Paul Godwin (1902–1982) was a violinist and the leader of a popular German dance orchestra in the 1920s and 30s.
Hans-Friedrich Blunck was a German jurist and a writer. In the time of the Third Reich, he occupied various positions in Nazi cultural institutions.
Michael Holm is a German singer, musician, songwriter and record producer. He is primarily known as a singer of Schlager music. Although his first appearance in the hit parade was in 1962, he had his first big hit in 1969. "Mendocino", the German adaptation of a song by the Sir Douglas Quintet, was the biggest selling single that year in (Germany). The record was released in September 1969, reached number three for five weeks, selling over a million copies. Ariola presented him with a gold record in October 1970.
Ireen Sheer is a German-English singer. She had her first major hit in 1970 with Hey Pleasure Man. She had a top five hit on the German singles chart with "Goodbye Mama" in 1973. She went on to finish fourth at the Eurovision Song Contest 1974 representing Luxembourg, sixth at the Eurovision Song Contest 1978 representing Germany, and thirteenth at the Eurovision Song Contest 1985 representing Luxembourg again.
"Ganymed" is a poem by Johann Wolfgang von Goethe, in which the character of the mythic youth Ganymede is seduced by God through the beauty of Spring.
The Symphony No. 8 "Lieder der Vergänglichkeit" by Krzysztof Penderecki is a choral symphony in twelve relatively short movements set to 19th and early 20th-century German poems. The work was completed and premiered in 2005. The symphony has an approximate duration of 35 minutes. Penderecki revised the symphony in 2007 by adding a few more poem settings and the piece has expanded to around 50 minutes. Although given the designation Symphony No. 8, it was not actually the final symphony Penderecki completed before his death in March 2020; the Sixth Symphony, begun in 2008, was not completed until 2017.
"Heimliche Aufforderung", Op. 27, No. 3, is one of a set of four songs composed for voice and piano by Richard Strauss in 1894. The German conductor Robert Heger orchestrated it in 1929. The text is from a poem in German by John Henry Mackay.
Bruckner's Psalm 22, WAB 34, is a setting of a German version of Psalm 23, which was psalm 22 in the Vulgata.
"Was willst du dich betrüben" is a hymn in seven stanzas by the German Baroque poet, Lutheran minister and hymn-writer Johann Heermann. The chorale was first published in 1630 during the Thirty Years' War. It is focused on trust in God, even when facing adversaries.
The 66 Chorale improvisations for organ, Op. 65, were composed by Sigfrid Karg-Elert between 1906 and 1908, and first published in six volumes in 1909. The composition was dedicated to "the great organist Alexandre Guilmant".
"Welcome and Farewell" is a poem by Johann Wolfgang von Goethe from the collection Sesenheimer Lieder. It was published for the first time in 1775 in the women's magazine Iris. Franz Schubert set it to music as a lied (D.767).
"Geh aus, mein Herz, und suche Freud" is a summer hymn with a text in German by the theologian Paul Gerhardt, written in 1653. It was first published in the same year in the fifth edition of Johann Crüger's hymnal, Praxis pietatis melica. The hymn was sung to several melodies, with the most popular one composed by August Harder. Later, it became a Volkslied in an abridged version.
"Vom Himmel hoch, da komm ich her" is a hymn text relating to the Nativity of Jesus, written by Martin Luther in 1534. The hymn is most often sung to the melody, Zahn No. 346, which first appeared in a 1539 songbook and was probably also composed by Luther. This classic Christmas carol remains popular and has inspired many choral and organ works by other composers.
Franz Schubert's best-known music for the theatre is his incidental music for Rosamunde. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre.
"Herzlich tut mich verlangen" is a German hymn, with lyrics written in 1599 by Christoph Knoll, with a melody adapted from a secular song by Hans Leo Hassler. It is a prayer for a blessed death, beginning "Herzlich tut mich verlangen nach einem sel'gen End". Its hymn tune, Zahn No. 5385a, was later also used for Paul Gerhardt's "Befiehl du deine Wege" and "O Haupt voll Blut und Wunden".
"Ännchen von Tharau" is a 17-stanza poem by the East Prussian poet Simon Dach. The namesake of the poem is Anna Neander (1615–1689), the daughter of a person from Tharau, East Prussia. The poem was written on the occasion of her marriage in 1636 and had been set to music as a song by 1642.
"Schmücke dich, o liebe Seele" is a Lutheran hymn in German, with lyrics by Johann Franck and a hymn tune by Johann Crüger. It was first published in Crüger's 1649 Geistliche Kirchen-Melodien, and was later adopted in other hymnals, such as the 1653 edition of his Praxis pietatis melica.
"Ich steh an deiner Krippen hier" is a German Christmas hymn, with lyrics by Paul Gerhardt which were first published in 1653. It was then sung with an older melody by Martin Luther, but a melody which was likely created by Johann Sebastian Bach for Schemellis Gesangbuch of 1736 is now part of current Protestant and Catholic hymnals.
"Ach, wie ist's möglich dann" also known as "Treue Liebe", and “How Can I Leave Thee” is a German now-traditional song. Friedrich Wilhelm Kücken (1810–1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" and given the general name Thüringer Volkslied. Its popularity helped Kücken get chosen for the court of Paul Frederick, Grand Duke of Mecklenburg-Schwerin. The tune is used at West Point, Lincoln University (Missouri) and Wake Forest University. Marlene Dietrich sang the song and it has been used in some movies, e.g. Three Comrades uses the melody throughout the film as Leitmotif for love. Similarly, Max Ophüls used it in the same year as a leitmotiv in Le Roman de Werther. The silent film Ach, wie ist's möglich dann (1913) by Peter Ostermayr bears the song's title.
