Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. A child prodigy, he was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At age ten, having moved to Bath, he was supporting his family with his pastel portraits. At 18, he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1789. He stayed at the top of his profession until his death, aged 60, in 1830.
John Nash was one of the foremost British architects of the Georgian and Regency eras, during which he was responsible for the design, in the neoclassical and picturesque styles, of many important areas of London. His designs were financed by the Prince Regent and by the era's most successful property developer, James Burton. Nash also collaborated extensively with Burton's son, Decimus Burton.
Events from the year 1967 in art.
Kew Bridge is a wide-span bridge over the Tideway linking the London Boroughs of Richmond upon Thames and Hounslow. The present bridge, which was opened in 1903 as King Edward VII Bridge by King Edward VII and Queen Alexandra, was designed by John Wolfe-Barry and Cuthbert A Brereton. Historic England listed it at Grade II in 1983.
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
The Battle of Tololing was a pivotal battle in the Kargil War between India and troops from one full battalion of Pakistan’s Northern Light Infantry who were aided by Pakistani irregulars in 1999.
George Dawe was an English portraitist who painted 329 portraits of Russian generals active during Napoleon's invasion of Russia for the Military Gallery of the Winter Palace. He relocated to Saint Petersburg in 1819, where he won acclaim for his work from the artistic establishment and complimentary verses by Pushkin. He was the son of Philip Dawe, a successful mezzotint engraver who also produced political cartoons relating to the events of the Boston Tea Party. One of his brothers was Henry Edward Dawe, also a portraitist. He died on 15 October 1829 in Kentish Town, United Kingdom.
Fiona Rae is a Hong Kong-born British artist. She is one of the Young British Artists (YBAs) who rose to prominence in the 1990s. Throughout her career, she has been known for having a portfolio of work that includes elements of energy, and complexity. Her work is known for aiming at expanding the modern traditions of painting.
Spencer Frederick Gore was a British painter of landscapes, music-hall scenes and interiors, usually with single figures. He was the first president of the Camden Town Group, and was influenced by the Post-Impressionists.
Fred Appleyard was a British artist known for his landscape paintings, portraits, classical subjects and allegorical compositions. He had 41 works exhibited during his lifetime by the Royal Academy and painted the mural Spring Driving Out Winter in the Academy Restaurant.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
Peter Tillemans was a Flemish painter, best known for his works on sporting and topographical subjects. Alongside John Wootton and James Seymour, Tillemans was one of the founders of the English school of sporting painting.
Liber Studiorum is a collection of prints by J. M. W. Turner. The collected works included seventy-one prints that he worked on and printed from 1807 to 1819. For the production of the prints, Turner created the etchings for the prints, which were worked in mezzotint by his collaborating engravers.
Penelope Brudenell, Countess of Cardigan, was the wife of Robert Brudenell, 6th Earl of Cardigan.
Cardigan House was a country house located on Richmond Hill in London. It was constructed between 1791 for 1793 by architect Robert Mylne for the wealthy publisher Robert Sayer, but in 1794 it was rented by the Duke of Clarence who lived there until 1797 with his mistress the Irish actress Dorothea Jordan and their children. It then passed into the hands of the Earls of Cardigan as a country retreat in what was still rural Surrey. Another large property Lansdowne House was located nearby. It should not be confused with Cardigan House in Lincoln's Inn Fields, the London townhouse of the Earls.
London from Greenwich Park is an 1809 landscape painting by the English artist J. M. W. Turner. It looks down from Greenwich Hill towards Greenwich Hospital and the Queen's House. In the distance beyond the River Thames is the City of London with St Paul's Cathedral towering over the other buildings. It emphasises the extent of the capital as an expanding metropolis. It replicates a similar view by the Dutch painter Hendrick Danckerts dating back to 1670.
The Field of Waterloo is an 1818 history painting by the English artist J. M. W. Turner. It portrays the aftermath of the Battle of Waterloo which took place on 18 June 1815. Rather than the triumphal depictions commonplace in portrayals of the battle, it functions more as an elegy to Waterloo's unknown victims. In 1817 Turner visited the site of the battlefield and drew a number of sketches. In the background is the ruined remains of the farmhouse at Hougoumont which had played a pivotal role in the fighting. It was exhibited at the Royal Academy Summer Exhibition at Somerset House that year along with some lines from Lord Byron's poem Childe Harold's Pilgrimage "friend, foe, in one red burial blent". Part of the 1856 Turner Bequest it is now in the Tate Britain in London.
Childe Harold's Pilgrimage - Italy is an 1832 landscape painting by the British artist J. M. W. Turner. It depicts a scene from the poem Childe Harold's Pilgrimage by Lord Byron. Turner possibly drew some inspiration from his friend Charles Lock Eastlake's 1827 painting Lord Byron's Dream. It also reflects the influence of the seventeenth century artist Claude Lorrain.
The Funeral of Sir Thomas Lawrence is an 1830 watercolour painting by the British artist J. M. W. Turner. It depicts the funeral at St. Paul's Cathedral in London of Sir Thomas Lawrence, the President of the Royal Academy and a friend and colleague of Turner. Lawrence died unexpectedly in January, and the painting captures the snow-covered landscape of his burial ceremony. Turner served as one of the pallbearers and sketched the scene from memory. It was exhibited at the Royal Academy's Summer Exhibition. It was later part of the 1856 Turner Bequest as is now in the collection of the Tate Britain.
