This article needs a plot summary.(February 2022) |
Funny Boy | |
---|---|
Directed by | Deepa Mehta |
Screenplay by | Deepa Mehta Shyam Selvadurai |
Produced by | David Hamilton |
Starring | Nimmi Harasgama Ali Kazmi Agam Darshi Seema Biswas Rehan Mudannayake Shivantha Wijesinha Brandon Ingram |
Cinematography | Douglas Koch |
Edited by | Teresa Font |
Music by | Howard Shore |
Distributed by | ARRAY Netflix |
Release date |
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Countries | Canada Sri Lanka |
Languages | English Tamil Sinhala |
Funny Boy is a 2020 drama film, directed by Deepa Mehta. [1] An adaptation of Shyam Selvadurai's 1994 novel of the same name, the film centres on the coming of age of Arjie Chelvaratnam, a young Tamil boy in Sri Lanka who is coming to terms with his homosexuality against the backdrop of the increased tensions between Tamil and Sinhalese people before the breakout of the Sri Lankan Civil War. [2]
Shot on location in Chennai and Colombo, the film stars Arush Nand as Arjie in childhood and Brandon Ingram as Arjie in his teenage years, as well as Nimmi Harasgama, Ali Kazmi, Agam Darshi, Seema Biswas, Rehan Mudannayake and Shivantha Wijesinha. [2] Its production was first announced in 2018. [3] The film had a theatrical release in Canada and selected cities in the United States, and was distributed internationally via Netflix. [2] The movie rights for the United States have been acquired by Ava DuVernay’s ARRAY Releasing who handled worldwide distribution. [2]
It was broadcast December 4, 2020, on CBC Television and was released for streaming on CBC Gem the same day. [4] It was selected as the Canadian entry for the Best International Feature Film at the 93rd Academy Awards, [5] but was disqualified from that category by the Academy of Motion Picture Arts and Sciences due to not meeting the academy's requirement that fifty percent of the dialogue be in a language other than English. [6]
Following the trailer, opposition towards the film grew regarding the lack of Tamil actors in the cast despite the film's focus on the Tamil characters. [7] In response, Mehta stated that while she initially cast Tamil actors in the film, they were unable to continue for various reasons, including refugee statuses interfering with visa applications, and the fear of making a film about homosexuality, which is still illegal in Sri Lanka. [8] She claims to have had difficulty finding additional Tamil actors willing to be part of a gay film. [9] [8] [10] Because of the lack of native Tamil speakers from Sri Lanka in Mehta's depiction of Funny Boy, the Tamil language spoken in the film was described as disjointed and sometimes unintelligible. [11] There have also been claims that the inaccuracies in the language contribute to the erasure of the Tamil identity. [11] Mehta responded to the criticisms surrounding the Tamil language by sending the film to India for dubbing post-production. [8] After screening the final film, some members of the community have said that while the Tamil spoken in the revised version is better than the original, it is still not the Tamil spoken in Sri Lanka. [8]
Selvadurai himself responded to the casting controversy by directly comparing the political and social pressures that affected actors' willingness to appear in the film with the political and social pressures he had written about in the novel: "What are the political structures that don’t allow you to come out? The patriarchy. And that same patriarchy is applied to the nationalist discourse, which results in these kinds of civil wars, or war, period. All my work comes from, in a way, queering the discourse around nation and state and race.” [12]
The film received positive reviews from critics. On Rotten Tomatoes, the film holds an approval rating of 82% based on 33 reviews, with an average rating of 6.6/10. [13] On Metacritic, the film has an aggregated score of 62 out of 100 based on 9 reviews, indicating "generally favorable reviews". [14]
Andrew Parker of The Gate stated that "Funny Boy handles both of the material's main angles with respect and compassion, which is a testament to Selvadurai's source material and some of Mehta's strongest visuals to date....this story can be viewed as another great example of how human rights abuses are allowed to run rampant because those experiencing them are staying silent in a bid to go along with the nationalistic flow." [15] Tracy Brown of the Los Angeles Times wrote that "It's both precious and refreshing when queer characters in coming-of-age stories fall in love without having to overcome any inner turmoil over their identities, so Arjie and Shehan's story is plenty heartwarming." [16] Jude Dry of IndieWire gave the film a grade of A−, writing that it "is a luminous coming-of-age tale seen through the eyes of a relatable yet entirely unique experience." [17] Deborah Young of The Hollywood Reporter wrote: "Vividly drawn characters portrayed by a lively, likable cast in a seductive tropical atmosphere make this a welcome return of Toronto-based Mehta to filming her native Indian subcontinent." [18]
Chris Knight of the National Post rated it 3 stars out of 5 and stated that "Certainly a little background into the conflict would help non-Tamil viewers find their footing. Even so, Funny Boy remains at one level approachably universal in its appeal." [19] Cath Clarke of The Guardian also gave it 3/5 stars, praising the first half of the film but criticizing the second half; she concluded: "In the end the story is told rather blandly, the edges sentimentally smoothed down." [20] Kevin Maher of The Times gave the film 2/5 stars, describing it as "a film of thoughtful themes (the poison of intolerance), crudely emblematic scenes and overwritten dialogue", and added: "Worst of all, it soft-sells the horror of ethnic cleansing, with a climactic neighbourhood massacre reduced to a few broken windows and some offensive chanting." [21] Roxana Hadadi of RogerEbert.com gave the film 2/4 stars, writing that it "falters when trying to link together the personal and political, making for a well-intentioned film that never delivers much depth." [22]
While holding Mehta accountable, Tina Hassannia of The Globe and Mail questioned Ava DuVernay's ARRAY distributing the film, writing that "the pioneering American director, a vocal supporter for onscreen representation, might have wanted to question the casting decisions of Funny Boy before taking it on.” [23]
The film was named to TIFF's year-end Canada's Top Ten list for feature films. [24]
Award | Date of Ceremony | Category | Nominees | Result | Reference |
---|---|---|---|---|---|
Canadian Screen Awards | May 20, 2021 | Best Picture | David Hamilton, Hussain Amarshi | Nominated | [25] [26] |
Best Director | Deepa Mehta | Won | |||
Best Supporting Actress | Agam Darshi | Nominated | |||
Best Adapted Screenplay | Deepa Mehta, Shyam Selvadurai | Won | |||
Best Sound Editing | James Sizemore, Jane Tattersall, David McCallum, Steve Medeiros, Krystin Hunter, Stefan Fraticelli, Jason Charbonneau | Nominated | |||
Best Sound Mixing | Lou Solakofski, Joe Morrow, Randy Wilson, Ron Melgers | Nominated | |||
Best Original Score | Howard Shore | Won | |||
Best Makeup | Elizabeth Gruszka | Nominated | |||
Best Visual Effects | Peter McAuley, Michael Bishop, Derek Gebhart, Armen Bunag, Luke White, James Marin, Marco Polsinelli, Andrew Rolfe, Davor Celar | Nominated |
Shyam Selvadurai is a Sri Lankan Canadian novelist. He is most noted for his 1994 novel Funny Boy, which won the Books in Canada First Novel Award and the Lambda Literary Award for Gay Fiction.
Deepa Mehta, is an Indian-born Canadian film director and screenwriter, best known for her Elements Trilogy, Fire (1996), Earth (1998), and Water (2005).
Agamdeep Darshi is an English-Canadian-American actress.
Michelle Latimer is a Canadian actress, director, writer, and filmmaker. She initially rose to prominence for her role as Trish Simkin on the television series Paradise Falls, shown nationally in Canada on Showcase Television (2001–2004). Since the early 2010s, she has directed several documentaries, including her feature film directorial debut, Alias (2013), and the Viceland series, Rise, which focuses on the 2016 Dakota Access Pipeline protests; the latter won a Canadian Screen Award at the 6th annual ceremony in 2018.
Water is a 2005 comedy drama and thriller film written and directed by Deepa Mehta, with screenplay by Anurag Kashyap. It is set in 1938 and explores the lives of widows at an ashram in India. The film is also the third and final installment of Mehta's Elements trilogy. It was preceded by Fire (1996) and Earth (1998). Author Bapsi Sidhwa wrote the 2006 novel based upon the film, Water: A Novel, published by Milkweed Press. Sidhwa's earlier novel, Cracking India was the basis for Earth, the second film in the trilogy.
Sri Lankan Canadians refers to people from Sri Lanka who have arrived and settled in Canada. Among these immigrants include members from the Tamil, Moor, Malay, Sinhalese and Burgher ethnicities. According to the 2021 census there are 136,240 Sri Lankan-born persons in Canada.
Funny Boy is a coming-of-age novel by Sri Lankan-Canadian author Shyam Selvadurai. First published by McClelland and Stewart in September 1994, the novel won the Lambda Literary Award for Gay Fiction and the Books in Canada First Novel Award.
Rajiva Wijesinha, MA, DPhil is a Sri Lankan writer in English, distinguished for his political analysis as well as creative and critical work. An academic by profession for much of his working career, he was most recently Senior Professor of Languages at the University of Sabaragamuwa, Sri Lanka.
Tamil Canadians, or Canadian Tamils, are Canadians of Tamil ethno-linguistic origin. Much of Canada's Tamil diaspora from India and Sri Lanka then majority consist of Sri Lankan Tamil refugees who sought to flee the ethnic tensions during the Sri Lankan Civil War between the 1970s and 2000s, while economic Tamil migrants also originate from India, Singapore and other parts of South Asia.
A Gun & a Ring is a 2013 Canadian Tamil-language drama film written and directed by Lenin M. Sivam. The film explores the harsh realities faced by different generations of Toronto Sri Lankans. It was nominated for Golden Goblet Award at the 16th Shanghai International Film Festival. It was also officially selected for the 37th Montreal World Film Festival (WFF) took place 22 August – 2 September 2013 to present under "Focus on World Cinema".
Paartha Gnabagam Illayo was an Indian Tamil-language soap opera starring Kushboo Sundar, Seenu, Delhi Kumar, Dr. Sharmila, Mercury Sathya and Bharath Kalyan. It aired on Kalaignar TV from 5 March 2012 to 31 July 2014 on Monday through Thursday at 21:30PM (IST) and The show was shifted to 20:30PM (IST) time Slot for 472 Episodes. The show was produced by Avni Telemedia and director by N.Priyan. The Family series received positive feedback from viewers and was a huge hit.
ARRAY is an independent distribution company launched by film maker and former publicist Ava DuVernay in 2011 under the name African-American Film Festival Releasing Movement (AFFRM). In 2015, the company rebranded itself as ARRAY.
Nimmi Harasgama is an actress, writer, and producer. The British National Television Awards nominated her for best "Drama Performance" for her portrayal of Nurse Mari in ITV's The Good Karma Hospital. She made her screen-debut through the English movie Mother Teresa in 1997 by portraying a supporting character. Her first appearance in Sri Lankan cinema. was as the lead in the Sinhalese movie Ira Madiyama (2003) for which she won Best Performance/Best Actress at several international and national award ceremonies - these included the 2004 International Film Festival of Las Palmas and 2006 SIGNIS Salutation Awards Ceremony.
Sitting on the Edge of Marlene is a Canadian crime drama film, directed by Ana Valine and released in 2014. An adaptation of Billie Livingston's novella The Trouble with Marlene, the film stars Suzanne Clément as Marlene Bell, a grifter and con artist who is indoctrinating her daughter Sammie in the ways of crime with the help of her colleague Fast Freddy ; meanwhile, Sammie has other ideas about her future, and develops a romantic interest in Drew, a devoutly Christian teenager who hangs out at the local roller rink.
Funny Boy may refer to:
Swimming in the Monsoon Sea is a coming-of-age novel written by Shyam Selvadurai set in Sri Lanka in 1980, during the monsoon season. Fourteen-year-old Amrith lives a contented life with his lively Auntie Bundle and gentle Uncle Lucky, avoiding thoughts of his past when his loving mother was still alive. He hopes to spend his vacation performing in his school's production of Othello and is learning to type at Uncle Lucky's tropical fish business. However, his routine is abruptly disrupted when his cousin arrives from Canada, bringing an unexpected whirlwind into his life. Amrith finds himself falling in love with the Canadian boy, paralleling the intense themes of jealousy in Othello, which serve as a backdrop to Amrith's own emotional upheaval.
Cinnamon Gardens is a 1998 novel written by Shyam Selvadurai.