13 | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | November 30, 1970 | |||
Recorded | 1966–1969 | |||
Genre | Rock | |||
Length | 43:59 | |||
Label | Elektra | |||
Producer | Paul A. Rothchild | |||
The Doors chronology | ||||
|
13 is the first compilation album by American rock band the Doors, released by Elektra Records on November 30, 1970. The title refers to the thirteen tracks included, which feature a variety of songs from their five studio albums released up to that point. The cover shrink wrap featured a clear sticker that read: "A Collection of Thirteen Classic Doors Songs". It is the band's only compilation album released while lead singer Jim Morrison was alive.
The album reached No. 25 on the Billboard 200. It has been superseded by later Doors compilations, such as the highly successful The Best of the Doors (1985), and has not been reissued on CD.
13 was a project instigated by Elektra Records, who wanted product from the band for the Christmas season, to which the band reluctantly agreed. Morrison even agreed to shave off his beard for the album cover's photo shoot, but the label opted for a younger photo of the singer, which they had also done for the group's live album Absolutely Live , released in July of that year. Author Danny Sugerman commented in his memoir of the band, No One Here Gets Out Alive , "Elektra obviously wanted the 'pretty' Jim Morrison." [1] Morrison's image is also much larger than those of guitarist Robby Krieger, keyboardist Ray Manzarek, and drummer John Densmore, and Sugerman said that, "Although Ray, Robby, and John had become accustomed to the attention directed towards their lead singer, it upset Jim." The album's back cover features the band posing with a small bust of Ludwig van Beethoven [2] [3] (some have mistakenly claimed it is of occultist Aleister Crowley). [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
Christgau's Record Guide | A− [6] |
MusicHound | 3.5/5 [7] |
The Rolling Stone Album Guide | [8] |
In a contemporary review in 1971, music critic Dave Marsh wrote that although the album does indeed contain "thirteen classic songs," it fails to deliver on any purpose other than compiling the most radio-friendly hits in one place. Marsh added that "no magnum opuses" were included in the collection. "No 'The End', no 'When the Music's Over', no 'Soft Parade' ... [it] would have been decidedly uncommercial to have them included here ... Of course 'Five to One' isn't here; funny thing, outside of 'Unknown Soldier' none of the Doors' more controversial subject matter is included." [9]
Bruce Eder, in his retrospective review for Allmusic , likewise observed that 13 focuses strictly on the pop rock side of The Doors, and argued that the approach of marketing this side of the Doors separately from their more serious, adventurous, and coarse side was part of what made the band a success with such a range of listeners. Noting that 13 had continuously sold well for nearly two decades, whereas Doors compilations and live albums which freely mixed the band's two sides were much less popular, he saw 13 and the Doors' self-titled debut album as the two main gateways to their work, serving to draw interested listeners in and ultimately lead them to explore the Doors' deeper album cuts. [5]
Details are taken from the 1970 U.S. Elektra album, which lists different songwriter credits than other Doors albums; other releases may show different information. [10]
No. | Title | Writer(s) | Original album (year) | Length |
---|---|---|---|---|
1. | "Light My Fire" | Robby Krieger, Jim Morrison | The Doors (1967) | 6:50 |
2. | "People Are Strange" | Morrison, Krieger | Strange Days (1967) | 2:10 |
3. | "Back Door Man" | Willie Dixon, Chester Burnett a.k.a. Howlin' Wolf | The Doors | 3:30 |
4. | "Moonlight Drive" | Morrison | Strange Days | 3:00 |
5. | "The Crystal Ship" | Morrison | The Doors | 2:30 |
6. | "Roadhouse Blues" | Morrison, Doors | Morrison Hotel (1970) | 4:04 |
No. | Title | Writer(s) | Original album | Length |
---|---|---|---|---|
1. | "Touch Me" | Krieger | The Soft Parade (1969) | 3:15 |
2. | "Love Me Two Times" | Krieger | Strange Days | 3:23 |
3. | "You're Lost Little Girl" | Krieger | Strange Days | 3:01 |
4. | "Hello, I Love You" | Morrison | Waiting for the Sun (1968) | 2:22 |
5. | "Land Ho" | Morrison, Krieger | Morrison Hotel | 4:08 |
6. | "Wild Child" | Morrison | The Soft Parade | 2:36 |
7. | "The Unknown Soldier" | Morrison, Doors | Waiting for the Sun | 3:10 |
From the 1970 Elektra release: [10]
The Doors
Additional musicians
Production
Chart | Year | Position |
---|---|---|
Billboard 200 | 1971 | 25 [18] |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [19] | Platinum | 100,000^ |
United States (RIAA) [20] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
The Doors is the debut studio album by the American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August and September 1966 at Sunset Sound Recorders, in Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the band's breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Various publications, including BBC and Rolling Stone, have listed The Doors as one of the greatest debut albums of all time.
Strange Days is the second studio album by the American rock band the Doors, released on September 25, 1967 by Elektra Records, arriving eight months after their self-titled debut album. After the latter's successful release, the band started experimenting with both new and old material in early 1967 for their second record. Upon release, Strange Days reached number three on the US Billboard 200, and eventually earned a platinum certification from the Recording Industry Association of America (RIAA). It contains two Top 30 hit singles, "People Are Strange" and "Love Me Two Times".
Waiting for the Sun is the third studio album by the American rock band the Doors, released by Elektra Records on July 3, 1968. The album's 11 tracks were recorded between late 1967 and May 1968 mostly at TTG Studios in Los Angeles. It became the band's only number one album, topping the Billboard 200 for four weeks, while also including their second US number one single, "Hello, I Love You". The first single released off the record was "The Unknown Soldier", which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it reached number 16.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
"Moonlight Drive" is a song by American rock band the Doors, released in 1967 on their second album Strange Days. It was edited to a 2:16 length for the 45 rpm single B-side of "Love Me Two Times". Though a conventional blues arrangement, the track's defining feature was its slightly off-beat rhythm, and Robby Krieger's "bottleneck" or slide guitar, which creates an eerie sound.
Other Voices is the seventh studio album by the Doors, released by Elektra Records in October 1971. It was the first album released by the band following the death of lead singer Jim Morrison in July 1971 with keyboardist Ray Manzarek and guitarist Robby Krieger sharing lead vocals. Tracks for the album had begun before Morrison's death and the band hoped that Morrison would return from Paris to finish them.
"Peace Frog" is a song by the Doors, which was released on their fifth studio album Morrison Hotel in 1970. Guitarist Robby Krieger explained that the music was written and recorded first, with the lyrics later coming from poems by singer Jim Morrison. Although the song was never released as a single in the US, it was issued as the B-side of "You Make Me Real" in France.
"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
"When the Music's Over" is an epic song by the American rock band the Doors, which appears on their second album Strange Days, released in 1967. It is among the band's longer pieces, lasting 11 minutes.
Greatest Hits is a compilation album by American rock band the Doors, released in 1980. The album, along with the film Apocalypse Now, released the previous year, created for the band an entirely new audience of the generation that did not grow up with the Doors. The album went on to become one of the highest-selling compilations of all time, with combined CD and vinyl sales of 5,000,000 in the United States alone.
Essential Rarities is a compilation album by the Doors, originally released as part of the boxed set The Complete Studio Recordings in 1999, but reissued in 2000 as a single CD, containing studio cuts, live cuts and demos taken from the 1997 The Doors: Box Set.
"Soul Kitchen" is a song by the Doors from their first album The Doors. Singer Jim Morrison wrote the lyrics as a tribute to the soul food restaurant Olivia's in Venice Beach, California. Because he often stayed too late, the staff had to kick him out, thus the lines "let me sleep all night, in your soul kitchen".
The Bright Midnight Sampler, is a compilation CD of live performances by American rock band the Doors, released September 25, 2000.
The Future Starts Here: The Essential Doors Hits is a compilation album by the rock band the Doors. It was released in the U.S. in 2008 to commemorate the band's 40th anniversary and contains new stereo audio mixes of the songs.
The Doors Classics is a compilation album by the American rock band the Doors, released in 1985 on Elektra Records. The album has never been issued as CD.
"Been Down So Long" is a song by the American rock band the Doors. It appears as the third track on L.A. Woman, the last studio album that lead singer Jim Morrison recorded with the group. It has been called, notably by critic Robert Christgau, as a "take-off" on the album.
Live at the Isle of Wight Festival 1970 is a live album by the American rock band the Doors, released on February 23, 2018, on Rhino Records. The concert was recorded at the Isle of Wight Festival in England on August 30, 1970, and this was released by Eagle Rock Entertainment. It was the group's final appearance as a foursome outside of the US and also the last full filming of a Doors concert.
"You Make Me Real" is a song written by Jim Morrison that was first released on the Doors 1970 album Morrison Hotel. It was also released as the only single from the album, reaching No. 50 on the Billboard Hot 100, but was ultimately surpassed in popularity by its B-side, "Roadhouse Blues". In France the single was issued with "Peace Frog" as the B-side.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)