Gone to Earth | |
---|---|
![]() theatrical release poster | |
Directed by | Michael Powell Emeric Pressburger |
Written by | Michael Powell Emeric Pressburger |
Based on | Gone to Earth by Mary Webb |
Produced by | Michael Powell Emeric Pressburger |
Starring | Jennifer Jones David Farrar Cyril Cusack |
Cinematography | Christopher Challis |
Edited by | Reginald Mills |
Music by | Brian Easdale |
Color process | Technicolor |
Production companies | |
Distributed by | British Lion Films (UK) |
Release date |
|
Running time | 110 minutes |
Country | United Kingdom |
Language | English |
Budget | £285,000 [1] |
Box office | £110,000 (UK) [2] |
Gone to Earth is a 1950 British Technicolor film created by the director-writer team of Michael Powell and Emeric Pressburger. It stars Jennifer Jones, David Farrar, Cyril Cusack and Esmond Knight. The film was significantly changed for the American market by David O. Selznick and retitled The Wild Heart in 1952.
Gone to Earth is based on the 1917 novel of the same name by author Mary Webb. [3] The novel was largely ignored when it first appeared, but it became better known in the 1930s during the neo-romantic revival.
Hazel Woodus is a child of nature in the Shropshire countryside in 1897. She loves and understands all of the wild animals more than she does the people around her. Whenever she has problems, she consults the book of spells and charms left to her by her gypsy mother.
Local squire Jack Reddin sees Hazel and wants her, but she has already promised herself to the Baptist minister Edward Marston. A struggle for her body and soul ensues.
Filming on Gone to Earth, which was shot in Technicolor, began on 1 August 1949. [4] Studio filming took place at Shepperton Studios in Shepperton, Surrey, while most of the film was shot on location at many sites around Much Wenlock in Shropshire. Many locals were recruited as extras, such as the choir from a local Methodist church that appears in the film. [5]
The film was coproduced with American producer David O. Selznick, who had a penchant for dictating long and rambling notes to his directors [6] while under the influence of amphetamines and flooded the production with memos, most of which were ignored.
The Wild Heart | |
---|---|
![]() 1952 poster | |
Directed by | Rouben Mamoulian (add'l scenes, uncredited) [7] |
Written by | Rouben Mamoulian (add'l scenes, uncredited) [7] |
Produced by | David O. Selznick (uncredited) |
Production companies | |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 82 minutes |
Although he had been involved throughout the filming, Selznick disliked the finished film, and sued The Archers, Powell and Pressburger's production company, in order to change it. He lost the court case but discovered that he had the right to change the film for its American release.
Selznick had the film reedited and some extra scenes shot in Hollywood under director Rouben Mamoulian to create the version known as The Wild Heart (1952). [7] Selznick's changes were mostly additions to the film: a prologue, explanatory scenes (often literally, with labels or inscriptions on items) and more closeups of his wife, Jennifer Jones. The most infamous of the alterations are the scenes at the end when Jones is supposedly carrying a tame fox—in the additional scenes, the fox is obviously a stuffed toy.
Selznick also deleted several scenes that he felt had lacked dramatic impact, some of which were major plot points. In his autobiographies, Powell claimed that Selznick only left about 35 minutes of the original film and that everything else in the American version was shot by Mamoulian.
The original version of Gone to Earth was fully restored by the British Film Institute's National Archive in 1985. A New Statesman review called the restored film "one of the great British regional films" and, according to Powell's cinematographer Christopher Challis, "one of the most beautiful films ever to be shot of the English countryside." [8]
Both versions of the film are now available in the U.S. on Blu-ray disc from Kino Lorber Studio Classics (under license from The Walt Disney Company and current copyright holder ABC).
The film is extensively referenced in Jonathan Coe's novel The Rain Before It Falls (2007), in which two of the characters are identified as extras who appear in the foreground in one of the film's early scenes (around 8:25).
Black Narcissus is a 1947 British psychological drama film jointly written, directed and produced by Michael Powell and Emeric Pressburger, and starring Deborah Kerr, Sabu, David Farrar, and Flora Robson, and featuring Esmond Knight, Jean Simmons, and Kathleen Byron.
Jennifer Jones, also known as Jennifer Jones Simon, was an American actress and mental-health advocate. Over the course of her career that spanned more than five decades, she was nominated for an Academy Award five times, including one win for Best Actress, and a Golden Globe Award win for Best Actress in a Drama.
A Canterbury Tale is a 1944 British film by Michael Powell and Emeric Pressburger starring Eric Portman, Sheila Sim, Dennis Price and Sgt. John Sweet; Esmond Knight provided narration and played two small roles. For the post-war American release, Raymond Massey narrated and Kim Hunter was added to the film. The film was made in black and white, and was the first of two collaborations between Powell and Pressburger and cinematographer Erwin Hillier.
A Matter of Life and Death is a 1946 British fantasy-romance film set in England during World War II.
Mary Gladys Webb was an English romance novelist and poet of the early 20th century, whose work is set chiefly in the Shropshire countryside and among Shropshire characters and people whom she knew. Her novels have been successfully dramatized, most notably the film Gone to Earth in 1950 by Michael Powell and Emeric Pressburger based on the novel of the same title. The novels are thought to have inspired the famous parody Cold Comfort Farm (1932) by Stella Gibbons.
The Life and Death of Colonel Blimp is a 1943 British romantic-war film written, produced and directed by the British film-making team of Michael Powell and Emeric Pressburger. It stars Roger Livesey, Deborah Kerr and Anton Walbrook. The title derives from the satirical Colonel Blimp comic strip by David Low, but the story is original. Although the film is strongly pro-British, it is a satire on the British Army, especially its leadership. It suggests that Britain faced the option of following traditional notions of honourable warfare or to "fight dirty" in the face of such an evil enemy as Nazi Germany.
The British film-making partnership of Michael Powell (1905–1990) and Emeric Pressburger (1902–1988)—together often known as The Archers, the name of their production company—made a series of influential films in the 1940s and 1950s. Their collaborations—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951).
The Small Back Room is a 1949 film by the British producer-writer-director team of Michael Powell and Emeric Pressburger starring David Farrar and Kathleen Byron and featuring Jack Hawkins and Cyril Cusack. It was based on the 1943 novel of the same name by Nigel Balchin.
The Elusive Pimpernel is a 1950 British period adventure film by the British-based director-writer team of Michael Powell and Emeric Pressburger, based on the novel The Scarlet Pimpernel (1905) by Baroness Emmuska Orczy. It was released in the United States under the title The Fighting Pimpernel. The picture stars David Niven as Sir Percy Blakeney, Margaret Leighton as Marguerite Blakeney and features Jack Hawkins, Cyril Cusack and Robert Coote. Originally intended to be a musical, the film was re-worked as a light-hearted drama.
The Tales of Hoffmann is a 1951 British Technicolor comic opera film written, produced and directed by the team of Michael Powell and Emeric Pressburger working under the umbrella of their production company The Archers. It is an adaptation of Jacques Offenbach's 1881 opera The Tales of Hoffmann, itself based on three short stories by E. T. A. Hoffmann.
Ill Met by Moonlight (1957), released in the USA as Night Ambush, is a film by the British writer-director-producer team of Michael Powell and Emeric Pressburger, and the last movie they made together through their production company "The Archers". The film, which stars Dirk Bogarde and features Marius Goring, David Oxley, and Cyril Cusack, is based on the 1950 book Ill Met by Moonlight: The Abduction of General Kreipe by W. Stanley Moss, which is an account of events during the author's service on Crete during World War II as an agent of the Special Operations Executive (SOE). The title is a quotation from Shakespeare's A Midsummer Night's Dream, and the book features the young agents' capture and evacuation of the German general Heinrich Kreipe.
Portrait of Jennie is a 1948 American supernatural film based on the 1940 novella by Robert Nathan. The film was directed by William Dieterle and produced by David O. Selznick. It stars Jennifer Jones and Joseph Cotten. At the 21st Academy Awards, it won an Oscar for Best Special Effects. Joseph H. August was also nominated for an Academy Award for Best Cinematography - Black and White.
Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.
Esmond Penington Knight was an English actor. He had a successful stage and film career before World War II. For much of his later career Knight was half-blind. He had been badly wounded in 1941 while on active service on board HMS Prince of Wales when she fought the Bismarck at the Battle of the Denmark Strait, and remained totally blind for two years, though he later regained some sight in his right eye.
David Farrar was an English stage and film actor.
The Adventures of Tom Sawyer is a 1938 American drama film produced by David O. Selznick and directed by Norman Taurog who had previously directed Huckleberry Finn (1931) with Jackie Coogan and Junior Durkin. The film starred Tommy Kelly in the title role, with Jackie Moran and Ann Gillis. The screenplay by John V. A. Weaver was based on the classic 1876 novel of the same name by Mark Twain. The movie was the first film version of the novel to be made in color.
Miracle in Soho is a 1957 British drama film directed by Julian Amyes and starring John Gregson, Belinda Lee and Cyril Cusack. The film depicts the lives of the inhabitants of a small street in Soho and the romance between a local road-builder and the daughter of Italian immigrants.
Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson, Peter Ellenshaw, who also worked in this field.
Fred Daniels was an English pioneer of still photography in the film industry and recognised by the BFI. Daniels was the first portrait photographer to popularise Powell and Pressburger and created stylised photographs that were developed into publicity material. In a effort to retain creative freedom Daniels maintained copyright of his work and developed hand printed photographs from his small studio. These were often signed works. His portraits will be forever linked to Powell and Pressburger.
Gone to Earth is a 1917 romance novel by the British writer Mary Webb. It was her second novel following her debut The Golden Arrow the previous year. It received positive reviews and Rebecca West described it as her book of the year. It is set in Shropshire around Long Mynd and Wenlock Edge. In 1935 it was one of the first batch of Penguin Books published.