"Celebration of the Lizard" | |
---|---|
Composition by the Doors | |
from the album Absolutely Live | |
Published | 1970 |
Released |
|
Genre | Psychedelic rock |
Length | |
Label | Elektra |
Composer(s) | The Doors |
Lyricist(s) | Jim Morrison |
Producer(s) | Paul A. Rothchild |
"Celebration of the Lizard" is a performance piece by American rock band the Doors, featuring lyrics written by lead singer Jim Morrison and music by the Doors. Composed as a series of poems, the piece includes both spoken verse and sung lyrics, musical sections, interpretive dance, audience reaction (triggering by performing the piece after telling the audience that they were going to perform "Light My Fire" instead), and passages of allegorical storytelling, though the Doors often performed abridged renditions which omitted some or even most of these elements. [3] [4]
"Celebration of the Lizard" was performed in its entirety at several Doors concerts, with a complete live performance of the piece appearing on the band's 1970 live album Absolutely Live and on the 1991 live compilation album In Concert . A complete studio-recorded version appeared on the compilation album Legacy: The Absolute Best in 2003, and as a bonus track on Rhino's 40th Anniversary edition of Waiting for the Sun (2007).
That piece "Celebration of the Lizard" was kind of an invitation to the dark forces.
—Lead singer Jim Morrison [5]
According to Morrison, "Celebration of the Lizard" was "pieced together on different occasions out of already existing elements rather than having any generative core from which it grew." [6] The first performances of the full work were during late 1967 Doors concerts. [7] Morrison wanted the entire piece to be recorded and released as one full side of the band's third studio album, Waiting for the Sun , in 1968. However, record producer Paul A. Rothchild and the members of the band thought that the extended poetic sections and overall length of the piece made a complete recording impossible. [8] The band did attempt to record the full piece but abandoned the idea, as they were dissatisfied with the results. [9]
The musical passage "Not to Touch the Earth" was recorded separately and released on the Waiting for the Sun album, while the lyrics for the rest of the piece were published inside the gatefold jacket of the original vinyl LP, with the footnote, "Lyrics to a theatre composition by The Doors." [10] In a 1970 interview with Salli Stevenson, Morrison reported that he was pleased with the live version of "Celebration of the Lizard" that appeared on the band's 1970 live album Absolutely Live , although he noted, "I think it's not a great version of that piece, but I'm glad we went ahead and put it out, because I doubt if we would have ever done it on a record otherwise." [11] In the band's later concerts, only the "Wake Up!" section was ever performed. [12]
According to author Richie Weidman, "Celebration of the Lizard" is divided into seven sections: [5]
The Doors were an American rock band formed in Los Angeles in 1965, comprising vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture.
The Doors is the debut studio album by the American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August and September 1966 at Sunset Sound Recorders, in Hollywood, California, under the production of Paul A. Rothchild. The album features the extended version of the band's breakthrough single "Light My Fire" and the lengthy closer "The End" with its Oedipal spoken word section. Various publications, including BBC and Rolling Stone, have listed The Doors as one of the greatest debut albums of all time.
Waiting for the Sun is the third studio album by the American rock band the Doors, released by Elektra Records on July 3, 1968. The album's 11 tracks were recorded between late 1967 and May 1968 mostly at TTG Studios in Los Angeles. It became the band's only number one album, topping the Billboard 200 for four weeks, while also including their second US number one single, "Hello, I Love You". The first single released off the record was "The Unknown Soldier", which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it reached number 16.
The Soft Parade is the fourth studio album by American rock band the Doors, released on July 18, 1969, by Elektra Records. Most of the album was recorded following a grueling tour during which the band was left with little time to compose new material. Record producer Paul A. Rothchild recommended a total departure from the Doors' first three albums: develop a fuller sound by incorporating brass and string arrangements provided by Paul Harris. Lead singer Jim Morrison, who was dealing with personal issues and focusing more on his poetry, was less involved in the songwriting process, allowing guitarist Robby Krieger to increase his own creative output.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: "Hard Rock Café" and "Morrison Hotel". Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
Rick & the Ravens was an American surf rock and frat rock band founded in 1961, known as the forerunner of the Doors. Members Ray Manczarek, John Densmore, and Jim Morrison renamed the group in the latter half of 1965 after joining forces with Robby Krieger.
An American Prayer is the ninth and final studio album by the American rock band the Doors. Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. It was the only album by the Doors to be nominated for a Grammy Award in the "Spoken Word" category.
Absolutely Live is the first live album by the American rock band the Doors, released on July 20, 1970, by Elektra Records. The double album features songs recorded at concerts held in 1969 and 1970 in several U.S. cities. It includes the first full release of the performance piece "Celebration of the Lizard" and several other tracks that had not previously appeared on any official Doors release. The album peaked at number eight on the Billboard 200 in September 1970.
"Peace Frog" is a song by the Doors, which was released on their fifth studio album Morrison Hotel in 1970. Guitarist Robby Krieger explained that the music was written and recorded first, with the lyrics later coming from poems by singer Jim Morrison. Although the song was never released as a single in the US, it was issued as the B-side of "You Make Me Real" in France.
"Five to One" is a song by American rock band the Doors, from their 1968 album Waiting for the Sun. The song's lyrics were written by lead singer Jim Morrison but officially credited to the whole band.
"Not to Touch the Earth" is a 1968 song by the Doors from their third album Waiting for the Sun. It is part of an extended performance piece called "Celebration of the Lizard" that the band played live multiple times. A 17-minute studio recording of the complete piece was attempted during the sessions for Waiting for the Sun, and the lyrics were printed in their entirety on the gatefold LP sleeve, but only the musical passage "Not to Touch the Earth" was included on the LP.
"Love Street" is a song performed by the American rock band the Doors. Sequenced as the second album track on Waiting for the Sun (1968), its lyrics were written by lead singer Jim Morrison and as with other songs, it was dedicated to his girlfriend Pamela Courson.
"Hello, I Love You" is a song recorded by American rock band the Doors for their 1968 album Waiting for the Sun. Elektra Records released it as a single that same year, which topped the charts in the U.S. and Canada. Although the Doors are credited as the songwriters, songs by other artists have been identified as likely sources.
Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown.
In Concert is a live triple album by the Doors released in 1991. The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Philadelphia, Pittsburgh, Detroit, and Copenhagen. The Doors' producer, Paul A. Rothchild, remarked, "I couldn't get complete takes of a lot of songs, so sometimes I'd cut from Detroit to Philadelphia in midsong. There must be 2,000 edits on that album."
"When the Music's Over" is an epic song by the American rock band the Doors, which appears on their second album Strange Days, released in 1967. It is among the band's longer pieces, lasting 11 minutes.
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 and No. 41 in Canada. "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. The song became a concert staple for the group and it has been covered by numerous artists.
"Tell All the People" is a song by American rock band the Doors and was written by band guitarist Robby Krieger. It was the A-side backed with "Easy Ride" – an outtake from Waiting for the Sun recorded in March 1968 – and was released in June 1969. Also known as "Follow Me Down" due to the use of the phrase, it was the third single from the Doors' fourth album The Soft Parade. The song's instrumentation incorporates brass instruments and other orchestral instruments.
"The Unknown Soldier" is the first single from the Doors' 1968 album Waiting for the Sun, released in March of that year by Elektra Records. An accompanying 16mm publicity film for the song featuring the band was directed and produced by Edward Dephoure and Mark Abramson. The song became the band's fourth Top 40 hit in the US, peaking at number 39 on the Billboard Hot 100, and remained upon the Billboard Hot 100 list for eight weeks.
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