John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists, and has been cited as one of the greatest male blues vocalists of all time.
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
George Thorogood and the Destroyers is the self-titled debut album by American blues rock band George Thorogood and the Destroyers, released in 1977. Consisting mostly of covers of blues hits, it includes a medley of John Lee Hooker's "House Rent Boogie" and "One Bourbon, One Scotch, One Beer", the latter a song written by Rudy Toombs for Amos Milburn, and later covered by Hooker.
Johnny Moore's Three Blazers was a popular American vocal group in the 1940s and 1950s. The original members were:
Bad to the Bone is the fifth studio album by American blues rock band George Thorogood and the Destroyers. It was released in 1982 by the label EMI America Records and contains their best known song, "Bad to the Bone". The album features Rolling Stones side-man Ian Stewart on keyboards. A special edition was released in 2007 to mark the 25th anniversary of its original release.
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray, it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red, Sonny Boy Williamson I, and Tommy McClennan. John Lee Hooker and Howlin' Wolf later adapted "Sugar Mama" for electric blues and rock group Led Zeppelin reworked it during early recording sessions.
Sugar Hill, also known as Sugar Hill: Home of the Blues was a blues and jazz club in San Francisco's Broadway in the North Beach district of San Francisco, California. It was established by Barbara Dane, in May 1961, with the idea of creating a venue for the blues in a tourist district where a wider audience could hear it. There Dane performed regularly with her two most constant musical companions: Kenny "Good News" Whitson on piano and cornet and Wellman Braud, former Ellington bassist. Among her guest artists were Jimmy Rushing, Mose Allison, Mama Yancey, Tampa Red, Lonnie Johnson, Big Mama Thornton, Lightnin' Hopkins, T-Bone Walker, Brownie McGhee and Sonny Terry.
I'm John Lee Hooker is an album by blues musician John Lee Hooker. Released by Vee-Jay Records in 1959, it compiles seven songs originally released as singles between 1955 and 1958 along with five new tracks recorded in 1959.
The Country Blues of John Lee Hooker is an album by blues musician John Lee Hooker recorded in Detroit in 1959 and released by Riverside Records in January 1960.
Burning Hell is an album by blues musician John Lee Hooker that was recorded in Detroit in 1959 at the same sessions that produced The Country Blues of John Lee Hooker, but not released by the Riverside label until 1964 in Europe.
Concert at Newport is a live album by the blues musician John Lee Hooker, recorded at the Newport Folk Festival and released by the Vee-Jay label in 1963.
Live at Cafe Au Go Go is a live album by blues musician John Lee Hooker with members of Muddy Waters Blues Band. It was recorded at the Cafe Au Go Go in New York City and released by BluesWay Records in 1967.
Live at Soledad Prison is a live album by blues musician John Lee Hooker recorded at the Soledad State Prison in Monterey County, California on June 11, 1972 and released by the ABC label later that year. It is not available in its original form on compact disc, but in 1996, MCA Records released a compilation of Hooker's 1966 live album Live at Cafe Au Go Go with the last five songs of Live at Soledad Prison, under the title Live at the Café au Go-Go .
The Cream is a live album by blues musician John Lee Hooker recorded in California in 1977 and released by the Tomato label in 1978.
Don't Turn Me from Your Door, subtitled John Lee Hooker Sings His Blues, is an album by the blues musician John Lee Hooker, compiling six songs originally recorded for De Luxe Records in 1953 along with six new tunes recorded in 1961. Atco Records released the album in 1963.
Get Back Home in the U.S.A.is an album by blues musician John Lee Hooker that was recorded in France in 1969 and originally released by the French Black & Blue label. The album was reissued with 6 additional tracks in 1988 as Get Back Home.
That's Where It's At! is an album by blues musician John Lee Hooker recorded in 1961 collecting five tracks originally released on a split album by Guest Star Records in 1966 along with five unreleased tracks, that was issued by the Stax label in 1969.
Jealous is an album by the blues musician John Lee Hooker. Produced by Hooker, it was recorded in 1982 but was not released until 1986, when it was issued by Pausa Records. The album won a W.C. Handy Award and was nominated for a Grammy Award. The album was reissued on CD in 1996 by Point Blank Records.
Howling Wolf Sings the Blues is a compilation album by blues musician Howlin' Wolf, which was released by Crown Records in 1962. The original album included eight songs recorded for Modern Records between 1951 and 1952, including those tracks that were released as singles by the RPM, and an additional two instrumentals by Joe Hill Louis. The album was re-released in 1970 by United Records with the alternative title Big City Blues.
"I'm in the Mood" is a blues song written and originally performed by John Lee Hooker, and first recorded by him in 1951. The original recording is reportedly one of the highest-selling blues records of all time.
