Elvis Presley on film and television | |
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Films | 31 |
Documentary films | 7 |
Television | 10 |
Home videos | 23 |
Elvis Presley was an American entertainer and Laurel Award winning actor who achieved great initial success as a singer and stage performer. He publicly expressed an early career goal of following in the footsteps of his role models James Dean and Marlon Brando to become a top dramatic actor. [1] His manager Colonel Tom Parker's persistent lobbying of William Morris Agency president Abe Lastfogel for a Presley screen test paid off on March 26, 1956, when the singer auditioned at Paramount for a supporting role in The Rainmaker . [2] Although not chosen for the part, he signed a contract with Paramount producer Hal Wallis on April 25 that also allowed him to make films with other studios. [3]
His feature debut was in Love Me Tender in 1956 for 20th Century Fox, which was the biggest acting debut of all time, [4] with the commercial success of the soundtrack EP being a bellwether for the next three Presley films, Loving You , Jailhouse Rock, and King Creole. Elvis returned to acting after leaving the army in 1960, with G.I. Blues and a dramatic western Flaming Star . The popularity of his romantic musicals established a formula for the coming years, with Elvis films being credited as the start of the modern music video. [5]
Elvis experienced incredible success as both a singer and an actor in these years, doing what was and remains unheard of with hit films at the box office, hit singles, and hit albums all at the same time. [6] Elvis holds the unprecedented feat of starring in 17 box office top-ten films between 1956 and 1965, with 17 number one singles and 8 number one albums in the same time period. [7] [8] A feat unmatched then and now. Elvis was also landing hit films, singles, and albums all at the same time, in the same calendar year [9]
Over time, Presley became bitter that his hopes for dramatic roles were not coming to fruition, [10] and after missing roles in West Side Story , Thunder Road , The Defiant Ones , and Cat on a Hot Tin Roof . [11] But Elvis was able to mix musical films like Girls! Girls! Girls! with action films, like Kid Galahad . Although Elvis hated Charles Bronson, [12] the tough guy actor who was 5th billed in this modern boxing film and a template for Rocky . [13] Bronson was one of the ten most famous actors to ever have the pleasure of working with Elvis. [14]
Unfortunately, many of the big stars of the sixties were jealous of Elvis and this is one of the reasons why he stopped working with other leading actors, such as Steve McQueen. [15] Even The Beatles wanted to appear in an Elvis film, but this wasn't considered a good idea. [16] Elvis continued to be incredibly successful and popular as a singer and actor at this time, with the 1964 hit film Roustabout becoming a favourite of Quentin Tarantino and proving Elvis was still able to compete with new artists of the day when the soundtrack album from this film went to number one on the Billboard 200 during Beatlemania. [17] [18]
Elvis' 1965 film Tickle Me , which was a favorite of his, saved the film studio Allied Artists from bankruptcy [19] due to how much money it made with Elvis as the star. Tickle Me was the third highest-grossing film in the studio's history. [20] Allied Artists then went on to win numerous Academy Awards, although Elvis was never credited or thanked. Elvis was also generous enough to reduce his million-dollar salary to just $750,000 to help the studio. [21] There is a belief that Elvis should be awarded a special honorary Oscar for his contribution to cinema. [22] [23]
Another Quentin Tarantino favorite that inspired Pulp Fiction [24] was Elvis' 1968 film Speedway , which is considered to be among the best NASCAR films ever made. [25] Credited with helping the popularity of NASCAR [26] Speedway was a box office success that featured famous racing stars of the day. Elvis also co-starred with Nancy Sinatra [27] in this box office smash.
Elvis stated that Clambake was his worst film and began to complain about the deteriorating quality of the films and his belief that his manager's objectives were more monetary than anything else. [28] This resulted in a change to his acting career and a stop to the formula films in 1968, after which Presley starred in the comedy western Stay Away, Joe , the modern screwball comedy Live a Little, Love a Little , the dramatic western Charro!, and the social drama Change of Habit . [29]
Charro! has been called the most convincing acting role of Elvis' career [30] and Change of Habit was a major success that Elvis' manager decided against being considered for Academy Awards, famously saying, "don't go buying no tuxedos." [31] [32] Change of Habit is also considered the best final film of any singer turner actor. [33]
At the expiration of all studio contracts, he returned to live entertaining and soon became the biggest star in Las Vegas history and on tour in America. [34] The two concert documentaries Elvis: That's the Way It Is in 1970 and Elvis on Tour in 1972 were the final theatrical releases for Presley. [35] Both were among the most successful concert documentaries of their day, with Elvis on Tour winning prestige with a Golden Globe award and starting off the career of Martin Scorsese. Whilst Tom Parker opted against Elvis: That's the Way It Is being submitted for Oscars due to the academy's bias against Elvis and because they would try to use his name for ratings and prestige. [36]
Presley was the highest paid actor in Hollywood but said that he didn't need money to be successful [37] and that no amount of money was necessary for him to take a good role. His films grossed $284 million [38] and Elvis was paid 50% of those profits, [39] making him the richest actor in Hollywood history. [40] Adjusted for inflation, Elvis films made $2.2 billion. [41] He was also paid $250,000 royalties from each of his 17 soundtrack albums from the movies, giving Elvis $4.2 million. Adjusted for inflation this amounts to $44.3 million from soundtrack album royalties on top of his usual salaries and bonuses. Elvis was in the Top Ten Money Making Stars Poll for seven years, making $1 million per film. [42] [43]
Of the many roles Elvis turned down, these included the John Wayne western True Grit. Elvis was asked to play the role that Glen Campbell played, but top billing with John Wayne was contested. [44]
Elvis also wanted to do a screentest for The Godfather and missed out on the leading role in Midnight Cowboy , which was turned down by his manager without Elvis knowing. Elvis was also considered for the leading role in Willy Wonka & the Chocolate Factory but was busy performing in Las Vegas. [11]
It was expected for Presley to be paid his usual million-dollar salary to star in A Star Is Born . Although interested in the role, Presley was ultimately not hired as Parker believed Presley would not receive top billing, and attempted to negotiate a higher salary and percentage of the film's gross profits. [45] Elvis regretted not making the film because he knew how good he would have been. But he also knew that this was a vanity project for Streisand and that she would have wanted to look better than Elvis, even though he was the better actor and bigger star. Elvis' manager Colonel Tom Parker also knew that Elvis wanted to develop himself as an actor. And so, [his manager] Colonel Parker turned down the opportunity, the offer for Elvis to star in ‘A Star is Born’ with Barbra Streisand… He didn’t want to see Elvis being overshadowed by Barbra Streisand. [46] This is considered to be the biggest missed opportunity in cinema history. [47] [48] [49] Elvis did decide to produce, write and star a karate film called The New Gladiators , which was a true passion project for the actor and 8th degree black belt, although this remained unfinished at the time of his death and lost out on its classic status. [50]
Over the years and with a reassessment of his acting career, roles in films like Charro! , Wild in the Country , Change of Habit , and Live a Little, Love a Little have led to Presley receiving high praise as an actor. [51] [52] Many consider him to have been the best and most successful singer-actor in Hollywood history. [53] Elvis also holds the unique distinction of every single one of his films making money at the box office. [54]
In his remarkable career, Elvis activated film and TV spaces like never before, and because of Elvis Presley, there's a direct thread from Love Me Tender and Jailhouse Rock to the Beatles A Hard Day's Night to Prince's Purple Rain and more. [5] Presley's onscreen innovation also extends beyond cinema: 1973's Aloha from Hawaii via Satellite was revolutionary in that it was the first live satellite broadcast to feature a single performer.
It is well known that the film academy was against Elvis, which is why he was never awarded an Oscar, although this has been reassessed and the success Elvis had in Hollywood remains the benchmark for every singer-turned-actor. [55] [56] [57] [58]
Year | Title | Notes | Ref(s) |
---|---|---|---|
1956 | Stage Show | 6 episodes at the CBS studios in New York City, NY: January 28, February 4, 11, 18, March 17, 24; Tommy and Jimmy Dorsey's show, produced by Jackie Gleason as a lead-in for his show | [59] |
1956 | Texaco Star Theatre | 2 episodes: April 3 aboard the USS Hancock in San Diego, CA; June 5 NBC studios Los Angeles, CA | [60] |
1956 | Teenage Dance Party | June 16; hosted by Wink Martindale, WHBQ-TV Memphis, TN (interview only) | [61] |
1956 | Hy Gardner Calling | July 1 television interview, WRCA-TV, New York City, NY (interview only) | [62] |
1956 | The Steve Allen Show | July 1; NBC, New York City, NY | [62] |
1956–57 | The Ed Sullivan Show | 3 episodes: September 9, October 28, 1956; January 6, 1957, CBS New York City, NY | [63] |
1960 | The Frank Sinatra Timex Show: Welcome Home Elvis | Taped March 26, in Miami, FL; aired on ABC May 12 | [64] |
1968 | Elvis: The 1968 Comeback Special | Also known as One Night With You; June taping at NBC Los Angeles, CA; air date December 3 | [65] |
1973 | Aloha from Hawaii Via Satellite | Kui Lee Cancer Fund benefit concert at Honolulu's Neal S. Blaisdell Center broadcast by NBC world-wide January 14 | [66] |
1977 | Elvis in Concert | The last concert tour before Presley died; broadcast by CBS after his death; has never been re-broadcast or officially released on home video | [67] |
Year | Title | Role | Studio | Notes | Ref(s) |
---|---|---|---|---|---|
1956 | Love Me Tender | Clint Reno | 20th Century Fox | First feature film role. Caused a protest among fans at the film's premiere when they learn that Presley's character dies at the end of the film, triggering an alternate ending. Includes the song "Love Me Tender". | [68] |
1957 | Loving You | Jimmy Tompkins (Deke Rivers) | Paramount Pictures | [69] | |
1957 | Jailhouse Rock | Vince Everett | MGM | Added to the National Film Registry in 2004. Title song listed at #24 in AFI's 100 Years...100 Songs. [70] | [71] |
1958 | King Creole | Danny Fisher | Paramount Pictures | Banned in Mexico after a riot ensued at the Las Americas cinema in Mexico City, where the movie had its premiere. Final film before military service. | [72] |
1960 | G.I. Blues | Tulsa McLean | Paramount Pictures | Grammy nominated soundtrack album. Banned in Mexico after a similar riot took place, also at the Las Americas cinema in Mexico City. All further Elvis films banned as a result, with the restriction being lifted in 1971. | [73] |
1960 | Flaming Star | Pacer Burton | 20th Century Fox | A single film still from the film was used by Andy Warhol in 26 of his silkscreen paintings, eight of which are known to have garnered US$375 million at auction and in private sales. The paintings include Triple Elvis and Eight Elvises . | [74] |
1961 | Wild in the Country | Glenn Tyler | 20th Century Fox | [75] | |
1961 | Blue Hawaii | Chad Gates | Paramount Pictures | Grammy nominated soundtrack album | [76] |
1962 | Follow That Dream | Toby Kwimper | Mirisch Company | [77] | |
1962 | Kid Galahad | Walter Gulick / Kid Galahad | Mirisch Company | [78] | |
1962 | Girls! Girls! Girls! | Ross Carpenter | Paramount Pictures | [79] | |
1963 | It Happened at the World's Fair | Mike Edwards | MGM | Filmed at the Seattle World's Fair | [80] |
1963 | Fun in Acapulco | Mike Windgren | Paramount Pictures | Filmed in Acapulco by the 2nd unit crew with Elvis double (without Elvis who was persona non grata in Mexico) in November 1962, with filming resuming in Hollywood in January 1963 at Paramount Studios, with Elvis filming his scenes in studio in front of screen with scenes filmed at the Mexican location. The movie was not shown in Mexico, whose government only lifted its Presley ban in the summer of 1971, when Elvis: That's the Way It Is opened outside the US. | [81] |
1964 | Kissin' Cousins | Josh Morgan / Jodie Tatum | MGM | Featured Presley in a dual role. Filmed after Viva Las Vegas | [82] |
1964 | Viva Las Vegas | Lucky Jackson | MGM | Laurel Award nominated Best Actor. Filmed before Kissin' Cousins | [83] |
1964 | Roustabout | Charlie Rogers | Paramount Pictures | [84] | |
1965 | Girl Happy | Rusty Wells | MGM | [85] | |
1965 | Tickle Me | Lonnie Beale / Panhandle Kid | Allied Artists | Laurel Award winner Best Actor | [86] |
1965 | Harum Scarum | Johnny Tyronne | MGM | [87] | |
1966 | Frankie and Johnny | Johnny | United Artists | [88] | |
1966 | Paradise, Hawaiian Style | Rick Richards | Paramount Pictures | [89] | |
1966 | Spinout | Mike McCoy | MGM | [90] | |
1967 | Easy Come, Easy Go | Lt. (j.g.) Ted Jackson | Paramount Pictures | Filmed after Double Trouble | [91] |
1967 | Double Trouble | Guy Lambert | MGM | Filmed before Easy Come, Easy Go | [92] |
1967 | Clambake | Scott Heyward | United Artists | [93] | |
1968 | Stay Away, Joe | Joe Lightcloud | MGM | Filmed after Speedway | [94] |
1968 | Speedway | Steve Grayson | MGM | Filmed in part at Charlotte Motor Speedway in Concord, NC, with various NASCAR drivers of the day contributing. Filmed before Stay Away, Joe | [95] |
1968 | Live a Little, Love a Little | Greg Nolan | MGM | [96] | |
1969 | Charro! | Jess Wade | National General | [97] | |
1969 | The Trouble with Girls | Walter Hale | MGM | [98] | |
1969 | Change of Habit | Dr. John Carpenter | Universal | Final feature film role. | [99] |
1970 | Elvis: That's the Way It Is | Himself | MGM | Concert documentary | [100] |
1972 | Elvis on Tour | MGM | Concert documentary, co-winner Golden Globe for Best Documentary 1972 | [100] | |
1974 (released 2002) | New Gladiators | Karate Expert Cop | MGM | Film & Documentary | [101] |
1981 | This Is Elvis | Himself | Warner | Documentary | [102] |
2018 | Elvis Presley: The Searcher | Himself (archival documentary footage) | HBO | Documentary | [103] |
2023 | Reinventing Elvis: The '68 Comeback | Himself (archival documentary footage) | MTV Studios/Paramount+ | Documentary | [104] |
2024 | The Return of the King: The Fall and Rise of Elvis Presley | Himself (archival documentary footage) | Netflix | Documentary | [105] |
Year | Title | Studio | Formats | Ref(s) |
---|---|---|---|---|
1977 | The Story of Elvis Presley | Burbank Video/RCA/Columbia Pictures Home Video | VHS 1990/1991 | [106] |
1984 | Elvis Presley's Graceland | Elvis Presley Enterprises/Congress Video Group | VHS 1984/1985/1988/1997, DVD, 2xDVD 2008, streaming 2021 | [107] |
1985 | Elvis: Memories | Live Home Video/Vestron Video International/ElvisPresleyShop.com | VHS 1985/1986, DVD | [108] |
1985 | Elvis: One Night with You | Elvis Presley Enterprises/HBO/RCA Records/Media Home Entertainment/Warner Home Video | VHS 1989/1992/2000, DVD 2000 | [109] |
1987 | Elvis '56 | Lightyear Entertainment/BMG Video/Sony Pictures Home Entertainment | VHS 1987, DVD 1997/2004/2006/2009/2012/2017, streaming 2020 | [110] |
1987 | Elvis: His Life and Times | Elvis Presley Enterprises/RayCom Video Ent. | VHS 1993 | [111] |
1989 | The Milton Berle Show: The Lost Elvis | Amvest/Hotline Sales/BMG Models | VHS 1989, DVD 2003, streaming 2017 | [112] |
1990 | Elvis: The Great Performances, Vol. 1-3 | Elvis Presley Enterprises/Andrew Solt Prods./Rhino Home Video/Buena Vista Pictures/SOFA Entertainment | VHS 1990/1992/1996/1997, DVD 2002/2010/2011/2018, streaming 2020 | [113] |
1992 | Elvis: The Lost Performances | MGM/UA Home Entertainment | VHS/DVD | [114] |
1993 | Biography - Elvis Aaron Presley: Story of a Legend | A&E Home Video | VHS 1998, DVD 2005, streaming 2020 | [115] |
1993 | Elvis in Hollywood | Elvis Presley Enterprises/Sony Legacy/BMG Special Products | VHS/DVD | [116] |
1995 | Elvis: Touch the Dream, a New Generation | Elvis Presley Enterprises/Raycom Media/Turner Classic Movies | Broadcast | [117] |
2000 | He Touched Me: The Gospel Music of Elvis Presley, Vol. 1 & 2 | Coming Home Music/EMI/Gaither Music Group/Chordant | 2xVHS 2000, 2xDVD 2000/2005, streaming 2020 | [118] |
2001 | Classic Albums: Elvis Presley | EagleVision/Qello Concerts | VHS/DVD 2002, streaming 2016 | [119] |
2002 | Elvis: His Best Friend Remembers | Proletariat Filmworks/MCA/Universal Pictures | VHS/DVD 2002, streaming 2018 | [120] |
2005 | Elvis by the Presleys | Elvis Presley Enterprises/CBS/RCA Records/Sony BMG/Sony Legacy/Cineverse | 2xDVD, streaming | [121] |
2006 | Elvis: The Ed Sullivan Shows | Elvis Presley Enterprises/Image Entertainment | 3xDVD 2006/2009, streaming 2020 | [122] |
2006 | Elvis: Classic Performances | Elvis Presley Enterprises/Coda Publishing Ltd. | DVD 2006, streaming 2012 | [123] |
2007 | Elvis Lives: The 25th Anniversary Concert, 'Live' from Memphis | Elvis Presley Enterprises/Coming Home Music/EMI/Gaither Music Group/Chordant | DVD 2007/2012, streaming 2007 | [124] |
2007 | Elvis: #1 Hit Performances | Elvis Presley Enterprises/Sony BMG/Sony Legacy | DVD 2007/2011, streaming 2020 | [125] |
2008 | Elvis: #1 Hit Performances & More, Vol 2 | Elvis Presley Enterprises/Sony BMG/Sony Legacy | DVD 2008, streaming 2020 | [126] |
2009 | Elvis: Love Me Tender - The Love Songs | Coming Home Music/EMI Music | DVD 2009 | [127] |
2011 | Elvis: Summer of '56 | Stuart Goldman Company/Image Entertainment/Docubay | DVD 2011/2015/2021, streaming 2024 | [128] |
Elvis Aaron Presley, known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized performances and interpretations of songs, and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.
Peter Guralnick is an American music critic, author, and screenwriter. He specializes in the history of early rock and roll and has written books on Elvis Presley, Sam Phillips, and Sam Cooke.
Jailhouse Rock is a 1957 American musical drama film directed by Richard Thorpe and starring Elvis Presley. Adapted by Guy Trosper from a story written by Nedrick Young, the film tells the story of Vince Everett (Presley), a convict who learns the guitar while in prison and becomes a star following his release. Four of the film's songs were written by Jerry Leiber and Mike Stoller including the title track, which became a highly-praised production number in the film as well as one of Presley's biggest hit singles, spending seven weeks at number one on the U.S. charts.
Winfield Scott Moore III was an American guitarist who formed The Blue Moon Boys in 1954, Elvis Presley's backing band. He was studio and touring guitarist for Presley between 1954 and 1968.
Love Me Tender is a 1956 American musical Western film directed by Robert D. Webb, and released by 20th Century Fox on November 15, 1956. The film, named after the song, stars Richard Egan, Debra Paget, and Elvis Presley in his acting debut. It was the only time in his acting career that he did not receive top billing.
King Creole is a 1958 American musical drama film directed by Michael Curtiz and based on the 1952 novel A Stone for Danny Fisher by Harold Robbins. Produced by Hal B. Wallis, the film stars Elvis Presley, Carolyn Jones, Walter Matthau, Dolores Hart, Dean Jagger, Vic Morrow, Liliane Montevecchi and Paul Stewart, and it follows a nineteen-year-old (Presley) who gets mixed up with crooks and involved with two women.
"All Shook Up" is a song recorded by Elvis Presley, published by Elvis Presley Music, and composed by Otis Blackwell. The single topped the U.S. Billboard Top 100 on April 13, 1957, staying there for nine weeks. It also topped the Billboard R&B chart for four weeks, becoming Presley's second single to do so, and peaked at No. 1 on the country chart as well. It is certified 2× platinum by the Recording Industry Association of America.
2nd to None is a collection of songs by American rock and roll musician Elvis Presley. The album was released on October 7, 2003 by RCA Records as the sequel to the previous year's highly successful ELV1S: 30 #1 Hits.
Loving You is a 1957 American musical drama film directed by Hal Kanter and starring Elvis Presley, Lizabeth Scott, and Wendell Corey. The film was Presley's first major starring role, following his debut in a supporting role in the 1956 film Love Me Tender. The film follows a delivery man who is discovered by a music publicist and a country–western musician who wants to promote the talented newcomer.
Singer Presents ... Elvis, commonly referred to as the '68 Comeback Special, is an Elvis Presley concert special that aired on NBC on December 3, 1968. It marked Presley's return to live performance after a seven-year period during which he focused on his film appearances.
Aloha from Hawaii via Satellite is a concert starring Elvis Presley that took place at the Honolulu International Center and was broadcast live via satellite to audiences in Asia and Oceania on January 14, 1973. The show was presented with a delay in Europe. In the United States, to avoid a programming conflict with Super Bowl VII and Elvis on Tour which was playing in cinemas at the time, NBC opted to air a ninety-minute television special of the concert on April 4.
From Elvis in Memphis is the ninth studio album by American rock and roll singer Elvis Presley. It was released by RCA Records on June 2, 1969. It was recorded at American Sound Studio in Memphis in January and February 1969 under the direction of producer Chips Moman and backed by its house band, informally known as the Memphis Boys. Following the success of Presley's TV special Elvis and its soundtrack, the album marked Presley's return to non-soundtrack albums after the completion of his film contract with Metro-Goldwyn-Mayer (MGM).
Elvis on Tour is a 1972 American concert film starring Elvis Presley during his fifteen-city spring tour earlier that year. It was written, produced, directed by Pierre Adidge and Robert Abel and released by Metro-Goldwyn-Mayer (MGM).
Elvis Is Back! is the fourth studio album by American singer Elvis Presley, released on April 8, 1960 by RCA Victor. It was Presley's first album of new material since 1958's King Creole soundtrack, as well as his first to be recorded and released in stereophonic sound. The album marked Presley's return to music after his discharge from the U.S. Army.
How Great Thou Art is the eighth studio album by American singer and musician Elvis Presley, released by RCA Victor in February 1967. How Great Thou Art is a gospel album with slow numbers on one side, and fast-paced numbers on the flipside. The album earned Presley a Grammy Award for Best Sacred Performance, while it became a Billboard top 20 pop hit and it appeared on the Top Country Albums chart on the top 10.
Elvis' Golden Records is a compilation album by American rock and roll singer Elvis Presley, issued by RCA Victor in March 1958. It compiled his hit singles released in 1956 and 1957, and is widely believed to be the first greatest hits album in rock and roll history. It is the first of five RCA Victor Elvis' Golden/Gold Records compilations, the first four of which were issued during Presley's lifetime. The album peaked at number three on the Billboard Top Pop Albums chart and was certified 6× platinum on August 17, 1999, by the Recording Industry Association of America.
"Rubberneckin'" is a song performed by Elvis Presley, which was recorded at American Sound Studio. It was used in the film Change of Habit and subsequently issued as the B-side of "Don't Cry Daddy" in conjunction with the movie premiere. It reached number six in the United States on the Billboard Hot 100 in 1969.
Girl Happy is the tenth soundtrack album by American singer and musician Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3338, in March 1965 – the March 1 date is disputed. It is the soundtrack to the 1965 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on June 10, 11, 12, and vocal overdubs by Presley on June 15, 1964. It peaked at number eight on the Top LP's chart. It was certified Gold on July 15, 1999 by the Recording Industry Association of America.
Elvis by Request: Flaming Star and 3 Other Great Songs is an EP by American singer Elvis Presley, containing two songs from the motion picture Flaming Star and two of his earlier hits on the reverse side.
"Today, Tomorrow and Forever" is a song written by Bernie Baum, Florence Kaye and Bill Giant and based on a classical piano piece titled "Liebestraum" by Franz Liszt. Elvis Presley performed the song in the 1964 MGM film Viva Las Vegas.
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