Alive, She Cried | ||||
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Live album by | ||||
Released | October 1983 | |||
Recorded | 1968–1969, 1970 | |||
Venue | Los Angeles, New York City, Detroit, Boston, Copenhagen | |||
Genre | Rock | |||
Length | 36:59 | |||
Label | Elektra | |||
Producer | Paul A. Rothchild | |||
The Doors chronology | ||||
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Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live , produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".
Following a resurgence in the band's popularity due to the 1979 film, Apocalypse Now featuring "The End", and the 1980 release of the first Doors compilation album in seven years, Greatest Hits, the push was on to release more Doors' music. [1]
The recordings are from various concerts during the period of 1968 to 1970 including shows in Los Angeles, New York, Detroit, Boston and Copenhagen. [2] Songs include "Gloria", originally a hit for Them, and an extended version of the Doors' best known song "Light My Fire". John Sebastian of the Lovin' Spoonful joined the band on stage to play harmonica on Willie Dixon's "Little Red Rooster". The album was discontinued following the 1991 release of In Concert , a double-album which included all of the songs from Alive, She Cried and Absolutely Live , as well as a few other additional live tracks. [3]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B− [5] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
In a contemporary review for The Village Voice , music critic Robert Christgau wrote that the tapes are "of some quality" and Morrison is effective when he focuses on singing, but the album is marred by moments "when he emits his poetry" and "narcissistic" come-ons. [5]
Rolling Stone's Parke Puterbaugh rated it four out of five stars, explaining that it "brings ... the Doors' impossibly strange and wonderful music, Morrison's drunken loutishness and his stabbingly sober poetics, and the brilliant, vivid sparking of a machine too mercurial to last." He concluded by stating that "'Light My Fire' ... flares upward into an intensifying bolt of passion that crescendos with ... a scream signifying the communal orgasm of a generation and a decade and a band that would flame out and fall silent all too quickly." [6]
In a retrospective review, AllMusic's Bruce Eder said that Alive, She Cried "helped solve [Absolutely Live's] problem [of leaving] more casual fans rather cold, owing to the absence of any of their biggest hits". However, he pointed out that "it also revealed the reason why 'Light My Fire' had not made it onto the prior live album". [4]
All songs written by the Doors, except where noted. Songwriters and track lengths are taken from the 1983 Elektra Records album and may differ from other sources. [2]
No. | Title | Date / venue[ citation needed ] | Length |
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1. | "Gloria" (Van Morrison) | 7/22/69 Aquarius Theatre rehearsal, Los Angeles | 6:17 |
2. | "Light My Fire" | 1/18/70 Felt Forum, New York City; 4/10/70 Boston Arena | 9:51 |
3. | "You Make Me Real" | 7/21/69 Aquarius Theatre (2nd. show) | 3:06 |
No. | Title | Date / venue[ citation needed ] | Length |
---|---|---|---|
1. | "The WASP (Texas Radio and the Big Beat)" | 9/18/68 television studio, Copenhagen, Denmark | 1:52 |
2. | "Love Me Two Times" | 9/18/68 television studio, Copenhagen | 3:17 |
3. | "Little Red Rooster" (Willie Dixon) | 1/17/70 Felt Forum (1st show) | 7:05 |
4. | "Moonlight Drive" (including "Horse Latitudes") | 1/18/70 Felt Forum (1st show) | 5:34 |
Per liner notes: [2]
The Doors
Additional musicians
Technical
Date | Chart | Position |
---|---|---|
November 1983 | Finnish Albums (Soumen Virallinen) [8] | 26 |
December 1983 | Billboard 200 [9] | 23 |
Region | Certification | Certified units/sales |
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Canada (Music Canada) [10] | Gold | 50,000^ |
United States (RIAA) [11] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture.
The Doors is the debut studio album by American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August 1966 at Sunset Sound Recorders, in Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the band's breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Various publications, including BBC and Rolling Stone, have ranked The Doors as one of the greatest debut albums of all time.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style filled with jazz shades. This album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971 by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
"Moonlight Drive" is a song by American rock band the Doors, released in 1967 on their second album Strange Days. It was edited to a 2:16 length for the 45 rpm single B-side of "Love Me Two Times". Though a conventional blues arrangement, the track's defining feature was its slightly off-beat rhythm, and Robby Krieger's "bottleneck" or slide guitar, which creates an eerie sound.
A Live One is a live album by the American rock band Phish, released on June 27, 1995, by Elektra Records. The album was the band's first official live release, their first album to be certified Platinum by the Recording Industry Association of America and one of the best-selling releases in their catalog.
It's Hard is the tenth studio album by English rock band the Who. Released in September 1982, it was the final Who album to feature bassist John Entwistle, who died in 2002. It was also the second and final Who studio album with drummer Kenney Jones, as well as the last to be released on Warner Bros. Records in the US. It was released on Polydor Records in the UK, peaking at No. 11, and on Warner Bros. in the US where it peaked at No. 8 on the Billboard Pop Albums chart. The US rights to both this album and Face Dances subsequently reverted to the band, who then licensed them to MCA Records for reissue. The album achieved gold status by the RIAA in the US in November 1982. It was their last album for over two decades until Endless Wire in 2006.
Absolutely Live is the first live album by the American rock band the Doors, released on July 20, 1970, by Elektra Records. The double album features songs recorded at concerts held in 1969 and 1970 in several U.S. cities. It includes the first full release of the performance piece "Celebration of the Lizard" and several other tracks that had not previously appeared on any official Doors release. The album peaked at number eight on the Billboard 200 in September 1970.
"Celebration of the Lizard" is a performance piece by American rock band the Doors, featuring lyrics written by lead singer Jim Morrison and music by the Doors. Composed as a series of poems, the piece includes both spoken verse and sung lyrics, musical sections, interpretive dance, audience reaction, and passages of allegorical storytelling.
Legacy: The Absolute Best is a two-disc compilation album by American rock band the Doors. Released in 2003, it includes the uncensored versions of both "Break On Through " and "The End". Also included is a previously unreleased studio version of Morrison's epic poetry piece "Celebration of the Lizard," a rehearsal outtake from the band's Waiting for the Sun sessions.
13 is the first compilation album by American rock band the Doors, released by Elektra Records on November 30, 1970. The title refers to the thirteen tracks included, which feature a variety of songs from their five studio albums released up to that point. The cover shrink wrap featured a clear sticker that read: "A Collection of Thirteen Classic Doors Songs". It is the band's only compilation album released while lead singer Jim Morrison was alive.
Weird Scenes Inside the Gold Mine is the second compilation album by American rock band the Doors and the first following the death of singer Jim Morrison. A double album, it was released in January 1972.
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown.
In Concert is a live triple album by the Doors released in 1991. The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Philadelphia, Pittsburgh, Detroit, and Copenhagen. The Doors' producer, Paul A. Rothchild, remarked, "I couldn't get complete takes of a lot of songs, so sometimes I'd cut from Detroit to Philadelphia in midsong. There must be 2,000 edits on that album."
Greatest Hits is a compilation album by American rock band the Doors, released in 1980. The album, along with the film Apocalypse Now, released the previous year, created for the band an entirely new audience of the generation that did not grow up with the Doors. The album went on to become one of the highest-selling compilations of all time, with combined CD and vinyl sales of 5,000,000 in the United States alone.
The Doors: Box Set is a box set compilation of recordings by American rock band the Doors, released on October 28, 1997. The four-disc set includes previously rare and unreleased studio, live and demo recordings, as well as a disc of the band's personal favorite tracks culled from their official discography.
Live in Pittsburgh 1970 is a live album by the American rock band the Doors. The concert was recorded at the Pittsburgh Civic Arena in Pittsburgh on May 2, 1970 and released in 2008 on Rhino Records. It is the sixth full-length live set released from the Bright Midnight Archives collection which contains a number of previously unreleased live concerts by the Doors.
R-Evolution is a 2013 music documentary featuring 19 live performances, TV performances and music videos by American rock band the Doors. The compilation features TV performances not previously released as well as original music videos from the 1960s, the 1980s and the 1990s. All archive footage was digitally restored and the sound was remixed and mastered for 5.1 by Bruce Botnick. It was released by Eagle Rock on November 25, 2013.
"You Make Me Real" is a song written by Jim Morrison that was first released on the Doors 1970 album Morrison Hotel. It was also released as the only single from the album, reaching No. 50 on the Billboard Hot 100, but was ultimately surpassed in popularity by its B-side, "Roadhouse Blues". In France the single was issued with "Peace Frog" as the B-side.
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