Flashed glass

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Ruby flashed glass Pitcher LACMA 33.2.1.jpg
Ruby flashed glass

Flashed glass, [1] or flash glass, is a type of glass [2] created by coating a colorless gather of glass with one [1] [3] [4] or more thin layers of colored glass. [5] This is done by placing a piece of melted glass of one color into another piece of melted glass of a different color and then blowing the glass. [1] [6]

As well as its use for glass vessels, it has been very widely used in making stained glass since medieval times, often in combination with "pot metal glass", made by colouring molten glass, giving colour all through the sheet.

The colored glass can be partly or completely etched away (through exposure to acid or via sandblasting), [7] resulting in colorless spots where the colored glass has been removed. [4]

Flashed glass can be made from various colors of glass. [8] A finished piece of flashed glass appears translucent. [6]

See also

Related Research Articles

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Glass is a non-crystalline, often transparent amorphous solid, that has widespread practical, technological, and decorative use in, for example, window panes, tableware, and optics. Glass is most often formed by rapid cooling (quenching) of the molten form; some glasses such as volcanic glass are naturally occurring. The most familiar, and historically the oldest, types of manufactured glass are "silicate glasses" based on the chemical compound silica, the primary constituent of sand. Soda-lime glass, containing around 70% silica, accounts for around 90% of manufactured glass. The term glass, in popular usage, is often used to refer only to this type of material, although silica-free glasses often have desirable properties for applications in modern communications technology. Some objects, such as drinking glasses and eyeglasses, are so commonly made of silicate-based glass that they are simply called by the name of the material.

Gemstone Piece of mineral crystal used to make jewelry

A gemstone is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks and occasionally organic materials that are not minerals are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone.

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Sapphire Gem variety of corundum

Sapphire is a precious gemstone, a variety of the mineral corundum, consisting of aluminum oxide (α-Al2O3) with trace amounts of elements such as iron, titanium, chromium, vanadium, or magnesium. It is typically blue, but natural "fancy" sapphires also occur in yellow, purple, orange, and green colors; "parti sapphires" show two or more colors. Red corundum stones also occur but are called rubies not sapphires. Pink colored corundum may be classified either as ruby or sapphire depending on locale. Commonly, natural sapphires are cut and polished into gemstones and worn in jewelry. They also may be created synthetically in laboratories for industrial or decorative purposes in large crystal boules. Because of the remarkable hardness of sapphires – 9 on the Mohs scale (the third hardest mineral, after diamond at 10 and moissanite at 9.5) – sapphires are also used in some non-ornamental applications, such as infrared optical components, high-durability windows, wristwatch crystals and movement bearings, and very thin electronic wafers, which are used as the insulating substrates of special-purpose solid-state electronics such as integrated circuits and GaN-based blue LEDs.

Ruby Variety of corundum, mineral, gemstone

A ruby is a pink to blood-red coloured gemstone, a variety of the mineral corundum. Other varieties of gem-quality corundum are called sapphires. Ruby is one of the traditional cardinal gems, together with amethyst, sapphire, emerald, and diamond. The word ruby comes from ruber, Latin for red. The color of a ruby is due to the element chromium.

Stained glass Coloured glass and the works that are made from it

The term stained glass refers to coloured glass as a material and to works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.

Holga 120mm film camera

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Lampworking

Lampworking is a type of glasswork where a torch or lamp is primarily used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are also used.

Diamond color

A chemically pure and structurally perfect diamond is perfectly transparent with no hue, or color. However, in reality almost no gem-sized natural diamonds are absolutely perfect. The color of a diamond may be affected by chemical impurities and/or structural defects in the crystal lattice. Depending on the hue and intensity of a diamond's coloration, a diamond's color can either detract from or enhance its value. For example, most white diamonds are discounted in price when more yellow hue is detectable, while intense pink diamonds or blue diamonds can be dramatically more valuable. Of all colored diamonds, red diamonds are the rarest. The Aurora Pyramid of Hope displays a spectacular array of naturally colored diamonds, including red diamonds.

Milk glass

Milk glass is an opaque or translucent, milk white or colored glass that can be blown or pressed into a wide variety of shapes. First made in Venice in the 16th century, colors include blue, pink, yellow, brown, black, and the eponymous white.

Wood finishing

Wood finishing refers to the process of refining or protecting a wooden surface, especially in the production of furniture where typically it represents between 5 and 30% of manufacturing costs.

Bright-field microscopy

Bright-field microscopy is the simplest of all the optical microscopy illumination techniques. Sample illumination is transmitted white light, and contrast in the sample is caused by attenuation of the transmitted light in dense areas of the sample. Bright-field microscopy is the simplest of a range of techniques used for illumination of samples in light microscopes, and its simplicity makes it a popular technique. The typical appearance of a bright-field microscopy image is a dark sample on a bright background, hence the name.

A glossary of terms used in glass art

Photographic film Film used by film (analog) cameras

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film.

Glass coloring and color marking

Glass coloring and color marking may be obtained by in several ways.

  1. by the addition of coloring ions,
  2. by precipitation of nanometer sized colloides,
Satsuma kiriko

Satsuma kiriko (薩摩切子) is a type of cut glass Japanese craft. It was manufactured by the Satsuma clan from the final years of the Edo period to the beginning of the Meiji period (1868–1912). Today, faithful reproductions are produced.

Cased glass is a type of glass. It is similar to flashed glass. However, cased glass is made with thicker glass layers.

An assembled gem is a gemstone made up of other smaller gems. An assembled gem can often be a fake gem with a desirable piece of gemstone attached to pieces of inexpensive imitation gemstones. For example, a combination of a thin layer of green glass and a colorless piece of quartz would be a composite gem.

French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period, the Gothic windows were much larger, eventually filling entire walls. They were particularly important in the High Gothic cathedrals, most famously in Chartres Cathedral. Their function was to fill the interior with a mystical colored light, representing the Holy Spirit, and also to illustrate the stories of the Bible for the large majority of the congregation who could not read.

References

  1. 1 2 3 "Flashed? Cased? Stained? Glass decor". www.patternglass.com. Archived from the original on 2017-04-25. Retrieved 2017-07-03.
  2. Drachenfels, Suzanne Von (2000-11-08). The Art of the Table: A Complete Guide to Table Setting, Table Manners, and Tableware . Simon and Schuster. p.  277. ISBN   9780684847320. Flash glass.
  3. Pfaender, H. G. (2012-12-06). Schott Guide to Glass. Springer Science & Business Media. ISBN   9789401105170. Archived from the original on 2018-01-18.
  4. 1 2 Capp, Robert A.; Bush, Robert G. (1984). Glass Etching: 46 Full-size Patterns with Complete Instructions. Courier Corporation. ISBN   9780486245782. Archived from the original on 2018-01-18.
  5. Maggetti, Marino; Messiga, Bruno (2006). Geomaterials in Cultural Heritage. Geological Society of London. ISBN   9781862391956. Archived from the original on 2018-01-18.
  6. 1 2 Discovery - A Popular Journal of Knowledge, New Series, Vol. II, January to December 1939. CUP Archive. Archived from the original on 2018-01-18.
  7. Costigan, Lucy; Cullen, Michael (2010). Strangest Genius: The Stained Glass of Harry Clarke. The History Press Ireland. ISBN   9781845889715. Archived from the original on 2018-01-18.
  8. Drake, Maurice (1913). A History of English Glass-painting: With Some Remarks Upon the Swiss Glass Miniatures of the Sixteenth and Seventeenth Centuries. McBride. Archived from the original on 2018-01-18.