Kid Galahad

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Kid Galahad
Kidgalahad.jpg
Theatrical release poster
Directed by Phil Karlson
Screenplay byWilliam Fay
Story by Francis Wallace
Produced by David Weisbart
Starring
Cinematography Burnett Guffey
Edited by Stuart Gilmore
Music by Jeff Alexander
Production
company
Distributed by United Artists
Release date
Running time
96 minutes
CountryUnited States
LanguageEnglish
Box office$2.5 million (US/Canada) [2]

Kid Galahad is a 1962 American musical film starring Elvis Presley as a boxer. It was released by United Artists [3] in August 1962 and opened at #9 at the American box office. Variety ranked it #37 on its list of the top-grossing films of 1962.

Contents

Kid Galahad was shot on location in Idyllwild, California. Its supporting cast includes Gig Young, Lola Albright and Charles Bronson. Some critics[ who? ] rate the film as one of Elvis Presley's best performances.

The film is a remake of the 1937 version (in which United Artists Television through Associated Artists Productions distributed for TV airings at that time) starring Edward G. Robinson, Bette Davis and Humphrey Bogart and directed by Michael Curtiz, who also directed the 1958 Presley film King Creole .

Plot

Willy Grogan (Gig Young) is a small-time boxing promoter and innkeeper of "Grogan's Gardens" based in the Catskills hills resort region of Cream Valley, in the upper Hudson River Valley of upstate New York state. He is a contemptible man who is in debt and pays little attention to the woman who loves him, Dolly (Lola Albright), a chain-smoking, love-starved woman residing at the camp.

Young Walter Gulick (Elvis Presley), arrives, a young man recently discharged from the United States Army and in uniform on the back tailgate of a moving company truck, Walter loves the peaceful setting of the heavily forested village of Cream Valley where he was born years before, almost as much as he loves working on old cars, when a neighboring Prohosko's Garage, where the owner gives him free rein at his repair shop establishment. Walter soon finds occasional work there as a mechanic at the auto garage, plus discovers an old dusty antique Ford Model T sedan car up on blocks under a tarp, which Mr. Prohosko lets him fix up and restore.

When the "Grogan's Gardens" boxing camp owner Willy's younger beautiful raven-haired sister Rose Grogan (Joan Blackman), shows up unexpectedly on a visit from her office job downstate in New York City. She becomes immediately interested in the handsome young singer / mechanic / amateur boxing student Walter, viewing him amusedly after meeting him, from the veranda porch of the log cabin Grogan Lodge. Willy objects because he doesn't want "little Rose" to fall for a "grease monkey" mechanic and two-bit boxer. His longtime girlfriend and on / off again fiancee Dolly is envious of the young couple's romance and resents her boyfriend Willy's interference.

Walter, in need of work, also accepts a position as a sparring partner for some of the training boxers, especially after he accidentally knocks out one of Willy's top prospective fighters. Willy is persuaded to let Walter, (nicknamed as "Kid Galahad" because of his polite behavior and chivalrous attitude), to try his hand in a real contest bout. Both men are reluctant but need the money. Walter begins training under the watchful experienced eye of Lew Nyack (Charles Bronson), Willy's top trainer / coach, and Howard Zimmerman (Judson Pratt), his assistant.

After several successes in the ring, Walter is readied for his biggest fight. Unfortunately some "heavies" gangsters led by Otto Danzig (David Lewis) a New York loan-shark and gambler / fight-fixer, criminal gang leader, who want Willy to get Walter to take a dive and lose the bout on purpose so that they can clean up on the gambling betting odds, and Willy can pay off his gambling debts to them. But Walter barges in on the hoods intimidating rousting fight of a visit from Danzig and a couple of his thugs when they attack trainer Lew (Bronson), breaking his hands / finger bones. So Walter fights, beats up and quickly knocks them all out in the back kitchen when he hears them doing their dirty work and throws his muscle behind Willy to ignore their further attempted intimidation and threats with the help of a visit from Frank Gerson (Ed Asner), an assistant district attorney and investigating prosecutor. The fight with Ramon ("Sugar Boy") Romero (Orlando De La Fuente), real-life welterweight boxer during the 1960s). It is hard and difficult but Walter emerges bloodied but victorious. He wins the big fight as well as Willy's approval, retiring undefeated after his short career to his 1920s vintage Ford Model T red car and the heart of his new adoring love Rose.

Cast

Production

Former light welterweight world champion Mushy Callahan trained Presley for his role. Callahan, who also appears in the film as a referee, had a long career as a professional boxing referee after retiring from the ring as a fighter. According to Callahan, he threw all of the punches in the close-up scenes in which Presley is struck in the face. He taught Presley how to move his head backward as the punches were being delivered so that each blow either missed him or barely touched him. Callahan considered Presley to be an excellent athlete. [6]

Shooting began in early November 1961 at Hidden Lodge, Idyllwild-Pine Cove-Fern Valley, California , near the higher-altitude forested slopes of the San Jacinto Mountains in Riverside County in far western Southern California, site chosen to resemble the film"s stated location of far further east to the northeastern United States with its similarly heavily forested hills / low ridges of the Catskills mountains, north of New York City and further north up the Hudson River Valley of the semi-wilderness of the Adirondacks mountains of upstate northern New York state. Initial filming shooting was done there before a storm forced a later move of the movie set and production to Hollywood in Los Angeles to continue the interior scenes shot.[ citation needed ]

Soundtrack

Reception

Bosley Crowther of The New York Times suggested that Presley was miscast as a boxer, writing that he was "certainly no model for a statue of Hercules, and his skill at projecting an illusion of ferocity is of very low degree." However, Crowther found the film to be "moderately genial entertainment. It's not explosive, but it has the cheerful top of a lightly romantic contrivance that ranges between comedy and spoof. For this we can thank the other actors who played their roles ardently and Phil Karlson, who has directed at a brisk and deceptive pace." [7]

Harrison's Reports graded the film as "Good": "Presley is surrounded by some very nice people. In lending him support, they give strength to a run-of-the-mill story that plays itself out with a simplicity of appeal and bountiful residue of entertainment. The film manages to give a pleasing account of itself." [8]

A less positive notice in Variety read: "The story may be old, the direction not especially perceptive, the performances in several cases pretty poor, but United Artists' 'Kid Galahad' is apt to be a moneymaker in spite of all this." [9]

John L. Scott in the Los Angeles Times called the story "old hat" but thought that it "should more than satisfy the horde of Presley fans." [10]

The Monthly Film Bulletin wrote: "If the wit and intelligence lavished on the excellent dialogue had also been used to give a shred of ingenuity to the plot or a momentary sparkle to the lyrics, this would have been a much more amusing comedy ... Elvis Presley repeats the amiable oaf performance he gave recently in Follow That Dream , but it is nowhere near as funny, partly because his farcical opportunities are fewer, but mainly because it is hard to laugh continually at someone whose face is seen a couple of times bruised and bleeding in the ring." [11]

Kid Galahad holds a 50% rating on Rotten Tomatoes based on six reviews. [12]

See also

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References

  1. "Kid Galahad – Details". AFI Catalog of Feature Films . Retrieved July 25, 2018.
  2. "Big Rental Pictures of 1962". Variety. 9 Jan 1963. p. 13. Please note these are rentals and not gross figures
  3. James L. Neibaur (2014). The Elvis Movies. Rowman & Littlefield Publishers. pp. 100–. ISBN   978-1-4422-3074-3.
  4. "BoxRec: Orlando De La Fuente".
  5. "BoxRec: Tommy Hart".
  6. Victor, p.284
  7. Crowther, Bosley (March 7, 1963). "Screen: A Ferocious Elvis Presley". The New York Times : 8.
  8. "Film review: Kid Galahad". Harrison's Reports : 115. July 28, 1962.
  9. "Kid Galahad". Variety : 6. June 25, 1962.
  10. Scott, John L. (August 31, 1962). "Presley Plays Boxing Hero in 'Kid Galahad'". Los Angeles Times : Part IV, p. 9.
  11. "Kid Galahad". The Monthly Film Bulletin : 155. November 1962.
  12. "Kid Galahad". Rotten Tomatoes .