North American market instead became her keynote work Dusty in Memphis. The tracks from the entire Dusty...Definitely album, the British recordings on the 1972 release See All Her Faces as well as a series of A- and B-side singles recorded in the UK between the years 1968 and 1972, were all first issued in the US in 1999 on the Rhino/Atlantic Records compilation Dusty in London.
You Don't Have to Say You Love Me is the fourth album of singer Dusty Springfield to be released in the USA, issued on the Philips Records label in 1966. The album was more or less a retitled re-issue of Springfield's British album Ev'rything's Coming Up Dusty, recorded and released in 1965, with the addition of the two hit singles "You Don't Have To Say You Love Me" and "Little By Little", both released in 1966. In fact, Ev'rything's Coming Up Dusty had been released in the US a few months prior, but as the title track of You Don't Have to Say You Love Me became a huge hit single for Springfield, Philips USA decided to repackage and retitle the album after the single.
Ev'rything's Coming Up Dusty is the second studio album by singer Dusty Springfield, released on Philips Records in the UK in 1965. Springfield's 1964 debut album, A Girl Called Dusty, sold well enough to make her Philips Records' top-selling female artist. For this, her second album, Philips presented it in a gatefold sleeve and included extensive liner notes. While including a number of fairly standard "pop" songs, Ev'rything's Coming Up Dusty also saw Springfield venturing more into show tunes like "Who Can I Turn To ?" as well as the soul music for which Springfield became so well known for singing. "Doodlin'" and "That's How Heartaches Are Made" were minor hits for Baby Washington, one of Springfield's personal favourite singers. Springfield also included the song "La Bamba", which was a popular concert number for her, though not in step with the general style of the album. The album gave Dusty another chart success peaking at No.6 on the UK Charts and No.4 on the NME charts that following month.
Dusty is the second album of singer Dusty Springfield to be released in the USA. It was issued on the Philips Records label in 1964 and includes Springfield's hit singles "All Cried Out", "I Just Don't Know What To Do With Myself" and the double A-side "Guess Who?"/"Live It Up".
Stay Awhile/I Only Want to Be with You is the first album of the singer Dusty Springfield to be released in the USA. It was issued on the Philips Records label in 1964 and includes Springfield's hit singles "I Only Want To Be With You", "Stay Awhile" and "Wishin' and Hopin'".
Ooooooweeee!!! was the third album by the singer Dusty Springfield to be released in the US, issued on the Philips Records label in 1965 and including the hit single "Losing You". Even more than Springfield's first two US albums, Ooooooweeee!!! can be considered as a compilation since it contains tracks both from her first British album, A Girl Called Dusty, and recordings originally issued on various A- and B-side singles and EPs – recorded and released in the UK over a period of some eighteen months. Ooooooweeee!!! also has tracks from Springfield's September 1964 sessions in New York, produced by Shelby Singleton Jr, some of which remain unreleased in Britain until 1998 and the CD re-issue of the 1965 album, Ev'rything's Coming Up Dusty.
"I Only Want to Be with You" is a song written by Mike Hawker and Ivor Raymonde. The debut solo single released by British singer Dusty Springfield under her long-time producer Johnny Franz, "I Only Want to Be with You" peaked at number 4 on the UK Singles chart in January 1964.
"This Guy's in Love with You" is a hit song written by Burt Bacharach and Hal David and released by Herb Alpert in May, 1968. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, which was arranged by Bacharach. An earlier recording of the song by British singer Danny Williams with different lyrics, titled "That Guy's in Love", appeared on Williams' 1968 self-titled album.
"Wishin' and Hopin'" is a song, written by Hal David and Burt Bacharach, which was a US Top 10 hit for Dusty Springfield in 1964.
Just a Little Lovin' is the tenth studio album by Shelby Lynne, released in the United States and Canada on January 29, 2008. The album is a tribute to British singer Dusty Springfield, and features covers of nine songs popularized by her, in addition to "Pretend", an original song written by Lynne. In contrast to the more fully instrumented original versions Dusty Springfield recorded, Lynne's remakes featured sparse arrangements, favoring acoustic guitars and pianos rather than a string or horn section.
The Echoes were an English musical group, established in London in early 1960 by singer Chris Wayne, for the Johnny Preston, Conway Twitty and Freddy Cannon tour of Great Britain. During the period 1960 to 1971, the Echoes toured extensively throughout the United Kingdom and elsewhere in the world, playing for various artists and providing the backing on many recordings.
Beginnings: Greatest Hits & New Songs is the fifteenth solo studio album by Cilla Black. The project features eleven all-new studio recordings produced by Ted Carfrae alongside nine of Black's own hit singles produced by George Martin. Also included as a hidden track is a club remix of a re-recording of "Step Inside Love", produced by DJ Tommy Sandhu.