The Doors is the debut studio album by American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August 1966 at Sunset Sound Recorders, Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Mutiple publications, including BBC and Rolling Stone, have ranked it as one of the greatest debut albums of all time.
Strange Days is the second studio album by the American rock band the Doors, released on September 25, 1967, by Elektra Records. After the successful release of The Doors, the band started experimenting with new and old material as well in early 1967 for this second record. Upon release, Strange Days reached number three on the US Billboard 200, and eventually earned RIAA platinum certification. It contains the two Top 30 hit singles, "People Are Strange" and "Love Me Two Times".
Waiting for the Sun is the third studio album by the American rock band the Doors. The album's 11 tracks were recorded between January and May 1968 at TTG Studios in Los Angeles. Released by Elektra Records on July 3, 1968, it became the band's only number one album, while also included their second US number one single, "Hello, I Love You". The first single released off the record was "The Unknown Soldier", which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it reached number 16.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his sudden death exactly two months and two weeks following the album's release. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without record producer Paul A. Rothchild after he quit the band over a perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
Other Voices is the seventh studio album by the Doors, released by Elektra Records in October 1971. It was the first album released by the band following the death of lead singer Jim Morrison in July 1971 with keyboardist Ray Manzarek and guitarist Robby Krieger sharing lead vocals. Tracks for the album had begun before Morrison's death and the band hoped that Morrison would return from Paris to finish them.
An American Prayer is the ninth and final studio album by the American rock band the Doors. Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. It was the only album by the Doors to be nominated for a Grammy Award in the "Spoken Word" category.
Absolutely Live is the first live album by the American rock band the Doors, released on July 20, 1970, by Elektra Records. The double album features songs recorded at concerts held in 1969 and 1970 in several U.S. cities. It includes the first full release of the performance piece "Celebration of the Lizard" and several other tracks that had not previously appeared on any official Doors release. The album peaked at number eight on the Billboard 200 in September 1970.
"Celebration of the Lizard" is a performance piece by American rock band the Doors, featuring lyrics written by lead singer Jim Morrison and music by the Doors. Composed as a series of poems, the piece includes both spoken verse and sung lyrics, musical sections and passages of allegorical storytelling.
"Peace Frog" is a song by the Doors, which was released on their fifth studio album Morrison Hotel in 1970. Guitarist Robby Krieger explained that the music was written and recorded first, with the lyrics later coming from poems by singer Jim Morrison. Although the song was never released as a single in the US, it was issued as the B-side of "You Make Me Real" in France.
13 is the first compilation album by American rock band the Doors, released by Elektra Records on November 30, 1970. The title refers to the thirteen tracks included, which feature a variety of songs from their five studio albums released up to that point and the cover shrinkwrap originally featured a clear sticker that read: "A Collection of Thirteen Classic Doors Songs". It is the band's only compilation album released while lead singer Jim Morrison was alive.
Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live, produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown.
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 and No. 41 in Canada. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.
"Love Her Madly" is a song by American rock band the Doors. It was released in March 1971 and was the first single from L.A. Woman, their final album with singer Jim Morrison. "Love Her Madly" became one of the highest-charting hits for the Doors; it peaked at number eleven on the Billboard Hot 100 singles chart and reached number three in Canada. Session musician Jerry Scheff played bass guitar on the song.
The Best of the Doors is a compilation album by the American rock band the Doors, released in September 1973 by Elektra Records. It was the third compilation album to be released by the band and contains seven of the Doors' eight Top 40 hits.
"Treetrunk" is a song by American rock band the Doors. Recorded and released in 1972, "Treetrunk" was recorded by the surviving members of the Doors as they assembled material for their second and final album as a threesome, Full Circle, following the death of Jim Morrison. "Treetrunk" was released as a B-side of the "Get Up and Dance" single released by Elektra Records in July 1972.
The Future Starts Here: The Essential Doors Hits is a compilation album by the rock band the Doors. It was released in the U.S. in 2008 to commemorate the band's 40th anniversary and contains new stereo audio mixes of the songs.
"Been Down So Long" is a song by the American rock band the Doors. It appears as the third song on L.A. Woman, the last studio album that lead singer Jim Morrison recorded with the group. It has been called, notably by critic Robert Christgau, as a "take-off" on the album.
