"Happy Jack" | ||||
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Single by the Who | ||||
from the album Happy Jack (US version of A Quick One) | ||||
B-side |
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Released |
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Recorded | 10 November 1966 | |||
Studio | CBS Studios, London | |||
Length | 2:14 | |||
Label | ||||
Songwriter(s) | Pete Townshend | |||
Producer(s) | Kit Lambert | |||
The Who singles chronology | ||||
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Official audio | ||||
"Happy Jack" on YouTube |
"Happy Jack" is a song by the British rock band the Who. It was released as a single in December 1966 in the United Kingdom, peaking at No. 3 in the charts. [1] It peaked at No. 1 in Canada. It was also their first top 40 hit in the United States, where it was released in March 1967 and peaked at No. 24. [1] It was included on the American version of their second album, Happy Jack, originally titled A Quick One in the UK.
The song features Roger Daltrey sharing lead vocals with John Entwistle and Pete Townshend. At the tail end of "Happy Jack", Townshend can be heard shouting "I saw you!"; it is said that he had noticed drummer Keith Moon trying to join in surreptitiously to add his voice to the recording, something the rest of the band would try to prevent (Moon had a habit of making the other members laugh). [2] [3] Rolling Stone critic Dave Marsh calls this line "the hippest thing" about the song. [3]
In the song, Happy Jack "lived in the sand at the Isle of Man". According to some sources, Townshend reported the song is about a man who slept on the beach near where Townshend vacationed as a child. Children on the beach would laugh at the man and once buried him in the sand. However, the man never seemed to mind and only smiled in response. According to Marsh, "the lyric is basically a fairy tale, not surprisingly, given the links to Pete's childhood". [3]
Greg Littmann interprets the song as a possible reaction to alienation, as Jack allows "the cruelty of other people [to] slide off his back". [4]
Despite its chart success, Who biographer Greg Atkins describes the song as being the band's weakest single to that point. [1] Daltrey reportedly thought the song sounded like a "German oompah song". [5] But Chris Charlesworth praised the "high harmonies, quirky subject matter" and "fat bass and drums that suspend belief". [2] Charlesworth particularly praised Moon's drumming for carrying not just the beat, but also the melody itself, in what he calls "startlingly original fashion". [2] Marsh states that although the song contained little that the band had not done before, it did "what the band did well", giving the "soaring harmonies, enormously fat bass notes, thunderous drumming" and the guitar riffs as examples. [3]
According to Pete Townshend’s autobiography, "Happy Jack" is Paul McCartney’s favourite Who song. [6]
The song was first performed by The Who in 1967 and continued to be played until 1970; a performance from The Who's February 1970 concert at Leeds may be heard in a medley with other songs on the 1995 CD reissue of Live at Leeds and subsequent reissues. It was also performed in Townshend's first solo concert in 1974. The most recent performances of the song were short (one-and-a-half-minute) versions at the Shepherd's Bush Empire, London, on 22 and 23 December 1999.
A snippet of the song was played at a 1982 concert in Indianapolis to appease a fan who was holding a sign saying, "Play Happy Jack, It's My Birthday!", which was blocking the vision of several fans behind him. However, Townshend stated that he and the band couldn't remember how to play the full song anymore. [7]
Chart (1966–1967) | Peak position |
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Austria (Ö3 Austria Top 40) [8] | 7 |
Belgium (Ultratop 50 Flanders) [8] | 12 |
Belgium (Ultratop 50 Wallonia) [8] | 14 |
Canada (RPM) | 1 |
Italy ( Musica e dischi ) [9] | 36 |
Netherlands (Dutch Top 40) [8] | 5 |
Norway (VG-lista) [8] | 4 |
UK Singles (OCC) [1] | 3 |
US Billboard Hot 100 [1] | 24 |
West Germany (Media Control) [8] | 4 |
American rock band Southern Culture on the Skids covered it on their 2007 album Countrypolitan Favorites. The song was used as the soundtrack to a Hummer TV commercial in 2005. [10]
Keith John Moon was an English musician who was the drummer for the rock band the Who. Regarded as one of the greatest drummers in the history of rock music, he was noted for his unique style of playing and his eccentric, often self-destructive behaviour.
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
Tommy is the fourth studio album by the English rock band the Who, released on 19 May 1969. Written primarily by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of the fictional Tommy Walker and his path to becoming a spiritual leader and messianic figure.
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely written by Pete Townshend.
A Quick One is the second studio album by the English rock band the Who, released on 9 December 1966. In the United States, where the song "Happy Jack" was a top 40 hit, the album was released in April 1967 under the title Happy Jack with a slightly altered track listing.
Live at Leeds is the first live album by English rock band the Who, recorded at the University of Leeds Refectory on 14 February 1970 and released on 11 May 1970, by Decca and MCA in the United States and by Track and Polydor in the United Kingdom. It is the band's only live album that was recorded with the classic line-up of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon.
The Who by Numbers is the seventh studio album by English rock band the Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 6 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.
Meaty Beaty Big and Bouncy is a compilation album of singles by English rock band the Who, released in 1971 as Track 2406 006 in the UK and as Decca DL 79184 in the US. It entered the US Billboard 200 chart on 20 November 1971, peaking at number 11, and the UK chart on 3 December 1971, peaking at number 9.
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"Going Mobile" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written for Townshend's abandoned Lifehouse project, with lyrics celebrating the joy of having a mobile home and being able to travel the open road. The Who's lead singer Roger Daltrey did not take part in the recording of the song, leaving the rest of the band to record it as a power trio; Townshend handles the lead vocals, guitars, and synthesizers, with John Entwistle on bass guitar and Keith Moon on drums. The song has attracted mixed reviews from music critics. This is one of only two songs on Who's Next not to feature Daltrey.
"The Song Is Over" is a song by the English rock band the Who, appearing on Who's Next. It was originally to be the ending song on Lifehouse. It takes place after the police invade the Lifehouse Theatre and the concert goers disappear.
"Getting in Tune" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. It was originally written as part of Townshend's abandoned Lifehouse project. Its lyrics describe the power of music, as well as reflect the inner contradictions Townshend was feeling at the time between his spiritual needs and his persona as a rock star. The music incorporates a number of changes in tempo and has been praised by critics for its use of dynamics.
"Love Ain't for Keeping" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. Its themes include the joy of physical love, the power of nature and the need to live for the moment.
"Drowned" is a song written by Pete Townshend, the guitarist for the Who, for their sixth album, Quadrophenia.
"La-La-La-Lies" is the fourth track on the Who's debut album My Generation. It was written by lead guitarist Pete Townshend.
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"Bargain" is a song written by Pete Townshend that was first released by the Who on their 1971 album Who's Next. It is a love song, although the intended subject of the song is God rather than a woman. The song has been included on several compilation and live albums. It was also included on several of Townshend's solo projects. Critics have praised the song's lyricism and power, as well as the performance of the band on the song. Townshend acknowledged during the Who's concert at the Prudential Center in Newark on 19 March 2016 that this is his favorite song on the album.
"Dreaming from the Waist" is a song by the Who, written by Pete Townshend and released on the group's 1975 album The Who by Numbers ; it also served as the B-side of the "Slip Kid" single, released in 1976 in the United States. The track's lyrics deal with sexual frustration and the restlessness associated with getting older, while the music features a bass solo from John Entwistle.
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