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Everything You Ever Wanted to Know About Silence | ||||
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Studio album by | ||||
Released | May 9, 2000 | |||
Recorded | 1999–2000 | |||
Studio | Indigo Ranch Studios (Malibu, California) | |||
Genre | ||||
Length | 51:47 | |||
Label | Roadrunner | |||
Producer | Ross Robinson | |||
Glassjaw chronology | ||||
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Singles from Everything You Ever Wanted to Know About Silence | ||||
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Everything You Ever Wanted to Know About Silence is the debut album of American Post-hardcore band Glassjaw, released on May 9, 2000, by Roadrunner Records. It was produced by Ross Robinson. The album received positive reviews from critics, and has since been cited as an influential album in the genre.
Glassjaw has been rumored to discourage the purchasing of this album due to their acrimonious split from Roadrunner Records. Instead, they encourage people to download their music via file sharing software, such as Limewire. Robinson claimed that the label showed no interest in the band until he pushed to have them signed and showed little interest after.
A remastered version of the album [5] was released on March 24, 2009, with two bonus tracks: "Convectuoso" and a cover of Youth of Today's "Modern Love Story". [6]
Glassjaw originally formed in 1993 after vocalist Daryl Palumbo and guitarist Justin Beck met each other working for a summer camp. [7] Throughout the next few years, the group issued various demo tapes and EPs and experienced many line up changes. Their line up would eventually stabilize by 1999, featuring bassist Manuel Carrero, guitarist Todd Weinstock, and drummer Sammy Siegler. With this line up, the group booked a recording session with local producer Don Fury, and the demo recording that resulted from it would eventually be heard by producer Ross Robinson. Robinson, impressed by the material, would then show up to a rehearsal, after which he offered them studio time at Indigo Ranch and convinced Roadrunner Records to sign the group. [8]
Recording sessions for the album lasted for about two months total. [8] While all material for the album was written by the band before production began, Robinson did influence arrangements of the tracks "Hurting and Shoving (She Should Have Let Me Sleep)" and the album's title track. [7]
Everything You Ever Wanted to Know About Silence has been noted for its overall angry and negative tone in terms of lyrics. The title track was written about Crohn's disease, [8] an intestinal disorder that Palumbo was diagnosed with in 1996. [9] Many songs on the record were written concerning bad relationships.
The album has been subject to criticism surrounding its misogynistic lyrical undertones, which have prompted various apologies from Daryl Palumbo. [10] [11] In a 2017 article by Pitchfork titled "Unraveling the Sexism of Emo's Third Wave", Jenn Pelly addressed Glassjaw and the song "Pretty Lush" and criticised the band's lyrics for being "embarrassingly spiteful to bluntly-stated violence against women". [12] Following the article's publishing, Palumbo and the band made further statements condemning the lyrics, with Palumbo apologizing for the lyrics in an interview to The Guardian; "[the lyrics] deserve scrutiny. You don't talk to a woman like that. It took being that angry to write [the debut album's lyrics], to make it work for my instrument in the band. I was always like 'Argh, revenge!' Fall in love easily and then fall into hate easily. I didn't have to say it that way … It's stupid, you don't speak face-to-face to a woman like that. I was angry. It's offensive." [13] [14]
Review scores | |
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Source | Rating |
AbsolutePunk | 89% [15] |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Kerrang! | ![]() ![]() ![]() ![]() ![]() |
Metal Hammer | 7/10 [18] |
NME | 8/10 [19] |
Ox-Fanzine | Favorable [20] |
Everything You Ever Wanted to Know About Silence has received generally favorable reviews.
Absolute Punk reviewer Namel praised the songs "Pretty Lush" and "Piano", but said some of the album's songs have "cringe-worthy" lyrics and criticized the track "Babe". [15] In a retrospective review of the album, MetalSucks reviewer Mike Gitter was highly positive of the album. Gitter stated "Glassjaw laid down the bitchslap in-extremis" and regarded the album as a landmark. [21] NME compared the album to "Jeff Buckley doused in napalm, crawling through a room full of broken glass." [19]
Since the album's release, Everything You Ever Wanted To Know About Silence has been seen as an influential album in metal and post-hardcore. Keith Buckley of Every Time I Die has cited the album as an influence, stating on Twitter; "This album changed everything for me." [22] Oli Sykes of Bring Me the Horizon also cited the album as an influence on him, and that it inspired him to become a singer. [23] Journalists Leslie Simon and Trevor Kelley included the album in their list of the most essential emo releases in their book Everybody Hurts: An Essential Guide to Emo Culture (2007). [24] Alternative Press ranked "Pretty Lush" at number 77 on their list of the best 100 singles from the 2000s. [25]
In 2022, Glassjaw have performed the album in its entirety during their 20+ Anniversary Tour. [26]
Publisher | Country | Accolade | Year | Rank |
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Metal Hammer | United Kingdom | The 10 essential post-hardcore albums [27] | 2022 | 1 |
All lyrics are written by Daryl Palumbo; all music is composed by Glassjaw, except where noted
No. | Title | Music | Length |
---|---|---|---|
1. | "Pretty Lush" | 2:59 | |
2. | "Siberian Kiss" | 3:50 | |
3. | "When One Eight Becomes Two Zeros" | 4:33 | |
4. | "Ry Ry's Song" | 3:32 | |
5. | "Lovebites and Razorlines" |
| 4:10 |
6. | "Hurting and Shoving (She Should Have Let Me Sleep)" |
| 3:28 |
7. | "Majour" | 4:00 | |
8. | "Her Middle Name Was Boom" | 4:16 | |
9. | "Piano" | 4:59 | |
10. | "Babe" | 1:43 | |
11. | "Everything You Ever Wanted to Know About Silence" |
| 5:36 |
12. | "Motel of the White Locust" "Losten" (hidden track) | 8:41 |
No. | Title | Length |
---|---|---|
13. | "Modern Love Story (Youth Of Today cover)" | 1:04 |
14. | "Convectuoso" (demo) | 4:27 |
Chart (2000) | Peak position |
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UK Albums (OCC) [28] | 82 |
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Ross Robinson is an American record producer who discovered acts such as Korn, Glassjaw, The Blood Brothers, Slipknot, and Limp Bizkit. Robinson has also worked with Tech N9ne, The Cure, Sepultura, and many others.
Roadrunner Records is a Dutch–American record label focused on heavy metal and hard rock music. Founded in the Netherlands in 1980, it is now a division of Warner Music Group and is based in New York City. Formerly seen as one of the most powerful independent metal labels of the 1980s and 1990s, it would eventually become a massive host of metal acts; most seen in Roadrunner United and the following live concert. Since then, the label had continued to put out major releases, though by the 2020s, most major acts had left the label and it had been acquired by Warner Brothers, being relegated to something much smaller than before.
Glassjaw is an American post-hardcore band from Hempstead, New York. It was formed in 1993 by vocalist Daryl Palumbo and guitarist Justin Beck. The band is known for their intense live shows, as well as their frequent line-up changes. Despite their limited commercial success and small discography, they are considered to be one of the most influential bands in the progression of the underground music scene in the eastern United States and United Kingdom for the post-hardcore genre.
Worship and Tribute is the second studio album by American post-hardcore band Glassjaw, released on July 9, 2002, through I Am and Warner Bros. Records. As with their first full-length album, Worship and Tribute was produced by Ross Robinson and mixed and engineered by Mike Fraser.
Metalcore is a broadly defined fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy and percussive pedal point guitar riffs and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Head Automatica is an American rock band from Brooklyn, New York fronted by Glassjaw frontman Daryl Palumbo.
Daryl Palumbo is an American musician, originally from Bellmore, New York. He is the frontman of the bands Glassjaw, Head Automatica and Color Film. As a youth he was a member of the Long Island straight edge band XbustedX. In 1993 he met guitarist Justin Beck, who would become his good friend. Together they formed Glassjaw.
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