Girls! Girls! Girls! | ||||
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Soundtrack album by | ||||
Released | November 9, 1962 | |||
Recorded | March 26–28, 1962; [1] [2] [3] May 2 and 23, 1962 [4] | |||
Studio | Radio Recorders (Hollywood) | |||
Genre | Pop, rock and roll | |||
Length | 29:04 | |||
Label | RCA Victor | |||
Producer | Joseph J. Lilley | |||
Elvis Presley chronology | ||||
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Singles from Girls! Girls! Girls! | ||||
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Review scores | |
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Source | Rating |
Allmusic | [7] |
New Record Mirror | [8] |
Girls! Girls! Girls! is the fifth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2426, in November 1962. It accompanied the 1962 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on March 26, 27, and 28, and May 23, 1962. It peaked at number three on the Top LPs chart. It was certified Gold on August 13, 1963, by the Recording Industry Association of America. [9]
As soundtrack album sales far outstripped his regular album sales ( Blue Hawaii outselling Pot Luck with Elvis by ten to one) Presley found himself firmly entrenched in songs designed for a light-entertainment formula of beautiful scenery and girls galore. [10] With this discrepancy in sales, the formula of the soundtrack music became the focus. This formula for success would prove disastrous for Presley's career. Elvis continued recording non-movie singles and was never "entrenched" in only "movie music". Popular music was on the threshold of complete renewal and change and Presley would become 'lost in Hollywood'. Yet he was the no.2 most charted act on Billboard's pop chart of the '60s.
Sixteen songs were recorded at the sessions in March, of which thirteen were used for the soundtrack album. [11] Banished from the kingdom after running afoul of the Colonel, songs from favored writers Jerry Leiber and Mike Stoller could only be those already written for someone else, in this case the title track being a hit for The Coasters in 1961 before being adapted for the Presley film. [12]
The tracks "Return to Sender" and "Where Do You Come From" were issued as both sides of a single in October 1962, one month before the release of the soundtrack LP. "Return to Sender" became a substantial hit for Presley, peaking at number 2 on the Billboard Hot 100, while the B-side "Where Do You Come From" peaked at only number 99 independently of the hit side. [13]
The songs performed by Stella Stevens in the film—"Never Let Me Go", "The Nearness of You" and "Baby, Baby, Baby"—were in fact mimed to the singing voice of Gilda Maiken and have yet to be commercially released. [14]
"Girls! Girls! Girls!", "Return to Sender" and "Because of Love" made an appearance on the 1995 soundtrack compilation Command Performances: The Essential 60's Masters II . The Presley fan-club label Follow That Dream released an expanded version of the album in 2007, including alternate takes and songs recorded but not used for the soundtrack. [15]
The outtake "Plantation Rock" saw a performance by actor Rob Schneider (a self-proclaimed Elvis fan) on Late Night with Conan O'Brien in 1996.
No. | Title | Writer(s) | Recording date | Length |
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1. | "Girls! Girls! Girls!" | Jerry Leiber and Mike Stoller | March 27, 1962 | 2:34 |
2. | "I Don't Wanna Be Tied" | Bill Giant, Bernie Baum, Florence Kaye | March 28, 1962 | 2:08 |
3. | "Where Do You Come From?" | Ruth Batchelor and Bob Roberts | March 27, 1962 | 2:08 |
4. | "I Don't Want To" | Janice Torre and Fred Spielman | March 26, 1962 | 2:42 |
5. | "We'll Be Together" | Charles O'Curran and Dudley Brooks | May 23, 1962 | 2:17 |
6. | "A Boy Like Me, A Girl Like You" | Sid Tepper and Roy C. Bennett | March 27, 1962 | 2:20 |
7. | "Earth Boy" | Sid Tepper and Roy C. Bennett | March 28, 1962 | 2:24 |
No. | Title | Writer(s) | Recording date | Length |
---|---|---|---|---|
1. | "Return to Sender" | Otis Blackwell and Winfield Scott | March 27, 1962 | 2:09 |
2. | "Because of Love" | Ruth Batchelor and Bob Roberts | March 27, 1962 | 2:34 |
3. | "Thanks to the Rolling Sea" | Bill Giant, Bernie Baum, Florence Kaye | March 26, 1962 | 1:31 |
4. | "Song of the Shrimp" | Sid Tepper and Roy C. Bennett | March 27, 1962 | 2:21 |
5. | "The Walls Have Ears" | Sid Tepper and Roy C. Bennett | March 27, 1962 | 2:32 |
6. | "We're Comin' In Loaded" | Otis Blackwell and Winfield Scott | March 26, 1962 | 1:24 |
No. | Title | Length |
---|---|---|
1. | "Girls! Girls! Girls!" | 2:34 |
2. | "I Don't Wanna Be Tied" | 2:08 |
3. | "Where Do You Come From" | 2:08 |
4. | "I Don't Want To" | 2:42 |
5. | "We'll Be Together" | 2:17 |
6. | "A Boy Like Me, A Girl Like You" | 2:20 |
7. | "Earth Boy" | 2:24 |
8. | "Return to Sender" | 2:09 |
9. | "Because Of Love" | 2:34 |
10. | "Thanks to the Rolling Sea" | 1:31 |
11. | "Song of the Shrimp" | 2:21 |
12. | "The Walls Have Ears" | 2:32 |
13. | "We're Coming in Loaded" | 1:24 |
No. | Title | Length |
---|---|---|
14. | "Mama" | 1:00 |
15. | "Plantation Rock" (cut from film) | 1:57 |
16. | "Dainty Little Moonbeams" / "Girls! Girls! Girls" (end title) | 1:57 |
No. | Title | Length |
---|---|---|
17. | "A Boy Like Me, A Girl Like You" (takes 1,2) | 4:50 |
18. | "Mama" (takes 1, 2, 3, 4) | 3:21 |
19. | "Thanks to the Rolling Sea" (take 3) | 1:36 |
20. | "Where Do You Come From" (take 13) | 2:09 |
21. | "Earth Boy" (movie version takes 2, 4) | 3:31 |
22. | "We'll Be Together" (takes 8,10) | 3:36 |
23. | "Mama" (takes 5, 6, 7, 8) | 4:04 |
24. | "I Don't Wanna Be Tied" (movie version take 8 & 10 intro) | 2:26 |
25. | "A Boy Like Me, A Girl Like You" (takes 3, 4) | 3:37 |
26. | "Thanks to the Rolling Sea" (take 10) | 1:26 |
27. | "Plantation Rock" (take 17, insert) | 2:30 |
28. | "Mama" (take 9) | 1:20 |
29. | "Mama" (The Amigos, take 10) | 2:19 |
30. | "Mama" (instrumental, take 3) | 0:44 |
31. | "Mama" (1970 Let's Be Friends album version) | 2:20 |
Partial credits from Ernst Jorgensen and Keith Flynn's examination of RCA, studio, and AFM/union paperwork. [1] [2] [3]
His Hand in Mine is the fifth studio album by American singer and musician Elvis Presley, released on November 23, 1960 by RCA Victor in mono and stereo, catalog number LPM/LSP 2328. It was the first of three gospel albums that Presley would issue during his lifetime. Recording sessions took place on October 30 and 31, 1960, at RCA Studio B in Nashville, Tennessee. It peaked at #13 on the Top Pop Albums chart. It was certified Gold on April 9, 1969 and Platinum on March 27, 1992 by the Recording Industry Association of America.
Elvis' Golden Records Volume 3 is a greatest hits album by American rock and roll singer Elvis Presley, released by RCA Victor as LPM/LSP-2765 on August 12, 1963. The album was the third volume of an eventual five volume collection, and his eighteenth altogether. It is a compilation of hit singles released in 1960, 1961, and 1962.
Elvis for Everyone! is a compilation album by American singer and musician Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3450, on August 10, 1965. Recording sessions took place over a ten-year span at Sun Studio in Memphis, RCA Studio B in Nashville, Tennessee, and Radio Recorders in Hollywood, California. It peaked at number 10 on the Top Pop Albums chart.
Elvis' Gold Records Volume 4 is a greatest hits album by American rock and roll singer Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3921, in January 1968, with recording sessions taking place over an eight-year span at RCA Studio B in Nashville, Tennessee, and at RCA Studios and Radio Recorders in Hollywood. It is a compilation of hit singles released between 1961 and 1967, peaking at number 33 on the Billboard 200. It was certified Gold on March 27, 1992, by the Recording Industry Association of America.
Pot Luck with Elvis is the seventh studio album by American singer and musician Elvis Presley, released on RCA Victor in mono and stereo, LPM/LSP 2523, in May 18, 1962. Recording sessions took place on March 22, 1961, at Radio Recorders in Hollywood, and on June 25 and October 15, 1961, and March 18 and March 19, 1962, at RCA Studio B in Nashville, Tennessee. It peaked at number 4 on the Billboard Top LP's chart.
Loving You is the first soundtrack album by American rock and roll singer Elvis Presley. It was released by RCA Victor in mono, LPM 1515, in June 1957 to accompany his film, Loving You (1957). Recording sessions took place on January 15, 16, 17, and 18, 1957, at the Paramount Pictures Scoring Stage, and on January 12, 13, 19, and February 23 and 24, 1957, at Radio Recorders in Hollywood. These are the first sessions where Steve Sholes is officially listed as producer. It spent ten weeks at No. 1 on the Billboard Top Pop Albums chart. It was certified Gold on April 9, 1968 by the Recording Industry Association of America.
Blue Hawaii is the fourth soundtrack album by the American singer Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2426, on October 20, 1961. It is the soundtrack to the 1961 film of the same name starring Presley. In the United States, the album spent 20 weeks at the number one slot and 39 weeks in the Top 10 on Billboard's Top Pop LPs chart. It was certified Gold on December 21, 1961, Platinum and 2× Platinum on March 27, 1992, and 3× Platinum on July 30, 2002, by the Recording Industry Association of America. In the UK, the album spent 18 weeks at no. 1 on the Record Retailers (RR) album chart. On the US Top Pop Albums chart, Blue Hawaii is second only to the soundtrack of West Side Story as the most successful soundtrack album of the 1960s.
Double Trouble is the fifteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3787, in June 1967. It is the soundtrack to the 1967 film of the same name starring Presley. Recording sessions took place at Radio Recorders and at Metro-Goldwyn-Mayer studios in Hollywood, California, on June 28, 29, and 30, 1966. It peaked at number 47 on the Billboard 200.
Roustabout is the ninth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2999, in October 1964. It is the soundtrack to the 1964 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on March 2 and 3, and April 29, 1964. It peaked at number one on the Billboard Top LPs chart. It was certified Gold on May 20, 1988 by the Recording Industry Association of America. The album would be Presley's final soundtrack to reach number one and his last number one album until 1973's Aloha From Hawaii: Via Satellite.
It Happened at the World's Fair is the sixth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 2697, in April 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on August 30 and September 22, 1962. It peaked at number four on the Billboard Top Pop Albums chart.
Fun in Acapulco is the seventh soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2756, in November 1963. It is the soundtrack to the 1963 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood on January 22 and 23 and February 27, 1963; and at RCA Studio B in Nashville, Tennessee, on May 26 and 28, 1963. It peaked at number three on the Billboard Top Pop Albums chart.
Kissin' Cousins is the eighth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 2894, in April 1964. It is the soundtrack to the 1964 film of the same name starring Presley. Recording sessions took place at RCA Studio B in Nashville, Tennessee, on May 26 and 27, and September 29 and 30, 1963. It peaked at number six on the Billboard Top LPs chart. The album was certified Gold on March 27, 1992 by the Recording Industry Association of America.
Girl Happy is the tenth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3338, in March 1965 – the March 1 date is disputed. It is the soundtrack to the 1965 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on June 10, 11, 12, and vocal overdubs by Presley on June 15, 1964. It peaked at number eight on the Top LP's chart. It was certified Gold on July 15, 1999 by the Recording Industry Association of America.
Harum Scarum is the eleventh soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3468, in November 1965. It is the soundtrack to the 1965 film of the same name starring Presley. It peaked at number eight on the Top LP's chart.
Frankie and Johnny is the twelfth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3553, in April 1966. An excursion into Dixieland and ragtime music, it is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on May 12, 13, and 14, 1965. It peaked at number 20 on the Top LP's chart. It was certified Gold and Platinum on January 6, 2004, by the Recording Industry Association of America.
Paradise, Hawaiian Style is the thirteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3643, in June 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at number 15 on the Top LP's chart.
Spinout is the 14th soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3702, on October 31, 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions for the film songs took place at Radio Recorders in Hollywood, California, on February 16 and 17, 1966. The album was augmented with three non-film songs recorded earlier in the year. It peaked at number 18 on the Top Pop Albums chart.
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