Live in New York | ||||
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Live album by | ||||
Released | November 17, 2009 | |||
Recorded | January 17 & 18, 1970 | |||
Venue | Felt Forum, New York City | |||
Genre | ||||
Length | 360:46 | |||
Label | ||||
Producer | Bruce Botnick | |||
The Doors chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork Media | (7.0/10) [2] |
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18. [4] [5] The final show featured an extended encore with guests John Sebastian (harmonica and vocals) and Dallas Taylor (drums) that concluded around 2:30am. [5] Select tracks were previously released on the Doors' live album In Concert and as part of The Doors: Box Set . About a third of the material was previously unreleased.
The concerts were held a few weeks before the band released their fifth studio album Morrison Hotel on February 9, 1970. The box set was released by Rhino Records from the Bright Midnight Archives collection which contains several previously unreleased live concerts by the Doors.
The original 8-track and 2-track concert recordings had been used for the 1970 release of Absolutely Live. During this editing of the tapes, many cuts had been made which left the original running order severely compromised. To ensure the correct running order was used, the audience recorded bootlegs were used. However, this process has led to occasional dips in sound quality. [3]
Additionally, John Sebastian's blues harmonica was recorded through the PA system on the final three songs and not recorded onto tape. Long-time Doors' sound engineer/producer Bruce Botnick got John Sebastian to re-record his performance four decades after the original concerts. [3]
(*) Medley that contains: "Lions in the Street", "Wake Up!", "A Little Game", "The Hill Dwellers", "Not to Touch the Earth", "Names of the Kingdom" and "The Palace of Exile".
The Doors
Additional musicians
The Doors is the debut studio album by American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August 1966 at Sunset Sound Recorders, in Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the band's breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Various publications, including BBC and Rolling Stone, have ranked The Doors as one of the greatest debut albums of all time.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny and has been recorded by the Doors and David Bowie.
Legacy: The Absolute Best is a two-disc compilation album by American rock band the Doors. Released in 2003, it includes the uncensored versions of both "Break On Through " and "The End". Also included is a previously unreleased studio version of Morrison's epic poetry piece "Celebration of the Lizard," a rehearsal outtake from the band's Waiting for the Sun sessions.
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown.
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 and No. 41 in Canada. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.
Live in Boston is a triple CD live album by American rock band the Doors released in 2007. It was recorded at the Boston Arena on April 10, 1970, during the band's Roadhouse Blues Tour. The band performed two shows, one starting at 7 pm and a second scheduled for 10 but not actually starting until past midnight. Jim Morrison appears to be intoxicated during the entire latter show, and continued drinking heavily throughout the performance. The late start ended with the venue's owners cutting power to the stage to force the end of the concert.
The Complete Studio Recordings is a seven compact disc box set by American rock group the Doors, released by Elektra on November 9, 1999. It contains six of the original nine Doors albums, digitally remastered with 24 bit audio. The album includes previously unreleased tracks that had surfaced on The Doors: Box Set, on disc seven. The albums are placed in chronological order.
Live in Detroit is a double CD live album by the American rock band the Doors. It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records.
Perception is a 12-disc box set by American rock band the Doors. The CDs contain the six 1999 remastered versions of the Doors' six studio albums plus DVD-Audio discs containing the 2007 40th anniversary stereo and surround remixes of those albums as well as visual extras. Each album includes extra tracks consisting of previously unreleased session outtakes. Exclusive to the box set is a DVD with several live performances and other extras. The title is derived from Aldous Huxley's book The Doors of Perception, which inspired the band's name.
The Doors: Vinyl Box Set is the seventh box set for American rock band the Doors. It is a seven-record set of the original six studio albums, remastered in stereo from the original analogue tapes and pressed on 180-gram HQ vinyl, and a mono version of the debut album. Artwork, packaging, and inner sleeves are replicas of the original LPs issued between 1967 and 1971. The albums were remastered from 192k/24 bit digital copies and pressed at Record Technology (RTI). An insert booklet includes notes from Jac Holzman, founder of Elektra Records and Bruce Botnick the Doors' longtime sound engineer/co-producer on all the original studio albums.
Live in Philadelphia '70 is a double live album recorded by American rock band the Doors in 1970. The performance took place in The Spectrum. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by the Doors.
Boot Yer Butt!: The Doors Bootlegs is a four-disc box set released by Rhino/Elektra Records for the band the Doors, featuring songs that were recorded as bootlegs during concerts of the Doors ranging from the years 1967 to 1970.
Live at the Matrix 1967 is a double live album by the American rock band the Doors. It was recorded at The Matrix in San Francisco on March 7 and 10, 1967 by club co-owner Peter Abram. The recording is notable as one of the earliest live recordings of the band known to exist, played to a mostly empty venue. By March 1967, the Doors had recorded only their debut album and "Light My Fire" had yet to be released as a single, and they were still relatively unknown outside Southern California.
Live at the Aquarius Theatre: The First Performance is a double live album by American rock band the Doors. It was recorded at the Aquarius Theatre in Hollywood on July 21, 1969. The album contains the band's first performance that day. The second show can be found on Live at the Aquarius Theatre: The Second Performance.
The Doors Collection is a music video compilation by the American rock band the Doors, released on Laserdisc and DVD in 1995 and 1999, respectively. It compiles three films previously released on VHS by MCA/Universal Home Video: Dance on Fire (1985), Live at the Hollywood Bowl (1987) and The Soft Parade – A Retrospective (1991).
Live at the Aquarius Theater: The Second Performance is a double live album of the band the Doors, released as a double CD recorded live at the Aquarius Theatre in Hollywood on 21 July 1969. This album is one of the live performances at Aquarius Theatre by the label of the Bright Midnight Archives.
Live in Vancouver 1970 is a two-disc live album by the American rock band the Doors. It was recorded at the Pacific Coliseum in Vancouver, British Columbia, on June 6, 1970. The band were joined by guitar legend Albert King on four songs; Willie Dixon’s "Little Red Rooster", the Motown classic "Money" and the blues standards "Rock Me" and "Who Do You Love?".
"You Make Me Real" is a song written by Jim Morrison that was first released on the Doors 1970 album Morrison Hotel. It was also released as the only single from the album, reaching No. 50 on the Billboard Hot 100, but was ultimately surpassed in popularity by its B-side, "Roadhouse Blues". In France the single was issued with "Peace Frog" as the B-side.
The following outline is provided as an overview of and topical guide to the Wikipedia articles available about The Doors.