Steven Paul Smith, known as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style in his solo career after Heatmiser, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies that were usually finger picked and recorded with tape.
Heatmiser was an American rock band, formed in Portland, Oregon, in October 1991. Consisting of Elliott Smith, Neil Gust, Brandt Peterson and Tony Lash (drums), they were known for their well-crafted lyrics and songs often featuring the juxtaposition of melancholic and cheery words and melodies. The pop-oriented songs of Elliott Smith were a contrast to the darker songs of Neil Gust, while both Smith's and Gust's songs touched on subjects such as anger, alienation, loneliness and despair.
Either/Or is the third studio album by American singer-songwriter Elliott Smith. Either/Or was recorded in several locations, mostly in Portland, Oregon – while Smith was still a member of Heatmiser – and was produced by Smith, Tom Rothrock and Rob Schnapf. Either/Or was released on February 25, 1997, on the Kill Rock Stars record label, following Heatmiser's dissolution. Promoted with two singles, "Speed Trials" and "Ballad of Big Nothing", Either/Or did not chart in the US, but was acclaimed by critics.
XO is the fourth studio album by the American singer-songwriter Elliott Smith, released on August 25, 1998, by DreamWorks Records.
Elliott Smith is the second studio album by the American singer-songwriter of the same name. It was recorded from late 1994 to early 1995, and released on July 21, 1995, through Kill Rock Stars, his first album on the label. It was preceded by the single "Needle in the Hay", released in early January 1995.
Roman Candle is the debut studio album by American singer-songwriter Elliott Smith. It was recorded in late 1993 and released on July 14, 1994, by record label Cavity Search.
From a Basement on the Hill is the sixth and final studio album by the American singer-songwriter Elliott Smith. Recorded from 2000 to 2003, and faced with multiple delays due to Smith's personal problems that resulted in his death, it was released posthumously in the UK and Europe on Domino on October 18, 2004, and in the US the following day on October 19, 2004, through record label Anti-, almost a year after his death.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and 10 February in the US. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favour of instruments such as organ, marimba, dulcimer, vibraphone, kazoo, and theremin. Keyboard contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. Between the Buttons would be the last album produced by Andrew Loog Oldham, who had, to this point, acted as the band's manager and produced all of their albums.
Bella Donna is the debut solo studio album by American singer and songwriter Stevie Nicks. Released on July 27, 1981, the album peaked at number one on the US Billboard 200 in September of that year. Bella Donna was awarded platinum status by the Recording Industry Association of America (RIAA) on October 7, 1981, less than three months after its release, and in 1990 was certified quadruple-platinum for four million copies shipped. Bella Donna spent nearly three years on the Billboard 200, from July 1981 to June 1984.
"And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. 12 on the Billboard Hot 100.
Figure 8 is the fifth studio album by American singer-songwriter Elliott Smith, and the final studio album released during his lifetime. It was recorded from 1998 to 2000 at numerous studios and released on April 18, 2000, through DreamWorks Records. Preceded by the singles "Happiness" and "Son of Sam", Figure 8 was Smith's second release on a major label.
"So Gone" is a song by American R&B recording artist Monica. It was one out of several tracks rapper-producer Missy Elliott wrote and produced along with Kenneth Cunningham and Jamahl Rye from production duo Spike & Jamahl for Monica's fourth studio album, After the Storm (2003), following the delay and subsequent reconstruction of her 2002 album, All Eyez on Me. Incorporating elements of hip hop and 1970s-style smooth jazz as well as soul music, it features a sample from the 1976 song "You Are Number One", penned by Zyah Ahmonuel and performed by The Whispers.
The discography of Elliott Smith, an American singer-songwriter, consists of six studio albums, one live album, two compilation albums and eleven singles.
"Time Is on My Side" is a song written by Jerry Ragovoy. First recorded by jazz trombonist Kai Winding and his orchestra in 1963, it was covered by both soul singer Irma Thomas and then later the Rolling Stones in 1964.
Memory Almost Full is the fourteenth solo studio album by English musician Paul McCartney. It was released in the United Kingdom on 4 June 2007 and in the United States a day later. The album was the first release on Starbucks' Hear Music label. It was produced by David Kahne and recorded at Abbey Road Studios, Henson Recording Studios, AIR Studios, Hog Hill Mill Studios and RAK Studios between October 2003, and from 2006 to February 2007. In between the 2003 and 2006 sessions, McCartney was working on another studio album, Chaos and Creation in the Backyard (2005), with producer Nigel Godrich.
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters, Guy Lombardo, and Charles Agnew.
Young Love is a collaborative studio album by American country artists Connie Smith and Nat Stuckey, released in July 1969 by RCA Victor. The project was a collection of duets between Smith and Stuckey. The duets were mostly cover versions of songs previously recorded by other country artists. Many of these songs had originally been released as duets themselves. Included on the project was the pair's cover of "Young Love", which became a top 20 single on the American country songs chart. In 1969, Billboard gave the album a favorable response.
That's the Way Love Goes is the twenty-second solo studio album by American country singer Connie Smith. It was released in March 1974 on Columbia Records and contained 11 tracks. The album included both original material and covers of songs first recorded by other music artists. Two singles were released from the album. "Ain't Love a Good Thing" reached the top ten of the American country songs chart and became her nineteenth top ten single in her career.
B-Sides and Rarities is a compilation album by American dream pop band Beach House, released on June 30, 2017 through Sub Pop in North America, Bella Union in Europe, and Mistletone Records in Australia. The compilation contains B-sides and rare, unreleased cuts along with two new songs, "Chariot" and "Baseball Diamond". It also includes the band's cover of Queen's "Play the Game".
Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971 is an expanded reissue of the albums Sunflower (1970) and Surf's Up (1971) by American rock band the Beach Boys. It was released by Capitol/UME on August 27, 2021 and was produced by Mark Linett and Alan Boyd. Feel Flows is the band's first major archival release since Wake the World and I Can Hear Music in 2018, and the first issued on physical media since Sunshine Tomorrow in 2017. The title is taken from the Surf's Up track "Feel Flows".
