The Doors: Vinyl Box Set

Last updated
The Doors: Vinyl Box Set
The Doors box set in DRLP01SET.jpg
Box set by
ReleasedApril 22, 2008 [1]
Recorded1966–1971
Genre Rock
Label Elektra
Producer
The Doors chronology
Perception
(2006)
The Doors: Vinyl Box Set
(2008)
Live in New York
(2009)

The Doors: Vinyl Box Set is the seventh box set for American rock band the Doors. It is a seven-record set of the original six studio albums, remastered in stereo from the original analogue tapes and pressed on 180-gram HQ vinyl, and a mono version of the debut album. Artwork, packaging (the outer box featured faux lizard skin), and inner sleeves are replicas of the original LPs issued between 1967 and 1971. The albums were remastered from 192k/24 bit digital copies and pressed at Record Technology (RTI). An insert booklet includes notes from Jac Holzman, founder of Elektra Records and Bruce Botnick the Doors' longtime sound engineer/co-producer on all the original studio albums.

Contents

Although originally planned for release in October 2007, the box set was finally released on April 22, 2008. The delay was due to an issue with the vinyl, as well as other problems in the production of the box set. Further delays included faulty test pressings, inferiority of the L.A. Woman artwork, and poor compounds in the initial vinyl run, which caused a search for a new source of virgin vinyl. [2] The box set was released via Rhino Records and limited to 12,500 copies.

Track listing

All songs written by Jim Morrison, Robby Krieger, Ray Manzarek, and John Densmore, except where noted.

Side one
No.TitleLength
1."Break On Through (To the Other Side)"2:25
2."Soul Kitchen"3:30
3."The Crystal Ship"2:30
4."Twentieth Century Fox"2:30
5."Alabama Song (Whisky Bar)" (writers: Bertolt Brecht, Kurt Weill)3:15
6."Light My Fire"6:50
7."Back Door Man" (writers: Willie Dixon, Chester Burnett a.k.a. Howlin' Wolf)3:30
8."I Looked at You"2:18
9."End of the Night"2:49
10."Take It as It Comes"2:13
11."The End"11:35

Disc 2: Strange Days

Side one
No.TitleLength
1."Strange Days"3:05
2."You're Lost Little Girl"3:01
3."Love Me Two Times"3:23
4."Unhappy Girl"2:00
5."Horse Latitudes"1:30
6."Moonlight Drive"3:00
7."People Are Strange"2:10
8."My Eyes Have Seen You"2:22
9."I Can't See Your Face in My Mind"3:18
10."When the Music's Over"11:00

Disc 3: Waiting for the Sun

Side one
No.TitleLength
1."Hello, I Love You"2:14
2."Love Street"2:53
3."Not to Touch the Earth"3:56
4."Summer's Almost Gone"3:22
5."Wintertime Love"1:54
6."The Unknown Soldier"3:22
7."Spanish Caravan"3:03
8."My Wild Love"3:01
9."We Could Be So Good Together"2:26
10."Yes, the River Knows"2:36
11."Five to One"4:26

Disc 4: The Soft Parade

Side one
No.TitleWriter(s)Length
1."Tell All the People" Robby Krieger 3:21
2."Touch Me"Krieger3:12
3."Shaman's Blues" Jim Morrison 4:49
4."Do It"Morrison, Krieger3:08
5."Easy Ride"Morrison2:43
6."Wild Child"Morrison2:36
7."Runnin' Blue"Krieger2:27
8."Wishful Sinful"Krieger2:58
9."The Soft Parade"Morrison8:36

Disc 5: Morrison Hotel

Side one: Hard Rock Café
No.TitleWriter(s)Length
1."Roadhouse Blues" Jim Morrison, music by the Doors 4:04
2."Waiting for the Sun"Morrison3:58
3."You Make Me Real"Morrison2:50
4."Peace Frog"Morrison, Krieger2:52
5."Blue Sunday"Morrison2:08
6."Ship of Fools"Morrison, Krieger3:06
7."Land Ho!"Morrison, Krieger4:08
8."The Spy"Morrison4:15
9."Queen of the Highway"Morrison, Krieger2:47
10."Indian Summer"Morrison, Krieger2:33
11."Maggie M'Gill"Morrison, music by the Doors4:24

Disc 6: L.A. Woman

Side one
No.TitleWriter(s)Length
1."The Changeling" 4:20
2."Love Her Madly" 3:18
3."Been Down So Long" 4:40
4."Cars Hiss by My Window" 4:10
5."L.A. Woman" 7:49
6."L'America" 4:35
7."Hyacinth House" 3:10
8."Crawling King Snake" John Lee Hooker [nb 1] 4:57
9."The WASP (Texas Radio and the Big Beat)" 4:12
10."Riders on the Storm" 7:14

Disc 7 (mono): The Doors

  1. "Break On Through (To the Other Side)" (Morrison) – 2:30
  2. "Soul Kitchen" (Morrison) – 3:35
  3. "The Crystal Ship" (Morrison) – 2:34
  4. "Twentieth Century Fox" (Morrison) – 2:33
  5. "Alabama Song (Whisky Bar)" (Brecht, Weill) – 3:20
  6. "Light My Fire" (Krieger, Morrison) – 7:08
  7. "Back Door Man" (Dixon, Burnett) – 3:34
  8. "I Looked at You" (Morrison) – 2:22
  9. "End of the Night" (Morrison) – 2:52
  10. "Take It as It Comes" (Morrison) – 2:18
  11. "The End" – 11:44

Notes

  1. The 1971 Elektra Records LP did not indicate a songwriter; the 2017 Rhino Records edition listed John Lee Hooker. Hooker claimed that he got the song from bluesman Tony Hollins. [3]

Related Research Articles

The Doors American rock band

The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, partly due to Morrison's lyrics and voice, along with his erratic stage persona, and the group is also widely regarded as an important part of the era's counterculture.

<i>The Doors</i> (album) 1967 studio album by the Doors

The Doors is the eponymous debut studio album of the American rock band the Doors. Recorded in August 1966 at Sunset Sound Recorders, Hollywood, California, it was produced by Paul A. Rothchild and released on January 4, 1967. Since its release, the record has been often regarded as one of the greatest debut albums of all time, by both critics and publishers. It features the long version of the breakthrough single "Light My Fire" and the lengthy song "The End" with its Oedipal spoken word section.

<i>Waiting for the Sun</i> 1968 studio album by the Doors

Waiting for the Sun is the third studio album by the American rock band the Doors. Recorded at TTG Studios in Los Angeles, the album's 11 tracks were recorded between late 1967 and May 1968 and the album was released by Elektra Records on July 3, 1968. It became the band's only number one album and included their second US number one single, "Hello, I Love You". The first single released off the album was "The Unknown Soldier," which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at number 16.

<i>The Soft Parade</i> 1969 studio album by the Doors

The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, leaving guitarist Robby Krieger to increase his own creative output.

<i>Morrison Hotel</i> 1970 studio album by the Doors

Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Session bassists included the blues rock guitar pioneer Lonnie Mack and Ray Neapolitan who were featured on the album's songs.

<i>L.A. Woman</i> 1971 studio album by the Doors

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime due to his death three months after the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without record producer Paul A. Rothchild after he fell out with the group over the perceived lack of quality of their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.

Moonlight Drive 1967 single by the Doors

"Moonlight Drive" is a song by American rock band the Doors, released in 1967 on their second album Strange Days. It was edited to a 2:16 length for the 45 rpm single B-side of "Love Me Two Times". Though a conventional blues arrangement, the track's defining feature was its slightly off-beat rhythm, and Robby Krieger's "bottleneck" or slide guitar, which creates an eerie sound.

<i>Other Voices</i> (The Doors album) 1971 studio album by the Doors

Other Voices is the seventh studio album by the Doors, released by Elektra Records in October 1971. It was the first posthumous album released by the band following the death of the lead singer Jim Morrison in July 1971 with keyboardist Ray Manzarek and guitarist Robby Krieger sharing lead vocals. Tracks for the album had begun before Morrison's death and the band hoped that Morrison would return from Paris to finish them.

<i>An American Prayer</i> 1978 studio album by The Doors

An American Prayer is the ninth and final studio album by the American rock band the Doors. Following the death of Jim Morrison and the band's break-up, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. It was the only album by the Doors to be nominated for a Grammy Award in the "Spoken Word" category.

<i>Full Circle</i> (The Doors album) Album by The Doors

Full Circle is the eighth studio album by the American rock band the Doors, released in August 1972. It is the second album after Jim Morrison's death, and the last they completed until the 1978 album An American Prayer. The album includes "The Mosquito", the last Doors single to chart.

<i>Absolutely Live</i> (The Doors album) 1970 live album by the Doors

Absolutely Live is the first live album by the American rock band the Doors, released on July 20, 1970, by Elektra Records. The double album features songs recorded at concerts held in 1969 and 1970 in several U.S. cities. It includes the first full release of the performance piece "Celebration of the Lizard" and several other tracks that had not previously appeared on any official Doors release. The album peaked at number eight on the Billboard 200 in September 1970.

<i>Legacy: The Absolute Best</i> 2003 greatest hits album by the Doors

Legacy: The Absolute Best is a two-disc compilation album by American rock band the Doors. Released in 2003, it includes the uncensored versions of both "Break On Through " and "The End". Also included is a previously unreleased studio version of Morrison's epic poetry piece "Celebration of the Lizard," a rehearsal outtake from the band's Waiting for the Sun sessions.

<i>Greatest Hits</i> (The Doors album) 1980 greatest hits album by the Doors

Greatest Hits is a compilation album by American rock band the Doors, released in 1980. The album, along with the film Apocalypse Now, released the previous year, created for the band an entirely new audience too young to have remembered The Doors years before. The album went on to become one of the highest-selling compilations of all time, with combined CD and vinyl sales of 5,000,000 in the United States alone.

Roadhouse Blues 1970 song by the Doors

"Roadhouse Blues" is a song by the American rock band the Doors, and appears on the 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.

<i>The Complete Studio Recordings</i> (The Doors album) 1999 box set by the Doors

The Complete Studio Recordings is a seven compact disc box set by American rock group the Doors, released by Elektra on November 9, 1999. It contains six of the original nine Doors albums, digitally remastered with 24 bit audio. The album includes previously unreleased tracks that had surfaced on The Doors: Box Set, on disc seven. The albums are placed in chronological order.

<i>Essential Rarities</i> 2000 compilation album by the Doors

Essential Rarities is a compilation album by the Doors, originally released as part of the boxed set The Complete Studio Recordings in 1999, but reissued in 2000 as a single CD, containing studio cuts, live cuts and demos taken from the 1997 The Doors: Box Set.

"Treetrunk" is a song by American rock band the Doors. Recorded and released in 1972, "Treetrunk" was recorded by the surviving members of the Doors as they assembled material for their second and final album as a threesome, Full Circle, following the death of Jim Morrison. "Treetrunk" was released as a B-side of the "Get Up and Dance" single released by Elektra Records in July 1972.

<i>Live in New York</i> (The Doors live album) 2009 live album by the Doors

Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18. The final show featured an extended encore with guests John Sebastian and Dallas Taylor (percussion) that concluded around 2:30am. Select tracks were previously released on the Doors' live album In Concert and as part of The Doors: Box Set. About a third of the material was previously unreleased.

<i>A Collection</i> (The Doors album) 2011 box set by the Doors

A Collection is a six compact disc box set by the Doors, released by Elektra and Rhino on July 5, 2011.

The Changeling (song) 1971 single by the Doors

"The Changeling" is a song by the American rock band the Doors. It appears as the opening track on their sixth album and final with Jim Morrison, L.A. Woman. It was also released as the B-side of "Riders on the Storm" which peaked at number 14 on the Billboard Hot 100 chart.

References

  1. http://thedoors.shop.musictoday.com/Dept.aspx?cp=1127_10944
  2. "Official Discussion Board".
  3. O'Neal, Jim; van Singel, Amy (2002). The Voice of the Blues: Classic Interviews from Living Blues Magazine. Routledge. p. 208. ISBN   978-0-415-93654-5.