"Ganymed" is a poem by Johann Wolfgang von Goethe, in which the character of the mythic youth Ganymede is seduced by God (or Zeus) through the beauty of Spring.
In early editions of the Collected Works it appeared in Volume II of Goethe's poems in a section of Vermischte Gedichte (assorted poems), shortly following the " Gesang der Geister über den Wassern ", and the Harzreise im Winter . It immediately follows "Prometheus", and the two poems together should be understood as a pair, one expressing the sentiment of divine love, the other misotheism. Both belong to the period 1770 to 1775. Prometheus is the creative and rebellious spirit which, rejected by God, angrily defies him and asserts itself; Ganymede is the boyish self which is adored and seduced by God. One is the lone defiant, the other the yielding acolyte. As the humanist poet, Goethe presents both identities as aspects or forms of the human condition.
The poem was set to music, among others, by Franz Schubert (D. 544, 1817), Carl Loewe (Op. 81, No. 5, for SATB, 1836–1837), and by Hugo Wolf (1891).
Wie im Morgenglanze
Du rings mich anglühst,
Frühling, Geliebter!
Mit tausendfacher Liebeswonne
Sich an mein Herz drängt
Deiner ewigen Wärme
Heilig Gefühl,
Unendliche Schöne!
Daß ich dich fassen möcht'
In diesen Arm!
Ach, an deinem Busen
Lieg' ich, schmachte,
Und deine Blumen, dein Gras
Drängen sich an mein Herz.
Du kühlst den brennenden
Durst meines Busens,
Lieblicher Morgenwind!
Ruft drein die Nachtigall
Liebend nach mir aus dem Nebeltal.
Ich komm', ich komme!
Wohin? Ach, wohin?
Hinauf! Hinauf strebt's.
Es schweben die Wolken
Abwärts, die Wolken
Neigen sich der sehnenden Liebe.
Mir! Mir!
In eurem Schosse
Aufwärts!
Umfangend umfangen!
Aufwärts an deinen Busen,
Alliebender Vater!
How, in the morning brightness,
You all around shine at me,
Springtime, Beloved!
With thousandfold love-bliss
The holy feeling
Of your eternal warmth
Presses itself upon my heart,
Unending beauty!
Could I but embrace you
In this arm!
Ah, upon your breast
I lie, languish,
And your blossoms, your grass
press upon my heart.
You cool the burning
Thirst of my bosom,
Lovely morning-wind!
There calls the nightingale
Lovingly for me from the misty vale.
I come, I come!
Whither, ah whither?
Up! Up it surges.
The clouds are leaning
Downwards, the clouds
Bow down to yearning love.
To me! To me!
In your lap, clouds,
Upwards!
Embracing, embraced!
Upwards to thy bosom,
All-loving Father!
"Gretchen am Spinnrade", Op. 2, D 118, is a Lied composed by Franz Schubert using the text from Part One, scene 15 of Johann Wolfgang von Goethe's Faust. With "Gretchen am Spinnrade" and some 600 other songs for voice and piano, Schubert contributed transformatively to the genre of Lied. "Gretchen am Spinnrade" was composed for soprano voice but has been transposed to accommodate other voice types. Schubert composed "Gretchen am Spinnrade" on 19 October 1814, three months before his eighteenth birthday.
An die ferne Geliebte, Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles. It is considered to be the first example of a song cycle by a major composer.
"Jesu, Joy of Man's Desiring" is the most common English title of a piece of music derived from a chorale setting from the cantata Herz und Mund und Tat und Leben, BWV 147, composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata.
"Glück, das mir verblieb" is a duet from the 1920 opera Die tote Stadt composed by Erich Wolfgang Korngold to a libretto by his father Julius Korngold. It is written for a soprano and tenor. Also called "Marietta's Lied" or the "Lute Song", it appears in act 1. For performances as a concert aria, a soprano will sing both parts.
Von Herz zu Herz is the sixth studio album released by German Schlager group Die Flippers. This album won over many new fans and was their most successful since their first album in 1970. The group also returned to their trade mark sound with this album, after a releasing a folk album a year before.
"Prometheus" is a poem by Johann Wolfgang von Goethe, in which the character of the mythic Prometheus addresses God in misotheist accusation and defiance. The poem was written between 1772 and 1774 and first published in 1789 after an anonymous and unauthorised publication in 1785 by Friedrich Heinrich Jacobi. It is an important work of the Sturm und Drang movement.
The Symphony No. 8 "Lieder der Vergänglichkeit" by Krzysztof Penderecki is a choral symphony in twelve relatively short movements set to 19th and early 20th-century German poems. The work was completed and premiered in 2005. The symphony has an approximate duration of 35 minutes. Penderecki revised the symphony in 2007 by adding a few more poem settings and the piece has expanded to around 50 minutes. Although given the designation Symphony No. 8, it was not actually the final symphony Penderecki completed before his death in March 2020; the Sixth Symphony, begun in 2008, was not completed until 2017.
"Yours Is My Heart Alone" or "You Are My Heart's Delight" is an aria from the 1929 operetta The Land of Smiles with music by Franz Lehár and the libretto by Fritz Löhner-Beda and Ludwig Herzer. It was for many years associated with the tenor Richard Tauber, for whom it was written. The aria is sung by the character of Prince Sou-Chong in act 2. An American version of the show opened on Broadway in 1946 starring Tauber but it soon closed as Tauber had throat trouble.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday Estomihi, the last Sunday before Lent, and probably first performed it on 27 February 1729. The gospel reading for the Sunday, from the Gospel of Luke, includes Jesus announcing his suffering and death in Jerusalem. The cantata's theme and Bach's music foreshadow his Passion.
Johann Wilhelm Hill was a German pianist and composer.
"Welcome and Farewell" is a poem by Johann Wolfgang von Goethe from the collection Sesenheimer Lieder. It was published for the first time in 1775 in the women's magazine Iris. Franz Schubert set it to music as a lied (D.767).
Franz Schubert's best-known music for the theatre is his incidental music for Rosamunde. Less successful were his many Opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre.
Franz Schubert's best known song cycles, like Die schöne Müllerin and Winterreise are based on separate poems with a common theme and narrative. Other song cycles are based on consecutive excerpts of the same literary work: Schubert's "Ave Maria" is part of such a song cycle based on excerpts of the same poem, in this case by Walter Scott.
Spanisches Liederbuch is a collection of 44 Lieder by Hugo Wolf (1860–1903). They were composed between October 1889 and April 1890, and published in 1891. The words are translations into German by Emanuel Geibel (1815–84) and Paul Heyse (1830–1914) of Spanish and Portuguese poems and folk songs, published in a collection of 1852 also called Spanisches Liederbuch.
"Straf mich nicht in deinem Zorn" is a Lutheran hymn with a text written by Johann Georg Albinus as a paraphrase of Psalm 6. It was first printed with a formerly secular melody in Dresden in 1694. The song was included in 31 hymnals. The melody inspired musical settings both for organ and vocal works. The hymn was translated by Catherine Winkworth as "Not in anger, Mighty God", which appeared in 13 hymnals.
"Was mein Gott will, das g'scheh allzeit" is a Lutheran hymn in German. The text from c. 1550 is attributed to Albert, Duke of Prussia. The melody, Zahn No. 7568, goes back to a tune by Claudin de Sermisy, written in 1529 for a secular French song. The hymn has belonged to core Lutheran hymnody without interruption and is part of the Protestant hymnal Evangelisches Gesangbuch as EG 364.
"Harzreise im Winter" is a poem by Johann Wolfgang von Goethe, inspired by his ascent of the Brocken in the Harz mountains during the winter of 1777. He reached the summit in the heat of midday, in deep snow, with the landscape below him shrouded in cloud. The Brocken had always been a place of mystery, connected with witches and devils; where illusions such as the Brocken spectre might confuse an unwary traveller, and where few ventured by choice. This was the inspiration and the setting for his poem.
"Sozusagen grundlos vergnügt" is a poem by Mascha Kaléko. It begins with the line "Ich freu mich, daß am Himmel Wolken ziehen". It was published in 1977, after her death, and was set to music by Herbert Baumann.