| Get Back Home in the U.S.A. | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1970 | |||
| Recorded | November 30, 1969 | |||
| Studio | Monestier-Lemay Studio, Pau, France | |||
| Genre | Blues | |||
| Length | 69:37 | |||
| Label | Black & Blue | |||
| Producer | Jacques Morgantini | |||
| John Lee Hooker chronology | ||||
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Get Back Home in the U.S.A.is an album by blues musician John Lee Hooker that was recorded in France in 1969 and originally released by the French Black & Blue label. [1] The album was reissued with 6 additional tracks in 1988 as Get Back Home. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Blues Recordings |  [3] |
AllMusic reviewer Ron Wynn stated: "John Lee Hooker's greatness lies in his ability to perform the same songs the same way yet somehow sound different and memorable in the process. He operates at maximum efficiency in minimal surroundings with little production or assistance. That was the case on a 1969 session for Black and Blue; it was just Hooker and his guitar moaning, wailing, and narrating ... If you have ever heard any Hooker, you will not be surprised or stunned by these renditions; you will simply enjoy hearing him rework them one more time, finding a new word, phrase, line, or riff to inject". [2]
All compositions credited to John Lee Hooker except where noted
John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists.
That's My Story is a studio album by American blues musician John Lee Hooker, released in April or May 1960 on Riverside Records. The album was recorded in one session on February 9, 1960 at Reeves Sound Studio in New York City. It was produced by Orrin Keepnews and features the rhythm section from saxophonist Cannonball Adderley's group, which included bassist Sam Jones and drummer Louis Hayes.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
Out There is a bebop album by jazz vocalist Betty Carter with an ensemble under the direction of alto saxophonist Gigi Gryce. The arrangements were provided by Gryce, Ray Copeland, Melba Liston, Benny Golson and Tommy Bryce. The album was produced by Esmond Edwards and released 1958 on Peacock Records. Ron Wynn of Allmusic called the album "a dynamic set."
George Thorogood and the Destroyers is the self-titled debut album by American blues rock band George Thorogood and the Destroyers, released in 1977. Consisting mostly of covers of blues hits, it includes a medley of John Lee Hooker's "House Rent Boogie" and "One Bourbon, One Scotch, One Beer", the latter a song written by Rudy Toombs for Amos Milburn, and later covered by Hooker.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as English Freakbeat, Volume 6.
The Best of The Animals is the first greatest hits collection by the British rock group the Animals. MGM Records released the album in February 1966 in the United States. It showcases the Animals' tough-edged pop hits combined with their more devoted blues and R&B workouts. The album has been reissued with some different tracks and a similar collection, The Most of Animals, was released in the United Kingdom in 1966.
Mr. Lucky is a 1991 album by American blues singer, songwriter and guitarist John Lee Hooker. Produced by Ry Cooder, Roy Rogers and Carlos Santana under the executive production of Mike Kappus, the album featured musicians including Keith Richards, Blues Hall of Fame inductee Johnny Winter; and three inductees of the Rock and Roll Hall of Fame, Van Morrison, Booker T. Jones and Johnnie Johnson. And also Chester D. Thompson, who once played with Santana, on keyboards, has collaborated on writing a song on the album. Released on Virgin Records, including on its imprint label Classic Records, Mr. Lucky peaked at #101 on the "Billboard 200". By the way, Chester D. Thompson must not be mistaken with Chester Cortez Thompson, a drummer who also played with Santana, Frank Zappa and The Mothers of Invention, Weather Report, Genesis and Phil Collins.
Long John's Blues was the début solo album by British blues singer Long John Baldry and his band, the Hoochie Coochie Men, featuring musicians who had previously played alongside Baldry in the Cyril Davies All-Stars. The album featured a track list that he would continue to play at live shows throughout his career.
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray, it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red, Sonny Boy Williamson I, and Tommy McClennan. John Lee Hooker and Howlin' Wolf later adapted "Sugar Mama" for electric blues and rock group Led Zeppelin reworked it during early recording sessions.
Never Get Out of These Blues Alive is a studio album by American blues musician John Lee Hooker, released in 1972 by ABC Records and recorded on September 28–29, 1971. The album features Van Morrison, Elvin Bishop, Charlie Musselwhite, and British organist Steve Miller. The album was re-released in 1987 by See For Miles Records with four additional tracks, including two with Hooker's cousin Earl Hooker on slide guitar.
For Those in Love is a studio album by American jazz vocalist Dinah Washington with musical arrangements by Quincy Jones. It was originally released by EmArcy Records in June 1955, and was reissued by EmArcy Records in 1991.
Soul People is an album by American saxophonists Sonny Stitt and Booker Ervin, and organist Don Patterson. Just like his previous Soul Shack, Soul People features heavily blues-drenched jazz. The original album was recorded in 1964 and issued by Prestige in early 1965. In 1993, it was reissued on CD by Prestige, featuring three additional tracks.
Johnny "Big Moose" Walker was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.
The Folk Lore of John Lee Hooker is an album by blues musician John Lee Hooker, released by Vee-Jay Records in August or September 1961. Hooker recorded most of the songs on January 4, 1961, in Chicago, with two recorded live at the Newport Folk Festival June 25, 1960.
Concert at Newport is a live album by the blues musician John Lee Hooker, recorded at the Newport Folk Festival and released by the Vee-Jay label in 1963.
Live at Sugar Hill is a live album by blues musician John Lee Hooker recorded in California in 1962 and released by the Galaxy label. The album was reissued in 1974 by Fantasy as the first disc of the double LP Boogie Chillun which added ten additional previously unreleased recordings from the same concerts.
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