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John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his sudden death exactly two months and two weeks following the album's release. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without record producer Paul A. Rothchild after he quit the band over a perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
Joseph Lee "Big Joe" Williams was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby, Please Don't Go", "Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992.
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
"Cross Road Blues" is a song written by the American blues artist Robert Johnson. He performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talent. This is based largely on folklore of the American South that identifies a crossroads as the site where such pacts are made, although the lyrics do not contain any references to Satan or a Faustian bargain.
"On the Road Again" is a song recorded by the American blues-rock group Canned Heat in 1967. A driving blues-rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive high pitched vocal, sometimes described as a falsetto.
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
Original Folk Blues is a compilation album by American bluesman John Lee Hooker, released in 1967. It mostly features songs that Hooker recorded for Bernard Besman in Detroit, Michigan, between 1948 and 1954 the were originally issued by Modern Records.
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 and No. 41 in Canada. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.
The Doors: Vinyl Box Set is the seventh box set for American rock band the Doors. It is a seven-record set of the original six studio albums, remastered in stereo from the original analogue tapes and pressed on 180-gram HQ vinyl, and a mono version of the debut album. Artwork, packaging, and inner sleeves are replicas of the original LPs issued between 1967 and 1971. The albums were remastered from 192k/24 bit digital copies and pressed at Record Technology (RTI). An insert booklet includes notes from Jac Holzman, founder of Elektra Records and Bruce Botnick the Doors' longtime sound engineer/co-producer on all the original studio albums.
Mr. Lucky is a 1991 album by American blues singer, songwriter and guitarist John Lee Hooker. Produced by Ry Cooder, Roy Rogers and Carlos Santana under the executive production of Mike Kappus, the album featured musicians including Keith Richards, Blues Hall of Fame inductee Johnny Winter; and three inductees of the Rock and Roll Hall of Fame, Van Morrison, Booker T. Jones and Johnnie Johnson. And also Chester D. Thompson, who once played with Santana, on keyboards, has collaborated on writing a song on the album. Released on Virgin Records, including on its imprint label Classic Records, Mr. Lucky peaked at #101 on the "Billboard 200". By the way, Chester D. Thompson must not be mistaken with Chester Cortez Thompson, a drummer who also played with Santana, Frank Zappa and The Mothers of Invention, Weather Report, Genesis and Phil Collins.
"Born Under a Bad Sign" is a blues song recorded by American blues singer and guitarist Albert King in 1967. Called "a timeless staple of the blues", the song also had strong crossover appeal to the rock audience with its synchronous bass and guitar lines and topical astrology reference. "Born Under a Bad Sign" appeared on the R&B chart and became a blues standard.
Eddie "Guitar" Burns was an American Detroit blues guitarist, harmonica player, singer and songwriter. His career spanned seven decades. Among Detroit bluesmen, Burns was deemed to have been exceeded in stature by only John Lee Hooker.
"Crosscut Saw", or "Cross Cut Saw Blues" as it was first called, is a hokum-style song "that must have belonged to the general repertoire of the Delta blues". Mississippi bluesman Tommy McClennan's recording of the song was released in 1941 and has since been interpreted by many blues artists. "Crosscut Saw" became an early R&B chart hit for Albert King, "who made it one of the necessary pieces of modern blues".
"Bottle Up and Go" or "Bottle It Up and Go" is a song that is a standard of the blues. Based on earlier songs, Delta bluesman Tommy McClennan recorded "Bottle It Up and Go" in 1939. The song has been interpreted and recorded by numerous artists, sometimes using alternate titles, such as "Step It Up and Go", "Shake It Up and Go", etc.
"That Black Snake Moan" is a song written and recorded by American country blues musician Blind Lemon Jefferson. Inspired by singer Victoria Spivey's "Black Snake Blues", the song was released on Paramount Records in 1926, and has since become recognized as a signature composition which exemplifies Jefferson's unconventional melodic style and utilization of double entendres. The song was re-recorded a year later as "Black Snake Moan" for Okeh Records, and both versions have remained accessible through the availability of several compilation albums.
Tony Hollins was an American blues singer, guitarist and songwriter.
Delta Kream is the tenth album by American rock duo the Black Keys, released through Easy Eye Sound and Nonesuch Records on May 14, 2021. It is a cover album of hill country blues songs. It was preceded by the April 15 release of a cover of "Crawling Kingsnake", based on Junior Kimbrough's rendition.
References
- 1 2 Herzhaft, Gerard (1992). "Crawling King Snake". Encyclopedia of the Blues. Fayetteville, Arkansas: University of Arkansas Press. p. 443. ISBN 1-55728-252-8.
- ↑ OKeh Records 8338 (1926)
- ↑ OKeh Records 8455 (1926)
- ↑ Usually a jug or washtub bass.
- ↑ Young, Alan (1997). Woke Me Up This Morning: Black Gospel Singers and the Gospel Life. University Press of Mississippi. p. 292. ISBN 978-0-87805-944-7.
- ↑ OKeh Records 06350
- ↑ Gioia, Ted (2008). Delta Blues (Norton Paperback 2009 ed.). New York City: W. W. Norton. p. 240. ISBN 978-0-393-33750-1.
- ↑ O'Neal, Jim; van Singel, Amy (2002). The Voice of the Blues: Classic Interviews from Living Blues Magazine. Routledge. p. 208. ISBN 978-0-415-93654-5.
- ↑ Palmer, Robert (1982). Deep Blues. New York City: Penguin Books. p. 244. ISBN 0-14006-223-8.
- ↑ Whitburn, Joel (1988). "John Lee Hooker". Top R&B Singles 1942–1988. Menomonee Falls, Wisconsin: Record Research. p. 194. ISBN 0-89820-068-7.
- ↑ Dicarre, David (1999). Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century. McFarland & Company. p. 42. ISBN 978-0-7864-0606-7.
- ↑ Allen, Jim (April 19, 2016). "The Story Behind the Songs of the Doors' Last Hurrah, L.A. Woman". Ultimate Classic Rock . Retrieved April 19, 2021.
- ↑ Mr. Mojo Risin': The Story of L.A. Woman Q&A and Performance. Event occurs at 17:25. Retrieved April 19, 2021– via YouTube.
- ↑ Weidman, Richie (2011). The Doors FAQ: All That's Left to Know About the Kings of Acid Rock. Rowman & Littlefield. p. 162. ISBN 978-1617131141.
- 1 2 Strauss, Matthew. "The Black Keys Blues Covers Album, Share "Crawling Kingsnake": Listen". Pitchfork.
