Filippo Tommaso Emilio Marinetti was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolist artistic and literary community Abbaye de Créteil between 1907 and 1908. Marinetti is best known as the author of the first Futurist Manifesto, which was written and published in 1909, and as a co-author of the Fascist Manifesto, in 1919.
"The Manifesto of the Italian Fasces of Combat", commonly known as the Fascist Manifesto, was the initial declaration of the political stance of the Fasci Italiani di Combattimento the movement founded in Milan by Benito Mussolini in 1919 and an early exponent of Fascism. The Manifesto was authored by national syndicalist Alceste De Ambris and the futurist poet Filippo Marinetti.
Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).
The Manifesto of Futurism is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909. Marinetti expresses an artistic philosophy called Futurism that was a rejection of the past and a celebration of speed, machinery, violence, youth and industry. It also advocated for the modernization and cultural rejuvenation of Italy.
Italian futurist cinema was the oldest movement of European avant-garde cinema. Italian futurism, an artistic and social movement, impacted the Italian film industry from 1916 to 1919. It influenced Russian Futurist cinema and German Expressionist cinema. Its cultural importance was considerable and influenced all subsequent avant-gardes, as well as some authors of narrative cinema; its echo expands to the dreamlike visions of some films by Alfred Hitchcock.
Fortunato Depero was an Italian futurist painter, writer, sculptor, and graphic designer.
Zang Tumb Tumb is a sound poem and concrete poem written by Filippo Tommaso Marinetti, an Italian futurist. It appeared in excerpts in journals between 1912 and 1914, when it was published as an artist's book in Milan. It is an account of the Battle of Adrianople, which he witnessed as a reporter for L'Intransigeant. The poem uses Parole in libertà and other poetic impressions of the events of the battle, including the sounds of gunfire and explosions. The work is now seen as a seminal work of modernist art, and an enormous influence on the emerging culture of European avant-garde print.
"[The] masterpiece of Words-in-freedom and of Marinetti’s literary career was the novel Zang Tumb Tuuum... the story of the siege by the Bulgarians of Turkish Adrianople in the Balkan War, which Marinetti had witnessed as a war reporter. The dynamic rhythms and onomatopoetic possibilities that the new form offered were made even more effective through the revolutionary use of different typefaces, forms and graphic arrangements and sizes that became a distinctive part of Futurism. In Zang Tumb Tuuum; they are used to express an extraordinary range of different moods and speeds, quite apart from the noise and chaos of battle.... Audiences in London, Berlin and Rome alike were bowled over by the tongue-twisting vitality with which Marinetti declaimed Zang Tumb Tuuum. As an extended sound poem it stands as one of the monuments of experimental literature, its telegraphic barrage of nouns, colours, exclamations and directions pouring out in the screeching of trains, the rat-a-tat-tat of gunfire, and the clatter of telegraphic messages." — Caroline Tisdall and Angelo Bozzola
Futurist architecture is an early-20th century form of architecture born in ( ), characterized by long dynamic lines, suggesting speed, motion, urgency and lyricism: it was a part of Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of Futurism, in 1909. The movement attracted not only poets, musicians, and artists but also a number of architects. A cult of the Machine Age and even a glorification of war and violence were among the themes of the Futurists - several prominent futurists were killed after volunteering to fight in World War I. The latter group included the architect Antonio Sant'Elia, who, though building little, translated the futurist vision into an urban form.
Gioventù Fascista was a magazine designed for youth in Italy under Benito Mussolini's Fascist state. Its features included stories and cartoons praising the regime and inculcating the tenets of Fascism.
Opera Nazionale Balilla (ONB) was an Italian Fascist youth organization functioning between 1926 and 1937, when it was absorbed into the Gioventù Italiana del Littorio (GIL), a youth section of the National Fascist Party.
Futurist meals comprised a cuisine and style of dining advocated by some members of the Futurist movement, particularly in Italy. These meals were first proposed in Filippo Tommaso Marinetti and Luigi Colombo Fillia's Manifesto of Futurist Cooking, published in Turin's Gazzetta del Popolo on December 28, 1930. In 1932, Marinetti and Fillìa expanded upon these concepts with The Futurist Cookbook.
The Fasci Italiani di Combattimento was an Italian fascist organisation created by Benito Mussolini in 1919. It was the successor of the Fasci d'Azione Rivoluzionaria, being notably further right than its predecessor. The Fasci Italiani di Combattimento was reorganised into the National Fascist Party in 1921.
Fillìa was the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. Aside from painting, his works included interior design, architecture, furniture and decorative objects.
This is a list of words, terms, concepts, and slogans in the Italian language and Latin language which were specifically used in Fascist Italian monarchy and Italian Social Republic.
Sansepolcrismo is a term used to refer to the movement led by Benito Mussolini that preceded Fascism. The Sansepolcrismo takes its name from the rally organized by Mussolini at Piazza San Sepolcro in Milan on March 23, 1919, where he proclaimed the principles of Fasci Italiani di Combattimento, and then published them in Il Popolo d'Italia, on June 6, 1919, the newspaper he co-founded in November 1914 after leaving Avanti!
Benedetta Cappa was an Italian futurist artist who has had retrospectives at the Walker Art Center and the Solomon R. Guggenheim Museum. Her work fits within the second phase of Italian Futurism.
The Piazza San Sepolcro is a piazza in the center of Milan not far from the Piazza del Duomo.
Rosa Rosà was a writer and author associated with the inter-war Italian Futurist movement. She is renowned for her first short novel, Una donna con tre anime.
Ivo Pannaggi was an Italian painter and architect who was active in the Futurist movement and later associated with the Bauhaus.
The 1st Congress of the Fasci Italiani di Combattimento was held in Florence on 9 and 10 October 1919, following the proclamation of the Sansepolcro program on 23 March of the same year by Benito Mussolini.
