This article needs additional citations for verification .(July 2016) |
El Cancionero: Mas y Mas | ||||
---|---|---|---|---|
Box set by | ||||
Released | November 7, 2000 | |||
Recorded | 1977–2000 | |||
Genre | Roots rock Chicano rock Latin rock | |||
Length | 5:01:03 | |||
Label | Rhino/Warner Archives | |||
Los Lobos chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
The Guardian | [2] |
El Cancionero: Mas y Mas is a four-CD box set by the American rock band Los Lobos, released in 2000. It contains album tracks, live recordings, rarities, and alternate versions, as well as tracks from solo and side projects, soundtracks, and tribute albums. [2] [3] Of the eighty-six tracks on the box set, eleven are previously unissued. [1]
"El Cancionero" translates as "songbook" or "the person who interprets songs," according to guitarist/drummer Louie Pérez. [4] The set was the subject of an essay by author Nick Hornby in his collection Songbook . [5]
Writing for AllMusic, Stephen Thomas Erlewine called it "the definitive portrait of Los Lobos". He wrote, "As the set winds from the authentic Mexican folk music of 1977 through the gutsy roots rock of 1987 and the dreamy soundscapes of 1992 to the daring music of the mid-'90s and then the consolidation of their strengths on 1999's This Time, it's hard not to be astonished not just by the band's range, but the fact that they do it all really well." [1]
The Guardian described the box set as "a comprehensive history of the band" with "dodgy patches among the triumphs". The eighty-six tracks are, according to The Guardian, "so varied it seems remarkable that they should be recorded by the same musicians." [2]
No. | Title | Writer(s) | Original release | Length |
---|---|---|---|---|
1. | "Guantanamera" | José Diaz, José Marti, Julián Orbón, Pete Seeger | Los Lobos Del Este De Los Angeles (Just another band from East L.A.) , 1978 | 4:52 |
2. | "Sabor A Mí" | Álvaro Carrillo | Los Lobos Del Este De Los Angeles (Just another band from East L.A.) | 3:50 |
3. | "We're Gonna Rock" | Cesar Rosas | Various Artists: L.A. Rockabilly, 1983 | 2:13 |
4. | "Let's Say Goodnight" | David Hidalgo, Louie Pérez | ...And a Time to Dance , 1983 | 2:35 |
5. | "Anselma" | César Suedan, Guadalupe Trigo | ...And a Time to Dance | 3:11 |
6. | "Why Do You Do" | Rosas | ...And a Time to Dance | 2:40 |
7. | "How Much Can I Do?" | Hidalgo, Pérez | ...And a Time to Dance | 2:21 |
8. | "I'm Sorry" (Live, 1984) | Ellas McDaniel, Harvey Fuqua, Alan Freed | previously unissued | 2:30 |
9. | "Los Ojos De Pancha" (Live, 1984) | Juan Romero | previously unissued | 2:25 |
10. | "Don't Worry Baby" | Rosas, Pérez, T-Bone Burnett | How Will the Wolf Survive? , 1984 | 2:47 |
11. | "I Got Loaded" | Camille Bob | How Will the Wolf Survive? | 3:18 |
12. | "A Matter Of Time" | Hidalgo, Pérez | How Will the Wolf Survive? | 3:49 |
13. | "Corrido #1" | Rosas | How Will the Wolf Survive? | 2:41 |
14. | "Evangeline" | Hidalgo, Perez | How Will the Wolf Survive? | 2:42 |
15. | "Lil' King Of Everything" | Hidalgo, Pérez | How Will the Wolf Survive? | 1:19 |
16. | "Will the Wolf Survive?" | Hidalgo, Pérez | How Will the Wolf Survive? | 3:42 |
17. | "Quatro Vicios" (Ry Cooder with David Hidalgo and Cesar Rosas) | Traditional, arranged by Ry Cooder | Ry Cooder: Music from the Motion Picture "Alamo Bay", 1985 | 3:38 |
18. | "I'm Gonna Be a Wheel Someday" | Dave Bartholomew, Roy Hayes, Antoine Domino | Various Artists: A Fine Mess: Original Motion Picture Soundtrack , 1986 | 2:09 |
19. | "One Time One Night" | Hidalgo, Pérez | By the Light of the Moon , 1987 | 4:49 |
20. | "Shakin' Shakin' Shakes" | Rosas, Burnett | By the Light of the Moon | 4:12 |
21. | "Is This All There Is?" | Hidalgo, Pérez | By the Light of the Moon | 3:58 |
22. | "My Baby's Gone" | Rosas | By the Light of the Moon | 3:41 |
23. | "River of Fools" | Hidalgo, Pérez | By the Light of the Moon | 2:55 |
24. | "Set Me Free (Rosa Lee)" | Rosas | By the Light of the Moon | 3:39 |
25. | "Tears Of God" | Hidalgo, Pérez | By the Light of the Moon | 3:43 |
No. | Title | Writer(s) | Original release | Length |
---|---|---|---|---|
1. | "La Bamba" | Traditional, arranged by Ritchie Valens | Various Artists: La Bamba (soundtrack) , 1987 | 2:55 |
2. | "Come On, Let's Go" | Valens | Various Artists: La Bamba (soundtrack) | 2:12 |
3. | "Goodnight My Love" | George Motola, John Marascalco | Various Artists: La Bamba (soundtrack) | 3:16 |
4. | "Rip It Up" | Robert Blackwell, Marascalco | Various Artists: La Bamba (soundtrack); previously unissued outtake | 1:40 |
5. | "Volver, Volver" (Live, 1987) | Fernando Maldonado | Just Another Band from East L.A.: A Collection , 1993 | 3:47 |
6. | "I Wan'na Be like You (The Monkey Song)" | Richard M. Sherman, Robert B. Sherman | Various Artists: Stay Awake: Various Interpretations of Music from Vintage Disney Films , 1988 | 3:17 |
7. | "Estoy Sentado Aqui" | Rosas | La Pistola y El Corazón , 1988 | 2:28 |
8. | "La Pistola y El Corazón" | Hidalgo, Pérez | La Pistola y El Corazón | 3:30 |
9. | "I Can't Understand" | Rosas, Willie Dixon | The Neighborhood , 1990 | 4:00 |
10. | "Someday" | Hidalgo, Pérez | Just Another Band from East L.A.: A Collection; outtake from The Neighborhood sessions | 3:43 |
11. | "I Walk Alone" | Hidalgo, Pérez | The Neighborhood | 3:00 |
12. | "Angel Dance" | Hidalgo, Pérez | The Neighborhood | 3:13 |
13. | "Little John of God" | Hidalgo, Pérez | The Neighborhood | 2:20 |
14. | "Down on the Riverbed" | Hidalgo, Pérez | The Neighborhood | 4:06 |
15. | "Till the Hands Fall Off the Clock" | Hidalgo, Pérez | previously unissued; outtake from The Neighborhood sessions | 3:55 |
16. | "Be Still" | Hidalgo, Pérez | The Neighborhood | 3:34 |
17. | "The Neighborhood" | Hidalgo, Pérez | The Neighborhood | 4:10 |
18. | "Bertha" | Robert Hunter, Jerry Garcia | Various Artists: Deadicated: A Tribute to the Grateful Dead , 1991 | 5:48 |
19. | "Bella Maria De Mi Alma" | Robert Kraft, Arne Glimcher | Various Artists: The Mambo Kings: Original Motion Picture Soundtrack , 1992 | 4:29 |
20. | "The Christmas Song" (Cesar Rosas & Steve Berlin; live, 1987) | Mel Tormé, Robert Wells | Various Artists: Yulesville, 1987 | 2:39 |
No. | Title | Writer(s) | Original release | Length |
---|---|---|---|---|
1. | "Dream in Blue" | Hidalgo, Pérez | Kiko , 1992 | 3:34 |
2. | "Wicked Rain" | Rosas | Kiko | 3:04 |
3. | "Angels with Dirty Faces" | Hidalgo, Pérez | Kiko | 4:03 |
4. | "That Train Don't Stop Here" | Rosas, Leroy Preston | Kiko | 3:52 |
5. | "Kiko and the Lavender Moon" | Hidalgo, Pérez | Kiko | 3:37 |
6. | "Saint Behind the Glass" | Hidalgo, Pérez | Kiko | 3:19 |
7. | "When the Circus Comes" | Hidalgo, Pérez | Kiko | 3:16 |
8. | "Peace" (Demo) | Hidalgo, Pérez | previously unissued | 4:19 |
9. | "Rio de Tenampa" (Demo) | Hidalgo, Pérez | previously unissued | 5:05 |
10. | "Try Me" | James Brown | from the film Untamed Heart , 1993; previously unissued | 2:33 |
11. | "Alone in a Crowd" | John Genzale | Various Artists: I Only Wrote this Song for You: A Tribute to Johnny Thunders, 1994 | 3:00 |
12. | "Tomorrow Never Knows" (Live, 1993) | John Lennon, Paul McCartney | from the Lonesome Pine/PBS TV special In The Spotlight: A Beatles Songbook, aired 5 May 1993; previously unissued | 5:14 |
13. | "Forever Night Shade Mary" (Latin Playboys) | Hidalgo, Pérez | Latin Playboys: Latin Playboys , 1994 | 3:05 |
14. | "Same Brown Earth" (Latin Playboys) | Hidalgo, Pérez | Latin Playboys: Latin Playboys | 3:45 |
15. | "Down Where the Drunkards Roll" | Richard Thompson | Various Artists: Beat the Retreat: Songs by Richard Thompson, 1994 | 3:40 |
16. | "Route 90" | Clarence Garlow, Leon René | Papa's Dream , 1995 | 3:22 |
17. | "Lonely Avenue" | Doc Pomus | Various Artists: Till the Night is Gone: A Tribute to Doc Pomus, 1995 | 3:38 |
18. | "Midnight Shift" | Jimmy Ainsworth, Earl Lee | Various Artists: Not Fade Away (Remembering Buddy Holly) , 1996 | 2:56 |
19. | "Mariachi Suite" | Hidalgo, Rosas, Conrad Lozano, Pérez, Steve Berlin | Various Artists: Desperado: The Soundtrack , 1995 | 4:22 |
20. | "She's About a Mover" (Live, 1996) | Doug Sahm | promotional single, 1996 | 4:25 |
No. | Title | Writer(s) | Original release | Length |
---|---|---|---|---|
1. | "Revolution" | Hidalgo, Pérez | Colossal Head , 1996 | 3:07 |
2. | "Mas y Mas" | Hidalgo, Pérez | Colossal Head | 4:42 |
3. | "Maricela" | Rosas | Colossal Head | 3:50 |
4. | "Can't Stop the Rain" | Rosas | Colossal Head | 3:35 |
5. | "This Bird's Gonna Fly" | Rosas | Colossal Head | 4:16 |
6. | "Pepe & Irene" (with Money Mark) | Hidalgo, Pérez, Mark Nishita, Mario Caldato | Various Artists: Silencio=Muerte: Red Hot + Latin , 1997 | 3:33 |
7. | "Lonesome Tears in My Eyes" (with Paul Burlison) | Johnny Burnette, Dorsey Burnette, Paul Burlison, Al Mortimer | Paul Burlison: Train Kept A-Rollin', 1997 | 3:51 |
8. | "Me Estas Matando" | Rosas | Various Artists: The End of Violence: Songs from the Motion Picture Soundtrack , 1997 | 3:48 |
9. | "El Canoero" (Los Super Seven) | Traditional, arranged by Valerio Longoria | Los Super Seven: Los Super Seven , 1998 | 3:19 |
10. | "La Sirena" (Los Super Seven) | Traditional, arranged by Hidalgo | Los Super Seven: Los Super Seven | 2:53 |
11. | "El Pescador" (Los Super Seven) | Lorenzo Barcelata | Los Super Seven: Canto , 2001 | 4:29 |
12. | "Little Heaven" (Cesar Rosas) | Rosas, Preston | Cesar Rosas: Soul Disguise, 1999 | 3:39 |
13. | "Soul Disguise" (Cesar Rosas) | Rosas, Preston | Cesar Rosas: Soul Disguise | 3:19 |
14. | "Angelito" (Cesar Rosas) | Rosas | Cesar Rosas: Soul Disguise | 4:25 |
15. | "Lemon 'n Ice" (Latin Playboys) | Hidalgo, Pérez | Latin Playboys: Dose , 1999 | 3:51 |
16. | "I'll Change My Style" (Houndog) | David Parker, Manuel Villa | Houndog: Houndog, 1999 | 3:49 |
17. | "Cumbia Raza (English version)" | Rosas | promotional single, 2000 | 2:52 |
18. | "Oh Yeah" | Rosas, Pérez | This Time , 1999 | 3:48 |
19. | "Viking" | Hidalgo, Pérez | This Time | 3:32 |
20. | "This Time" | Hidalgo, Pérez | This Time | 5:18 |
21. | "What's Going On" (with Sheryl Crow; live 1997) | Renaldo Benson, Al Cleveland, Marvin Gaye | This Time; Japanese bonus track | 3:33 |
Credits adapted from the album's liner notes. [6]
|
|
Los Lobos is a Mexican-American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band rose to international stardom in 1987, when their version of "La Bamba" peaked at the top of the Billboard Hot 100, and also topped the charts in the United Kingdom, and several other countries. Songs by Los Lobos have been recorded by Elvis Costello, Waylon Jennings, Frankie Yankovic, and Robert Plant. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. In 2018, they were inducted into the Austin City Limits Hall of Fame. They are also known for performing the theme song for Handy Manny. As of 2024, they have been nominated for twelve Grammy Awards and have won four.
"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote the compilation album Changesonebowie in the UK. Co-produced by Bowie and Ken Scott, it was recorded by Bowie at Trident Studios in London with his backing band the Spiders from Mars, consisting of Mick Ronson, Trevor Bolder and Mick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English band Mott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is a glam rock song that is influenced by the music of Little Richard and the Velvet Underground. The lyrics include a reference to Anthony Burgess' novel A Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
Songbook is a 2002 collection of 26 essays by English writer Nick Hornby about songs and the particular emotional resonance they carry for him. In the UK, Sony released a stand-alone CD, A Selection of Music from 31 Songs, featuring 18 songs. The hardcover edition of Songbook, published in the US by McSweeney's and illustrated by Marcel Dzama, includes a CD with 11 of the songs featured in the book.
"The Truth" is a song recorded by American recording artist Prince for his twenty-first and eponymous studio album, The Truth (1998). The track was released as the record's lead single by NPG Records on February 14, 1997. Being issued as a CD single, the recording was paired with previously unreleased track "Don't Play Me". "The Truth" was solely written and produced by Prince, who also provided the track's entire instrumentation. Musically, the recording is an acoustic rock and folk song that lyrically has Prince claiming that there is "no more truth" left in the world.
"Frontier Psychiatrist" is a song by Australian electronic music group the Avalanches. It was released on 21 August 2000 as the second single from the group's debut album Since I Left You. Produced by Avalanches members Robbie Chater and Darren Seltmann, under their production alias Bobbydazzler, the track is built around many sampled elements, much like other tracks from its parent album, including prominent vocal samples of the sketch "Frontier Psychiatrist" by comedy duo Wayne and Shuster, and an orchestral background sourced from an Enoch Light version of the composition "My Way of Life" (1968).
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Station to Station" is a song by the English musician David Bowie. It was released in January 1976 as the title track and opener of his tenth studio album Station to Station, as well as on a promotional 7-inch single in France the same month. Co-produced by Bowie and Harry Maslin, it was written and recorded in Los Angeles between September and November 1975. At over 10 minutes in length, it is Bowie's longest studio recording. Opening with a train-like noise, the song's first half is a slow march, while the second takes the form of a prog-disco suite in a different key and tempo than the first. It has been characterised as art rock and is influenced by the German electronic bands Kraftwerk and Tangerine Dream.
"Te Lo Agradezco, Pero No" is a song recorded by Spanish singer Alejandro Sanz and Colombian singer Shakira, for Sanz's eighth studio album El Tren de los Momentos (2006). It was released as the second single from the record in December 2006 by Warner Music Latina. The track was written by Sanz, while production was handled by him along with Lulo Pérez. "Te Lo Agradezco, Pero No" is the second duet recorded by the two singers, following "La Tortura" for Shakira's album Fijación Oral Vol. 1 (2005). The song came about after she approached Sanz, telling him that she wanted to collaborate on something different from her own material.
Wolf Tracks: The Best of Los Lobos is the third compilation album by the American rock band Los Lobos, released in 2006 by Rhino Records. It contains twenty tracks originally released between 1983 and 2002, except for the previously unissued album outtake "Border Town Girl".
"Lonely Avenue" is a popular song written by Doc Pomus that was a No. 6 rhythm and blues hit for Ray Charles in 1956.
"Y Yo Sigo Aquí" is a song recorded by Mexican singer Paulina Rubio for her fifth studio album, Paulina (2000). It was released as the third single from the album on November 13, 2000. Also, it was released in January 2001 in the United States and Europe. Jointly written and composed by Estéfano, "Y Yo Sigo Aquí" is a dance pop and Europop song along pulses with a synthesized house and techno beat. It was one of the most successful songs of the year in the world and is recognized as one of Rubio's signature songs.
"Lo Haré Por Ti" is a song recorded by Mexican singer Paulina Rubio for her fifth studio album Paulina (2000). Written by Estefano and produced by Chris Rodriguez, the bolero-influenced pop rock song was then released as the lead single from Paulina on January 11, 2000, through Universal Music Latin, Polydor Records and Muxxic Records. The song marks Rubio's "comeback" single after the dissolution of her contract with EMI in the late 1990s. Lyrically, the song is about a woman who is willing to do anything for the man she loves, with refers to the tangos of the French Argentine artist Carlos Gardel.
"Vive El Verano" is a song by Mexican singer Paulina Rubio from her fifth studio album, Paulina (2000). It was released first as a promotional single on July 4, 1999, by Universal Spain, and then as the fifth single from the album in Europe by Universal Latino, Polydor, Muxxic and Mercury in June 9, 2001. The singer first recorded the vocals for the track in Madrid —which were later re-recorded for the 'album version' of the song— for a television Spanish show by Antena 3 titled of the same name, where Rubio hosted. The Latin pop song was written by Richard Daniel Roman and Ignacio Ballesteros, and was produced by Francisco Pellicer.
Norma is the sixth studio album by Chilean and Mexican singer Mon Laferte, released on 9 November 2018. The album was published through Universal Music México.
Chris Morris is a music writer based in Los Angeles, California. He is known for his coverage of L.A.'s independent scene in the 1970s and 1980s, which made him "a central voice in Left Coast music journalism." He has also written well-received books on Los Lobos and Bob Dylan.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)