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Francesca DiMattio (born 1981) is an American artist born and based in New York City. [1] She makes paintings and ceramic sculpture that weave elements using architectural, design, cultural and historical references. [2]
DiMattio grew up in the Chelsea neighborhood of New York City. Her mother was a college counselor and ceramist and her father was a vision scientist in the Physiology Dept. at NYU Medical Center. She attended NYC Public schools including the Lab School and LaGuardia High School of Music and Art graduating in 1999. She received her BFA from the Cooper Union in 2003 and her MFA from Columbia University of the Arts in 2005. [3] [4] She lives and works in New York City and Hillsdale, NY.
Francesca DiMattio (born 1981) is an American artist born and based in New York City. She makes paintings that weave spaces using architectural, cultural and historical references. Patterns, textures and imagery combine to forge a logical cohesion from apparently disparate and chaotic elements. Large mural works on canvas have been displayed in the Saatchi Gallery in London, Locust Projects in Miami, Salon 94 Bowery in NYC and the Institute of Contemporary Art, Boston.
In recent solo shows (2014-8) in New York City and London she has introduced ceramic sculpture that aspires to the monumental via a feminine strength and whimsy. DiMattio fractures and reconfigures a wide array of references including art history, children’s books, cartoons, pop culture, and craft. Though elements seem ready-made, she, in fact, sculpts and glazes everything by hand. Her sculptures are complex and multifaceted—each angle revealing seemingly endless experimentations in ceramic and glazing techniques. Throughout each assemblage, DiMattio’s layering and fragmentation maps a crucial dialogue between cultures and styles, pointing to the plasticity of representation. Through shifts in scale, elements that are typically accents become primary. Things do not behave as expected. Tiny figurines appear over scaled, floral motifs become viral, and torsos morph from flora and fauna. Through painting and the hybridization of art and craft she has introduced a dialogue with the past that has enlivened the contemporary world art scene.[ citation needed ]
Her ceramic sculptures include monumental candelabras heavy with historical references suggesting the weight of ceramic styles on chaotic post-modern lighting and living. Her totems reference Greek Caryatids carried into a present rethinking of the weight women bear today.A large monstrous 9-foot tall piece, She-Wolf (2018), evokes Yeats’, The Second Coming with its ending …” And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?” [ citation needed ]
The Caryatid works “exemplify this penchant for hybridity, each one encapsulating several oppositions between masculine and feminine, playful and serious, contemporary and ancient, high culture and low”(Fullerton). DiMattio takes traditional aspects of femininity and adds different components to the design of the sculpture.“Despite the show’s title, one was immediately struck by the fact that these figures had been liberated from their traditional role as architectural supports”(Fullerton). The layering in her work is not only visual but also figurative, for example the freeing of the caryatid can be looked at as freeing the female body of traditional view. DiMattio also creates paintings that “take architecture as their subject as a means to restructure the concept of space”(Saatchi). In her paintings Ladder and Broken Arch at the Saatchi Gallery,“elements collide into each other, become entangled, and co-exist—complicating our understanding of perspective and space. Her work seems to exist somewhere in between the abstract and the figurative”(Saatchi). In Boston, DiMattio has transformed the Sandra and Gerald Fineberg Art Wall with a complex composition made up of five large-scale canvases. Drawing inspiration from the ICA’s dramatic architecture and waterfront setting, Banquet combines interior and exterior space and incorporates images of ships and the sea. [5] [6] In 2015, DiMattio designed a sculpture, Chandelobra, reflected her understanding of overturning the stereotyped image of chandelier that are related to feminine and deconstructing them into a unpredictable, explosive, and unfamiliar object (https://salon94.com/exhibitions/domestic-sculpture/). Another sculpture, Bloemenhouder (2015), DiMattio makes hundreds of porcelain and decorated them with flowers. The sculpture are overly occupied with ornaments, and the floral decorations are viral, immersing the bottom of the sculpture. This sculpture represents how DiMattio achieves balance in beauty through destruction and abstract expression. Although some people consider DiMattio’s artwork as deviant, her use of bold styles, glazes and design made audiences think outside of the box and ponder over the traditional way of beauty. [7] [8]
Jennifer Anne Saville is a contemporary British painter and an original member of the Young British Artists. Saville works and lives in Oxford, England and she is known for her large-scale painted depictions of nude women. Saville has been credited with originating a new and challenging method of painting the female nude and reinventing figure painting for contemporary art. Some paintings are of small dimensions, while other are of much larger scale. Monumental subjects come from pathology textbooks that she has studied that informed her on injury to bruise, burns, and deformity. John Gray commented: "As I see it, Jenny Saville's work expresses a parallel project of reclaiming the body from personality. Saville worked with many models who underwent cosmetic surgery to reshape a portion of their body. In doing that, she captures "marks of personality for the flesh" and together embraces how we can be the writers of our own lives."
Alice Aycock is an American sculptor and installation artist. She was an early artist in the land art movement in the 1970s, and has created many large-scale metal sculptures around the world. Aycock's drawings and sculptures of architectural and mechanical fantasies combine logic, imagination, magical thinking and science.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Eva Rothschild RA is an Irish artist based in London.
Rodney McMillian is an artist based in Los Angeles. McMillian is a Professor of Sculpture at the UCLA School of Arts and Architecture at the University of California, Los Angeles.
Angela Dufresne is a Brooklyn based American artist known for paintings that explore narrative in a variety of ways. Dufresne holds a BFA from Kansas City Art Institute, MO and an MFA from Tyler School of Art, Philadelphia, PA. She is currently faculty at the Rhode Island School of Design.
Florine Stettheimer was an American modernist painter, feminist, theatrical designer, poet, and salonnière.
Ruby Rose Neri is an American visual artist, known for her work as a sculptor, and painter. She was born and raised in the San Francisco Bay Area, drawing creative influence from her parents and their friends. Neri is both a painter and a sculptor, and has worked with a wide array of materials including clay, plaster, bronze, steel, fiberglass, glaze, acrylic, oil, and spray paint.
Chitra Ganesh is a visual artist based in Brooklyn, New York. Ganesh's work across media includes: charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh draws from mythology, literature, and popular culture to reveal feminist and queer narratives from the past and to imagine new visions of the future.
Garth Weiser is an artist based in New York City.
Terrie Sultan is an American independent curator and cultural consultant and Founding Principal of the boutique consulting firm Art Museum Strategies @ Hudson Ferris based in New York City. AMS @ Hudson Ferris combines the experience and expertise of an experienced former art museum director with a team of highly regarded, professional fundraising consultants to offer a broad range of services specifically tailored to art museums and cultural institutions, including strategic planning, crisis management, operational structures and organizational assessment, board governance, and curatorial expertise to peers in the field, as well as operational fundraising, feasibility studies, and development and oversight of capital and comprehensive campaigns in association with Hudson Ferris.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Harmony Hammond is an American artist, activist, curator, and writer. She was a prominent figure in the founding of the feminist art movement in 1970s New York.
Rachel Feinstein is an American artist who specializes in sculpture. She is best known for baroque, fantasy-inspired sculptures like "The Snow Queen", which was drawn from a Hans Christian Andersen fairy tale. There have been over two dozen group and solo showings of her work in the United States, Europe and Asia. She is married to painter John Currin. In 2011 the New York Times described them as "the ruling power couple in today's art world."
Paula Hayes is an American visual artist and designer who works with sculpture, drawing, installation art, and landscape design. Hayes lived and worked in New York City for over two decades and currently lives in Athens, NY since 2013. Hayes is known for her terrariums and other living artworks, as well as her large-scale public and private landscapes. A major theme in Hayes' work is the connection of people to the natural environment. Hayes encourages a direct and tactile experience with her work as well as engagement with an evolving relationship to growing and maintaining large- and small-scale ecosystems.
Salon 94 is a New York-based contemporary art gallery owned by Jeanne Greenberg Rohatyn.
Sarai Sherman was a Pennsylvania-born Jewish American artist whose work, both in America and Europe shaped international views of women and abstract expressionism. She was a significant twentieth century painter and sculptor known for her abstract paintings, prints and ceramics.
Julia Dault is a Canadian artist. She is best known for her abstract paintings and Formica and Plexiglas sculptures. She lives and works in Toronto.
Ann Toebbe is an American contemporary artist who has had solo exhibitions at the Museum of Contemporary Art, Chicago, The Saatchi Gallery, Steven Zevitas Gallery, Monya Rowe Gallery, and Tibor de Nagy Gallery. Based in Chicago, she is best known for creating meticulously designed paintings and collages that depict the interiors of domestic life. In 2015, Vulture magazine art critic Jerry Saltz named one of Toebbe's exhibitions one of the year's 10 best. Toebbe has been featured in articles in Artforum, The New York Times, NY Magazine, The Boston Globe, The Chicago Tribune, Art in America, and Hyperallergic, among others.
Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions.
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