Elliott Smith | ||||
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Studio album by | ||||
Released | July 21, 1995 | |||
Recorded |
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Genre | ||||
Length | 37:57 | |||
Label | Kill Rock Stars | |||
Producer | Elliott Smith | |||
Elliott Smith chronology | ||||
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Singles from Elliott Smith | ||||
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Elliott Smith is the second studio album by American singer-songwriter Elliott Smith. It was recorded from late 1994 to early 1995, and released on July 21, 1995, through Kill Rock Stars, his first album on the label. It was preceded by the single "Needle in the Hay", released in early January 1995.
After being impressed by Smith, Mary Lou Lord invited him to tour with her, and helped him to sign to Kill Rock Stars. [2]
The album is of a similar musical style to Roman Candle in its minimalist, acoustic folk sound.[ citation needed ] Smith mostly appears alone on his acoustic guitar, although he is occasionally backed up by the odd musical instrument, such as a harmonica and drums. [3] Rolling Stone wrote of the album, "the music burrows, digging up gems of structure, melody and lyrical vividness that belie his naïve delivery [...] the sound is hummable pop, slowed and drugged, with tricky but unshowy guitar work driving the melodies forward". [4]
The album's lyrics contain many references to drug use, which Smith claimed were merely metaphorical.
The album cover depicts two figures falling or jumping from a building. It is a xeroxed copy of a photograph taken by J.J. Gonson of a 1992 art installation at the former Museum of Modern Art at 17 Husova Street in Old Town, Prague. [5] Gonson also photographed the cover for Roman Candle. [2]
The lyrics also contain references to Portland's neighborhood Foster-Powell and Alphabet Historic District, St. Ides malt liquor and the borough of Queens in New York City.
The song "Clementine" is a reworking of the 19th century American western folk ballad "Oh My Darling, Clementine", which Smith would reference again in a later song, "Sweet Adeline", released in 1998 on XO .
The song "Christian Brothers" was also performed with Heatmiser in a full-band arrangement, recorded around the same time as the version featured on Elliott Smith; Heatmiser's version was released on the soundtrack of Heaven Adores You , a 2014 documentary about Smith's life and music.
Thematically, Smith said that he "personally can't get more dark" than his self-titled album. [6]
"Needle in the Hay", the album's only single, was released in early January 1995. [7]
Elliott Smith was released on July 21, 1995, through Kill Rock Stars, making it his first full-length album on the label. [8] In contrast to Roman Candle, Elliott Smith was "promoted heavily", with posters of Smith appearing in the windows of record stores across the Northwest District of Portland, Oregon, where Smith lived at the time. [2]
The album was reissued in an remastered and expanded 25th anniversary edition on August 28, 2020. The release also features a live album, Live at Umbra Penumbra, a 1994 performance at a Portland café, thought to be the earliest-known live recording of Smith performing as a solo artist. As part of the anniversary edition, J.J. Gonson, the artist behind the Elliott Smith album cover, released a 52-page coffee table book with handwritten lyrics, words from Smith's peers about the album's creation, and a series of previously unseen photographs. Gonson released a series of photo prints of Smith, one per month through August 2020, available for purchase through Morrison Hotel Gallery. [9]
Of the reissue, Kill Rock Stars co-founder Slim Moon said:
"I've always felt like this record is underappreciated. A lot of people overlook Elliott's first two records—they think of them as a prelude to the bigger albums that followed—but when you go back, you discover they're really great. This is Elliott's most fragile and delicate music, and we wanted to honor that with a special and beautiful package." [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Guardian | [10] |
The Irish Times | [11] |
NME | 7/10 [12] |
Pitchfork | 9.5/10 [13] |
The Rolling Stone Album Guide | [14] |
While not believed to have been reviewed by many, if any, critics at the time of its release, Elliott Smith has been critically well-received retrospectively. Steve Huey of AllMusic wrote "Elliott Smith contains the blueprint for his later successes, and more importantly, it's a fully-realized work itself." [3] Trouser Press described it as "bleak, almost uncomfortably unsparing and yet tragically beautiful", and that "the songs, melodies, arrangements and production are all stronger and more fully realized than those on Roman Candle". [15]
Pitchfork rated "Needle in the Hay" as the twenty-seventh best song of the 1990s. [16]
"Needle in the Hay" appeared in Wes Anderson's 2001 film The Royal Tenenbaums , in a scene featuring a suicide attempt. Smith was reportedly unhappy about the song being used this way. [17] The song appeared on the film's soundtrack. [18]
"Christian Brothers" has been covered by Queens of the Stone Age, with frontman Josh Homme emphasizing how much he loves the song.
Rolling Stone magazine described Smith as "ferociously talented", and the music as "some of the loveliest songs about the dissolution of a soul ever written [...] hypnotic and terribly, unrelentingly sad". [4]
Pitchfork Media ranked the album #50 on their 2022 list of the best albums of the decade. [19]
All tracks are written by Elliott Smith
No. | Title | Length |
---|---|---|
1. | "Needle in the Hay" | 4:16 |
2. | "Christian Brothers" | 4:30 |
3. | "Clementine" | 2:46 |
4. | "Southern Belle" | 3:06 |
5. | "Single File" | 2:26 |
6. | "Coming Up Roses" | 3:10 |
7. | "Satellite" | 2:25 |
8. | "Alphabet Town" | 4:11 |
9. | "St. Ides Heaven" | 3:00 |
10. | "Good to Go" | 2:24 |
11. | "The White Lady Loves You More" | 2:24 |
12. | "The Biggest Lie" | 2:39 |
All tracks are written by Elliott Smith
No. | Title | Length |
---|---|---|
1. | "Needle in the Hay" (25th Anniversary Remaster) | 4:17 |
2. | "Christian Brothers" (25th Anniversary Remaster) | 4:31 |
3. | "Clementine" (25th Anniversary Remaster) | 2:46 |
4. | "Southern Belle" (25th Anniversary Remaster) | 3:06 |
5. | "Single File" (25th Anniversary Remaster) | 2:26 |
6. | "Coming Up Roses" (25th Anniversary Remaster) | 3:11 |
7. | "Satellite" (25th Anniversary Remaster) | 2:26 |
8. | "Alphabet Town" (25th Anniversary Remaster) | 4:12 |
9. | "St. Ides Heaven" (25th Anniversary Remaster) | 3:00 |
10. | "Good to Go" (25th Anniversary Remaster) | 2:25 |
11. | "The White Lady Loves You More" (25th Anniversary Remaster) | 2:24 |
12. | "The Biggest Lie" (25th Anniversary Remaster) | 2:40 |
All tracks are written by Elliott Smith
No. | Title | Length |
---|---|---|
1. | "Some Song" (Live At Umbra Penumbra - September 17th, 1994) | 2:56 |
2. | "Alphabet Town" (Live At Umbra Penumbra - September 17th, 1994) | 4:43 |
3. | "Whatever (Folk Song in C)" (Live At Umbra Penumbra - September 17th, 1994) | 2:53 |
4. | "No Name #4" (Live At Umbra Penumbra - September 17th, 1994) | 2:43 |
5. | "Big Decision" (Live At Umbra Penumbra - September 17th, 1994) | 2:37 |
6. | "Condor Ave" (Live At Umbra Penumbra - September 17th, 1994) | 3:33 |
7. | "No Name #1" (Live At Umbra Penumbra - September 17th, 1994) | 3:18 |
8. | "No Confidence Man" (Live At Umbra Penumbra - September 17th, 1994) | 4:33 |
9. | "Crazy Fucker" (Live At Umbra Penumbra - September 17th, 1994) | 3:34 |
10. | "Half Right" (Live At Umbra Penumbra - September 17th, 1994) | 4:32 |
Steven Paul Smith, known professionally as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies.
Heatmiser was an American rock band, formed in Portland, Oregon in October 1991. Consisting of Elliott Smith, Neil Gust, Brandt Peterson and Tony Lash (drums), they were known for their well-crafted lyrics and songs often featuring the juxtaposition of melancholic and cheery words and melodies. The pop-oriented songs of Elliott Smith were a contrast to the darker songs of Neil Gust, while both Smith's and Gust's songs touched on subjects such as anger, alienation, loneliness and despair.
Either/Or is the third studio album by American singer-songwriter Elliott Smith. Either/Or was recorded in several locations, mostly in Portland, Oregon – while Smith was still a member of Heatmiser – and was produced by Smith, Tom Rothrock and Rob Schnapf. Either/Or was released on February 25, 1997, on the Kill Rock Stars record label, following Heatmiser's dissolution. Book-ended by its two singles, "Speed Trials" and "Ballad of Big Nothing", Either/Or did not chart in the US, but was acclaimed by critics.
XO is the fourth studio album by American singer-songwriter Elliott Smith. It was recorded from 1997 to 1998 and released on August 25, 1998, by record label DreamWorks; Smith's first solo album on a major record label. Two singles, "Waltz #2 (XO)" and "Baby Britain", were released.
Roman Candle is the debut studio album by American singer-songwriter Elliott Smith. It was recorded in late 1993 and released on July 14, 1994, by record label Cavity Search.
From a Basement on the Hill is the sixth and final studio album by the American singer-songwriter Elliott Smith. Recorded from 2000 to 2003, and faced with multiple delays due to Smith's personal problems that resulted in his death, it was released posthumously in the UK and Europe on Domino on October 18, 2004, and in the US the following day on October 19, 2004, through record label Anti-, almost a year after his death.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
Pottymouth is the debut studio album by American punk rock band Bratmobile, released on June 8, 1993, by Kill Rock Stars.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Chairs Missing is the second studio album by English rock band Wire. It was released on 8 September 1978 by Harvest Records. The album peaked at number 48 in the UK Albums Chart.
Quasi is an American indie rock band formed in Portland, Oregon in 1993 by former spouses Sam Coomes and Janet Weiss. Joanna Bolme performed and recorded with the group as a bassist from 2007 to 2011.
Figure 8 is the fifth studio album by American singer-songwriter Elliott Smith, and the final studio album released during his lifetime. It was recorded from 1998 to 2000 at numerous studios and released on April 18, 2000, through DreamWorks Records. Preceded by the singles "Happiness" and "Son of Sam", Figure 8 was Smith's second release on a major label.
Cop and Speeder is the second studio album by American alternative rock band Heatmiser, released in 1994 by record label Frontier.
The discography of Elliott Smith, an American singer-songwriter, consists of six studio albums, one live album, two compilation albums and eleven singles.
"Needle in the Hay" is a song by American singer-songwriter Elliott Smith. It was released on January 1, 1995, by record label Kill Rock Stars as the sole single from his second studio album, Elliott Smith.
Dead Air is the debut studio album by American alternative rock band Heatmiser. It was released in 1993 on Frontier Records.
Yellow No. 5 is an EP by American alternative rock band Heatmiser, released in 1994 by record label Frontier between the albums Dead Air (1993) and Cop and Speeder (1994).
New Moon is a posthumous compilation album by American singer-songwriter Elliott Smith, released on May 8, 2007 by Kill Rock Stars. It contains twenty-four previously unreleased songs, most recorded between 1994 and 1997 during the sessions for Smith's albums Elliott Smith and Either/Or.
11:11 is the debut album by Boston indie rock band Come.
Suffer This: A Compilation of Boston's Backwash was a collaboration of five Boston punk\post punk\noise rock bands in the late 1980s. The five bands include The Five, Hullabaloo, Slaughter Shack, Hectic Heyday and Feeding Frenzy.