Evangeline Walton Ensley | |
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Born | Indianapolis, Indiana | November 24, 1907
Died | March 11, 1996 88) Tucson, Arizona | (aged
Pen name | Evangeline Walton |
Occupation | Author |
Genre | Fantasy |
Notable works |
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Evangeline Walton (24 November 1907 – 11 March 1996) was the pen name of Evangeline Wilna Ensley, an American writer of fantasy fiction. She remains popular in North America and Europe because of her “ability to humanize historical and mythological subjects with eloquence, humor and compassion”. [1]
Born in Indianapolis, Indiana to Marion Edmund Ensley and Wilna Eunice Ensley née Coyner, Walton came from a lively, educated, Quaker family. Walton suffered chronic respiratory illnesses as a child, and was privately or self-taught at home. Her parents separated and divorced in 1924. Growing up and living with her mother and her grandmother and witnessing her parents’ marital difficulties roused a natural feminism in Walton which appears throughout her writings. As a child, Walton enjoyed the works of L. Frank Baum, James Stephens, Lord Dunsany and Algernon Blackwood, which she would later cite as influences on her fiction. [2] [3] Walton and her mother traveled often to New York City, Chicago and San Francisco for opera, especially for Richard Wagner’s Der Ring des Nibelungen; opera was a passion her entire life. In 1946 after the death of her grandmother, Walton and her mother moved to Tucson, Arizona. Wilna Ensley died in 1971 but not before she saw the dawn of public recognition for Walton and her works.
Most of Walton’s published and unpublished works were originally written in the 1920s through the early 1950s. She worked on her best known work, the Mabinogion tetralogy, during the late 1930s and early 1940s, and her Theseus trilogy during the late 1940s. Once success found her after 1970, she reworked many of her manuscripts for publication over the next twenty years. Walton said of her knack for writing fantasy: “My own method has always been to try to put flesh and blood on the bones of the original myth; I almost never contradict sources, I only add and interpret.” [1] In 1991, she underwent surgery for a brain tumor that proved benign. However, her health continued to decline.
Treated as a child with silver nitrate tincture for frequent bronchitis and severe sinus infections, Walton, who had extremely fair skin, absorbed the pigment of the tincture, causing her skin to turn blue-gray and darken as she aged.
Walton corresponded with the British novelist, essayist and poet John Cowper Powys for many years. Some of Walton's papers from 1936-1984—including biographic material, manuscripts and the correspondence with Powys—are archived in Special Collections at the Library, University of Arizona in Tucson. She was first cousin to Clifford C. Furnas (1900–1969), author of The Next Hundred Years, Assistant Secretary of War in the Eisenhower administration, co-founder of NASA and chancellor of SUNY Buffalo; and to Clifton J. Furness (1898–1946), professor of music and author of The Genteel Female: An Anthology (1931). Furness edited and introduced a facsimile edition of Leaves of Grass (1939) and Walt Whitman's Workshop: A Collection of Unpublished Manuscripts (1928). A writer himself, Furness encouraged, inspired and mentored his young cousin Evangeline.
Walton herself wrote about her chosen pen name, "I use the name Walton professionally, partly because I originally hoped to build up different lines of work under different names, partly because Walton is an old family name and appears on the Declaration of Independence. Not that I can trace any blood connection between my Quaker Waltons and the Declaration signer. They came from Virginia, and were supposed to have had a [Native American] man somewhere up the family tree. He may be the reason why both records and tradition trail off into vagueness. But when I was a child, old folk remembered the Waltons as very tall, very dark people, too full of restless energy to fit quietly into their peaceful little Quaker community: a vivid, turbulent note in it."
Walton is best known for her four novels retelling the Welsh Mabinogi. She published her first volume in 1936 under the publisher's title of The Virgin and the Swine. Although receiving warm praise from John Cowper Powys, the book sold poorly and none of the other novels in the series reached print at the time. Rediscovered by Ballantine's Adult Fantasy series in 1970, it was reissued as The Island of the Mighty .
Editors at Ballantine were unaware that she was still alive, till she got in touch and sent them a second novel that had been left unfinished when the first failed to sell. This appeared as The Children of Llyr in 1971. [4] It was followed by The Song of Rhiannon in 1972 and Prince of Annwn in 1974. All four novels were published in a single volume as The Mabinogion Tetralogy in 2002 by Overlook Press. The four novels are translated and available in several European languages. The rights to Walton’s Mabinogi work were purchased by Stevie Nicks in the hopes of bringing the epic to the big screen. [5]
Walton's Witch House was written in the mid- to late-1930s and published in 1945 as the first volume in “The Library of Arkham House Novels of Fantasy and Terror”. It is an occult horror story set in New England. In 1956, she published The Cross and the Sword, a historical novel set during the Danish conquest of England and the destruction of its Celtic culture. [2]
In 1983, Walton published The Sword Is Forged , the first of a planned Theseus trilogy. [2] Walton had completed the trilogy in the late 1940s but the publication by Mary Renault of her Theseus novels in 1958 and 1962 kept Walton from publishing her own. The remaining two novels in the trilogy remain unpublished. [6]
Walton published several short stories. The best-known of these are “Above Ker-Is” (1980), “The Judgement of St. Yves” (1981) and “The Mistress of Kaer-Mor” (1980). She also wrote seven unpublished novels, several volumes of unpublished short stories, poems and a verse play. Some of these works have been published posthumously - see bibliography below.
Currently Douglas A. Anderson is the agent for Walton's literary works.
Pryderi fab Pwyll is a prominent figure in Welsh mythology, the son of Pwyll and Rhiannon, and king of Dyfed after his father's death. He is the only character to appear in all Four Branches of the Mabinogi, although the size of his role varies from tale to tale. He is often equated with the divine son figure of Mabon ap Modron, while Jeffrey Gantz compares him to Peredur fab Efrawg, who is himself associated with the continental figure of Sir Percival de Galles.
Jo Walton is a Welsh-Canadian fantasy and science fiction writer and poet. She is best known for the fantasy novel Among Others, which won the Hugo and Nebula Awards in 2012, and Tooth and Claw, a Victorian era novel with dragons which won the World Fantasy Award in 2004. Other works by Walton include the Small Change series, in which she blends alternate history with the cozy mystery genre, comprising Farthing, Ha'penny and Half a Crown. Her fantasy novel Lifelode won the 2010 Mythopoeic Award, and her alternate history My Real Children received the 2015 Tiptree Award.
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century.
Patricia Anne McKillip was an American author of fantasy and science fiction. She wrote predominantly standalone fantasy novels and has been called "one of the most accomplished prose stylists in the fantasy genre". Her work won many awards, including the World Fantasy Award for Lifetime Achievement in 2008.
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The Ballantine Adult Fantasy series was an imprint of American publisher Ballantine Books. Launched in 1969, the series reissued a number of works of fantasy literature which were out of print or dispersed in back issues of pulp magazines, in cheap paperback form—including works by authors such as James Branch Cabell, Lord Dunsany, Ernest Bramah, Hope Mirrlees, and William Morris. The series lasted until 1974.
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Douglas Allen Anderson is an American writer and editor on the subjects of fantasy and medieval literature, specializing in textual analysis of the works of J. R. R. Tolkien. He is a winner of the Mythopoeic Award for scholarship.
The Island of the Mighty is a fantasy novel by American writer Evangeline Walton, the earliest in a series of four based on the Welsh Mabinogion. It was first published in 1936 under the publisher's title of The Virgin and the Swine. Although it received warm praise from John Cowper Powys, the book sold poorly, and as a result none of the other novels in the series reached print at the time. Later rediscovered by Ballantine Books, it was reissued under the present title as the eighteenth volume of the Ballantine Adult Fantasy series in July, 1970, with an introduction by Lin Carter and a cover by Bob Pepper. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages.
Prince of Annwn is a fantasy novel by American writer Evangeline Walton, the first in a series of four based on the Welsh Mabinogion. Originally intended for publication by Ballantine Books as a volume of the celebrated Ballantine Adult Fantasy series, it actually saw print only after the series was discontinued. It was first published in paperback by Ballantine Books in November 1974. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages. The other three novels in the series are The Island of the Mighty (1936), The Children of Llyr (1971), and The Song of Rhiannon (1972).
The Children of Llyr is a fantasy novel by American writer Evangeline Walton, the second in a series of four based on the Welsh Mabinogion. It was first published in paperback by Ballantine Books as the thirty-third volume of the Ballantine Adult Fantasy series in August, 1971. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages. The other three novels in the series are The Island of the Mighty (1936), The Song of Rhiannon (1972), and Prince of Annwn (1974).
The Song of Rhiannon is a fantasy novel by American writer Evangeline Walton, the third in a series of four based on the Welsh Mabinogion. It was first published in paperback by Ballantine Books as the fifty-first volume of the Ballantine Adult Fantasy series in August, 1972. It has been reprinted a number of times since, and gathered together with Walton's other Mabinogion novels by Overlook Press as the omnibus The Mabinogion Tetralogy in 2002. The novel has also been published in translation in several European languages. The other three novels in the series are The Island of the Mighty (1936), The Children of Llyr (1971), and Prince of Annwn (1974).
The Sword Is Forged is a 1983 historical fiction novel by Evangeline Walton. It is based on the story of Theseus and the Amazon queen Antiope from Greek mythology.
Rhiannon Davies Jones was a Welsh historical novelist, lecturer and Welsh nationalist who wrote in Welsh. Educated at University College Bangor, she won two prizes for short novels, two Prose Medals at the National Eisteddfod of Wales and the crown at the 1973 Anglesey Eisteddfod. Jones published ten novels with her works covering fictional diaries, her political beliefs and responses to political events, and Welsh kings and princes.
Or What You Will is a 2020 metafictional fantasy novel by Jo Walton, about immortality and creativity. It was first published by Tor Books.