Absolutely Live | ||||
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Live album by | ||||
Released | July 20, 1970 | |||
Recorded | July 21, 1969 –May 8, 1970 | |||
Genre | Rock | |||
Length | 77:02 | |||
Label | Elektra | |||
Producer | Paul A. Rothchild | |||
The Doors chronology | ||||
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CD reissue cover | ||||
Absolutely Live is the first live album by the American rock band the Doors, released on July 20, 1970, by Elektra Records. The double album features songs recorded at concerts held in 1969 and 1970 in several U.S. cities. It includes the first full release of the performance piece "Celebration of the Lizard" and several other tracks that had not previously appeared on any official Doors release. The album peaked at number eight on the Billboard 200 in September 1970.
I think it's a document of one of our good concerts: not insanely good, but a true portrait of what we usually do on a good night.
—Jim Morrison, reflecting on the record. [1]
Many shows were recorded during the band's 1970 Roadhouse Blues Tour to create the Absolutely Live album. The Doors' producer and longtime collaborator Paul A. Rothchild claimed to have painstakingly edited the album from many different shows to create one cohesive concert. According to Rothchild, the best part of a song from one performance may have been spliced together with another part of the same song from another performance, in an attempt to create "the ultimate concert". Rothchild said, "I couldn't get complete takes of a lot of songs, so sometimes I'd cut from Detroit to Philadelphia in mid-song. There must be 2,000 edits on that album." [2] However, most of the tracks were taken from the Doors' performances at the Felt Forum in New York City on January 17 and 18, 1970. [3]
Absolutely Live marks the first release of the Doors' performance piece "Celebration of the Lizard" in its entirety, which had originally been attempted in the studio during the Waiting for the Sun sessions but was eventually abandoned. [4] The album also included several new songs: "Love Hides", "Build Me a Woman", "Universal Mind", "Dead Rats, Dead Cats" (performed as a preamble to "Break on Through") and cover versions of Bo Diddley's "Who Do You Love?" and Willie Dixon's "Close to You" (the latter featuring lead vocals by keyboardist Ray Manzarek). [5]
Reflecting on the live album in an interview, Jim Morrison remarked, "I think [Absolutely Live is] a fairly true document of what the band sounds like on fairly good night. It's not the best we can do and it's certainly not the worst. It's a true document of an above average evening." [1] In his autobiography, Manzarek explained the group's intentions with the album: "We wanted to get the Doors experience on tape. Live. One time. For the ages. And in doing so, perhaps we could capture the moment of escape. Live." [1] [6]
According to the biography No One Here Gets Out Alive , Morrison hated the album cover for Absolutely Live. He had changed his appearance dramatically since the band's early days, growing a beard and discarding his onstage leather attire in an attempt to overcome his "rock god" image, but was dismayed to find that his record label opted for an earlier photograph of him for the cover. [7]
In his book Krautrocksampler , the British rock musician and writer Julian Cope described the photo of Morrison as one of his "two favorite all-time images of rock 'n' roll singers". [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Christgau's Record Guide | B [10] |
Classic Rock | [11] |
The Rolling Stone Album Guide | [12] |
Virgin Encyclopedia of Popular Music | [13] |
Absolutely Live sold only 225,000 copies, half of what their previous studio album Morrison Hotel had sold. [7] Critic Gloria Vanjak of Rolling Stone magazine wrote a scathing review of the album, singling out Morrison's performance in particular and referring to "Celebration of the Lizard" as "rancid". [14] Robert Christgau of The Village Voice gave a more favorable review, praising its "strong performances and audio," but concluded that "I don't happen to be into reptiles when the music's over, much less while it's on." [15]
In a retrospective review for AllMusic, William Ruhlmann observed that the album "demonstrated that, in concert, the Doors could be an enervating as well as an elevating experience." However, he bemoaned the fact that Morrison seemed to "treat the whole exercise as a charade" and opined that several tracks "flag considerably in comparison to the sleeker studio versions." [9] Writing for Classic Rock , critic Max Bell praised the album, noting that it remains the "organic documentary" that the band envisaged. [11]
Julian Casablancas of the Strokes has cited the album track "Universal Mind" as a personal favorite of his. [16]
In 1991, Absolutely Live was issued on compact disc as part of the two-CD set In Concert , which also included the Doors' live albums Alive, She Cried and Live at the Hollywood Bowl . [17] Absolutely Live was later reissued as a single CD by Elektra in 1996, featuring new artwork different from the original LP. In 2010, it was reissued on 180 gram vinyl by Rhino Records in its original double LP format and featuring its original artwork, in both the U.S. and UK.
Songwriters and LP side total lengths are taken from the original 1970 Elektra Records album (individual song timings are not listed) and may differ from other sources. [5]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Who Do You Love?" | Ellas McDaniel | 8:42 |
2. | "Medley":
|
| 10:35 |
Total length: | 19:17 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Build Me a Woman" | Morrison, the Doors | 3:33 |
2. | "When the Music's Over" | Morrison, the Doors | 14:49 |
Total length: | 18:33 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Close to You" | Dixon | 5:27 |
2. | "Universal Mind" | Morrison, Robby Krieger | 4:54 |
3. | "Break On Thru, #2" | Morrison, the Doors | 7:26 |
Total length: | 18:00 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Celebration of the Lizard" | Morrison, the Doors | 14:28 |
2. | "Soul Kitchen" | Morrison | 7:15 |
Total length: | 21:42 |
Per liner notes: [5]
The Doors
Technical
Remote recording facilities: Fedco Audio Labs and Wally Heider Recording
Chart (1970) | Peak position |
---|---|
Canada Top Albums/CDs ( RPM ) [18] | 10 |
UK Albums (OCC) [19] | 69 |
US Billboard 200 [20] | 8 |
Chart (2014) | Peak position |
Hungarian Albums (MAHASZ) [21] | 31 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [22] | Gold | 35,000^ |
Austria (IFPI Austria) [23] | Gold | 25,000* |
Canada (Music Canada) [24] | Gold | 50,000^ |
France (SNEP) [25] | Gold | 100,000* |
United States (RIAA) [26] | Gold | 500,000^ |
* Sales figures based on certification alone. |
The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture.
The Doors is the debut studio album by American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August 1966 at Sunset Sound Recorders, Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the band's breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Various publications, including BBC and Rolling Stone, have ranked The Doors as one of the greatest debut albums of all time.
Strange Days is the second studio album by the American rock band the Doors, released on September 25, 1967, by Elektra Records, arriving eight months after their self-titled debut album. After the latter's successful release, the band started experimenting with new and old material as well in early 1967 for this second record. Upon release, Strange Days reached number three on the US Billboard 200, and eventually earned RIAA platinum certification. It contains the two Top 30 hit singles, "People Are Strange" and "Love Me Two Times".
Waiting for the Sun is the third studio album by the American rock band the Doors, released by Elektra Records on July 3, 1968. The album's 11 tracks were recorded between late 1967 and May 1968 mostly at TTG Studios in Los Angeles. It became the band's only number one album, topping the Billboard 200 for four weeks, while also including their second US number one single, "Hello, I Love You". The first single released off the record was "The Unknown Soldier", which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it reached number 16.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
An American Prayer is the ninth and final studio album by the American rock band the Doors. Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. It was the only album by the Doors to be nominated for a Grammy Award in the "Spoken Word" category.
"Celebration of the Lizard" is a performance piece by American rock band the Doors, featuring lyrics written by lead singer Jim Morrison and music by the Doors. Composed as a series of poems, the piece includes both spoken verse and sung lyrics, musical sections and passages of allegorical storytelling.
13 is the first compilation album by American rock band the Doors, released by Elektra Records on November 30, 1970. The title refers to the thirteen tracks included, which feature a variety of songs from their five studio albums released up to that point and the cover shrinkwrap originally featured a clear sticker that read: "A Collection of Thirteen Classic Doors Songs". It is the band's only compilation album released while lead singer Jim Morrison was alive.
Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live, produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown.
In Concert is a live triple album by the Doors released in 1991. The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Philadelphia, Pittsburgh, Detroit, and Copenhagen. The Doors' producer, Paul A. Rothchild, remarked, "I couldn't get complete takes of a lot of songs, so sometimes I'd cut from Detroit to Philadelphia in midsong. There must be 2,000 edits on that album."
"When the Music's Over" is an epic song by the American rock band the Doors, which appears on their second album Strange Days, released in 1967. It is among the band's longer pieces, lasting 11 minutes.
"The Unknown Soldier" is the first single from the Doors' 1968 album Waiting for the Sun, released in March of that year by Elektra Records. An accompanying 16mm publicity film for the song featuring the band was directed and produced by Edward Dephoure and Mark Abramson. The song became the band's fourth Top 40 hit in the US, peaking at number 39 on the Billboard Hot 100, and remained upon the Billboard Hot 100 list for eight weeks.
"The Soft Parade" is a song composed by the American rock group the Doors, though credited to lead singer Jim Morrison only. It was recorded for their fourth studio album, also titled The Soft Parade (1969), appearing as the closing track. It has been considered as one of the most musically diverse compositions by the band.
Essential Rarities is a compilation album by the Doors, originally released as part of the boxed set The Complete Studio Recordings in 1999, but reissued in 2000 as a single CD, containing studio cuts, live cuts and demos taken from the 1997 The Doors: Box Set.
The Bright Midnight Sampler, is a compilation CD of live performances by American rock band the Doors, released September 25, 2000.
"Been Down So Long" is a song by the American rock band the Doors. It appears as the third track on L.A. Woman, the last studio album that lead singer Jim Morrison recorded with the group. It has been called, notably by critic Robert Christgau, as a "take-off" on the album.
The following outline is provided as an overview of and topical guide to the Wikipedia articles available about The Doors.
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