John Lee Hooker was an American blues singer and guitarist who recorded from 1948 to 2001. His discography includes recordings issued by various record companies in different formats.
In February 2022, it was announced that BMG had acquired Hooker's music interests from his estate. The agreement included his entire publishing catalog in addition to his recorded and performance royalty income, as well as a selection of Hooker's recorded catalog spanning Alone, Vol. 1 (1980) through to Black Night Is Falling (2020). [1]
Year | Title | Peak chart positions | |||||
---|---|---|---|---|---|---|---|
1948 | "Boogie Chillen'" | 1 | — | — | — | — | — |
1949 | "Hobo Blues" | 5 | — | — | — | — | — |
"Hoogie Boogie" | 9 | — | — | — | — | — | |
"Crawlin' King Snake" | 6 | — | — | — | — | — | |
1950 | "Huckle Up, Baby" | 15 | — | — | — | — | — |
1951 | "I'm in the Mood" | 1 | 30 | — | — | — | — |
1958 | "I Love You Honey" | 29 | — | — | — | — | — |
1960 | "No Shoes" | 21 | — | — | — | — | — |
1962 | "Boom Boom" | 16 | 60 | — | — | — | — |
1964 | "Dimples" | — | — | 23 | — | — | — |
1990 | "The Healer" (with Carlos Santana) | — | — | — | 9 | 12 | 23 |
"I'm in the Mood" (with Bonnie Raitt) | — | — | 14 | 22 | — | — | |
1992 | "Boom Boom" | — | — | 16 | — | — | — |
1993 | "Boogie at Russian Hill" | — | — | 53 | — | — | — |
1995 | "Chill Out (Things Gonna Change)" | — | — | 45 | — | — | — |
1996 | "Baby Lee" (with Robert Cray, from Lee TV commercial) | — | — | 65 | — | — | — |
"—" denotes single that did not chart or was not released in that territory. |
| Title |
|
| Ref(s) |
---|---|---|---|---|
1959 | House of the Blues | Chess (1438) | 1951–1954 | [7] |
I'm John Lee Hooker | Vee-Jay (1007) | 1955–1959 | [8] | |
1960 | The Country Blues of John Lee Hooker [lower-alpha 1] | Riverside (12-838) | 1959 | [9] |
Travelin' | Vee-Jay (1023) | 1960 | [10] | |
That's My Story | Riverside (12-321) | 1960 | [11] | |
The Blues | Crown (5157) | 1950s | [12] | |
1961 | The Folk Lore of John Lee Hooker | Vee-Jay (1033) | 1960, 1961 | [13] |
John Lee Hooker Plays & Sings the Blues | Chess (1454) | 1951, 1952 | [14] | |
1962 | Folk Blues | Crown (5295) | 1950s | [15] |
Burnin' | Vee-Jay (1043) | 1961 | [16] | |
The Best of John Lee Hooker | Vee-Jay (1049) | — | [17] | |
1963 | Don't Turn Me from Your Door | Atco (33-151) | 1953, 1961 | [18] |
The Big Soul of John Lee Hooker | Vee-Jay (1058) | 1962 | [19] | |
Live at Sugar Hill | Galaxy (8205) | 1962 | [20] | |
1964 | The Great John Lee Hooker | Crown (5353) | 1948–1954 | [21] |
John Lee Hooker on Campus | Vee-Jay (1066) | 1963 | [22] | |
Concert at Newport | Vee-Jay (1078) | 1960 | [23] | |
Burning Hell | Riverside (008) | 1959 | [24] | |
Original Folk Blues | Kent (5025) | 1948–1954 | [25] | |
1965 | ...And Seven Nights | Verve Folkways (3003) | 1965 | [26] |
1966 | It Serve You Right to Suffer | Impulse! (A-9103) | 1965 | [27] |
The Real Folk Blues | Chess (1508) | 1966 | [28] | |
Live at Cafe Au Go Go | BluesWay (6002) | 1966 | [29] | |
1967 | Urban Blues | BluesWay (6012) | 1967 | [30] |
1969 | Simply the Truth | BluesWay (6023) | 1968 | [31] |
That's Where It's At! | Stax (2013) | 1961 | [32] | |
If You Miss 'Im...I Got 'Im | BluesWay (6038) | 1969 | [33] | |
Get Back Home | Black & Blue (333.023) | 1969 | [34] | |
1971 | I Feel Good! | Carson (3662) | 1969 | [35] |
Hooker 'n Heat | Liberty (35002) | 1970 | [36] | |
Goin' Down Highway 51 | Specialty (2127) | 1948–1951 | [37] | |
Endless Boogie | ABC (720) | 1970 | [38] | |
1972 | Never Get Out of These Blues Alive | ABC (736) | 1971 | [39] |
Live at Soledad Prison | ABC (761) | 1972 | [40] | |
1973 | Kabuki Wuki | BluesWay (6052) | 1971 | [41] |
Born in Mississippi, Raised Up in Tennessee | ABC (768) | 1971 | [42] | |
1974 | Free Beer and Chicken | ABC (838) | 1974 | [43] |
1978 | The Cream | Tomato (2-7009) | 1977 | [44] |
1980 | Sittin' Here Thinkin' | Muse (5205) | 1950s | [45] |
1987 | Jealous | Pausa (7197) | — | [46] |
1989 | Boogie Chillen | Official (86 029) | 1948–1954 | [47] |
The Healer | Chameleon (74808) | — | [48] | |
1990 | The Hot Spot: Original Soundtrack | Antilles (422-846 813–2) | — | [49] |
1991 | More Real Folk Blues: The Missing Album | Chess/MCA (9329) | 1966 | [50] |
Mr. Lucky | Point Blank (91724-2) | — | [51] | |
The Ultimate Collection | Rhino (R2 70572) | 1948–1990 | [52] | |
1992 | Boom Boom | Point Blank (077778655329) | — | [53] |
1993 | Everybody's Blues | Specialty (7035-2) | 1950–1954 | [54] |
1994 | The Legendary Modern Recordings | Ace (1438) | 1948–1954 | [55] |
The Early Years | Tomato (9906/7-2) | 1950s–1960s | [56] | |
1995 | Chill Out | Point Blank (724384010720) | — | [57] |
Alternative Boogie: Early Studio Recordings | Capitol (724383391226) | 1948–1952 | [58] | |
1997 | Don't Look Back | Point Blank (724384277123) | — | [59] |
2017 | Whiskey & Wimmen | Vee-Jay (0888072020580) | 1954–1964 | [60] |
"—" denotes that the recording year is unavailable. |
| Title |
| |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1967 | House of the Blues | — | NC | — | — | — | — | — | — | 34 | |||||||||
1971 | Hooker 'n Heat | 73 | — | – | — | — | — | — | — | ||||||||||
Endless Boogie | 126 | — | — | — | — | — | — | — | |||||||||||
1972 | Never Get Out of These Blues Alive | 130 | — | — | — | — | — | — | — | ||||||||||
1989 | The Healer | 62 | — | 17 | 9 | 6 | 38 | 15 | 3 | ||||||||||
1991 | Mr. Lucky | 101 | 25 | 13 | 27 | 9 | 16 | 10 | 3 | ||||||||||
1992 | Boom Boom | — | — | 35 | 84 | 37 | 41 | 20 | 15 | ||||||||||
1995 | Chill Out | 136 | 3 | 26 | 27 | 78 | 38 | 18 | 13 | 23 | |||||||||
1997 | Don't Look Back | 163 | 3 | 48 | 31 | — | 18 | 35 | 39 | 63 | |||||||||
1998 | The Best of Friends | — | 4 | — | 31 | 45 | 15 | 54 | 44 | — | |||||||||
2002 | Winning Combinations: John Lee Hooker & Muddy Waters | — | 6 | — | — | — | — | — | — | — | |||||||||
2003 | Face to Face | — | 3 | — | — | — | — | — | — | — | |||||||||
2007 | Hooker (box set) | — | 14 | — | — | — | — | — | — | — | |||||||||
2015 | Two Sides of John Lee Hooker | — | 12 | — | — | — | — | — | — | — | |||||||||
2018 | Early Recordings: Detroit and Beyond | — | 5 | — | — | — | — | — | — | — | |||||||||
2020 | Live at Montreux: 1983 & 1990 | — | 9 | — | — | — | — | — | — | — | |||||||||
"—" denotes a recording that did not chart or was not released in that territory. |
The original King LP of 1960 is missing on the sheet above.
John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists, and has been cited as one of the greatest male blues vocalists of all time.
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
To the Faithful Departed is the third studio album by Irish alternative rock band the Cranberries, released on 22 April 1996. The album was made in memory of Denny Cordell who signed the band to Island Records and Joe O'Riordan, who had both died that year. The album reached number one in four countries and became the band's highest-charting album on the US Billboard 200, where it peaked at number four.
Mule Variations is the thirteenth studio album by American musician Tom Waits, released on April 16, 1999, on the ANTI- label. It was Waits' first studio album in six years, following The Black Rider (1993). The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits' first proper tour since 1987. Other promotional stops included a solo performance on VH1 Storytellers.
Me and Mr. Johnson is the fifteenth solo studio album recorded by Eric Clapton, released in March 2004 by Reprise Records. It consists of covers of songs written and originally recorded by Robert Johnson. The album cover was painted by Sir Peter Blake, using a series of photographs of Clapton. Clapton had planned to record an album of new material, but by the time of the recording sessions there were not enough new songs written, so the band instead recorded a series of Johnson songs.
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
Too Long in Exile is the twenty-second studio album by Northern Irish singer-songwriter Van Morrison. The album was produced by Morrison and draws on urban blues and soul jazz sounds, including collaborations with John Lee Hooker and Georgie Fame. Released in 1993 by Polydor Records, Too Long in Exile received positive reviews from most critics and reached #4 on the UK Albums Chart. It reached #29 in the US, Van Morrison's highest ranking since 1978's Wavelength (#28) and until 1999's Back on Top (#28).
That's My Story is a studio album by American blues musician John Lee Hooker, released in April or May 1960 on Riverside Records. The album was recorded in one session on February 9, 1960 at Reeves Sound Studio in New York City. It was produced by Orrin Keepnews and features the rhythm section from saxophonist Cannonball Adderley's group, which included bassist Sam Jones and drummer Louis Hayes.
Firefly is the tenth studio album by English rock band Uriah Heep. It was released in February 1977 by Bronze Records in the UK and Warner Bros. Records in the US. It was their first album without lead vocalist and founding member David Byron, and the first of three albums with new singer John Lawton, formerly of Lucifer's Friend. Bassist Trevor Bolder made his Uriah Heep debut on this album. Barring a break of about 18 months in the early 1980s, he remained with the group until his death in 2013.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
"On the Road Again" is a song recorded by the American blues rock group Canned Heat in 1967. A driving blues rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive high pitched vocal, sometimes described as a falsetto.
Another Ticket is the seventh solo studio album by Eric Clapton. Recorded and produced by Tom Dowd at the Compass Point Studios in Nassau, Bahamas with Albert Lee, it was Clapton's last studio album for RSO Records before the label shut down in 1983 as it was absorbed by Polydor Records. It received moderate reviews and achieved modest commercial success peaking at No. 18 in the UK charts.
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
Kenny Wayne Shepherd is an American guitarist. He has released several studio albums and experienced significant commercial success as a blues rock artist.
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists.
"One Bourbon, One Scotch, One Beer" is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977.
Boogie People is the eighth studio album released by George Thorogood and the Destroyers. It was released in 1991 by EMI Records. The album peaked at #77 on the Billboard 200.
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The Country Blues of John Lee Hooker is an album by blues musician John Lee Hooker recorded in Detroit in 1959 and released by Riverside Records in January 1960.