"Long Live Rock" | ||||
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Single by The Who | ||||
from the album Odds & Sods | ||||
B-side |
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Released |
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Recorded | 1972 | |||
Genre | Hard rock | |||
Length | 3:56 | |||
Label | Polydor 2121 383 (UK) | |||
Songwriter(s) | Pete Townshend | |||
Producer(s) | The Who | |||
The Who UKsingles chronology | ||||
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The Who USsingles chronology | ||||
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"Long Live Rock" is a 1979 single by The Who, written by Pete Townshend and recorded in 1972. A different version of the song was performed by Billy Fury's character in the film That'll Be the Day (a film which featured Who drummer Keith Moon).
The original Who recording of the song was not released until the 1974 rarities album Odds & Sods . It was subsequently released as a single in 1979. [2]
"Long Live Rock" was to have been included in Rock Is Dead—Long Live Rock! , a 1972 Who album which was also to have had an accompanying television special, before the album was shelved. [3] [4] Pete Townshend said of the song:
Well there are dozens of these self conscious hymns to the last fifteen years appearing now and here's another one. This was featured briefly in the film for which Keith made his acting debut, That'll Be The Day. Billy Fury sang it. This is most definitely the definitive version. I had an idea once for a new album about the history of The Who called Rock Is Dead—Long Live Rock!. That idea later blossomed into Quadrophenia . [4]
The lyrics of the song describe a concert at the Rainbow Theatre. [5]
Following its appearance on Odds & Sods, the song saw a 1974 single release in Israel, Italy (where it was backed with "Pure and Easy") and Japan (where it was backed with "Put the Money Down"). [4] "Long Live Rock" also was featured during the credits of the seminal 1979 Who documentary, The Kids Are Alright . Following this appearance, the song was released as a single in Britain, America, and many other countries. The single reached number 48 in Britain, as well as number 54 on the Billboard Hot 100 and number 66 on the Cashbox charts. [3] [4]
Record World said that "All the elements of the patented Who sound are here, and the song is commercial enough to match last year's 'Won't Get Fooled Again.'" [6]
A live version recorded by the Who at the BBC was released on their album BBC Sessions .
Chart (1979) | Peak position |
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UK Singles (OCC) [7] | 48 |
US Billboard Hot 100 [8] | 54 |
US Cash Box [9] | 66 |
Quadrophenia is the sixth studio album by the English rock band the Who, released as a double album on 26 October 1973 by Track Records. It is the group's third rock opera, the previous two being the "mini-opera" song "A Quick One, While He's Away" (1966) and the album Tommy (1969). Set in London and Brighton in 1965, the story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely composed by Pete Townshend.
Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
Lifehouse is an unfinished science fiction rock opera by the Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend's solo albums. In 1978, aspects of the Lifehouse project were revisited by the Who on Who Are You. In 2000, Townshend revived the Lifehouse concept with his set Lifehouse Chronicles and the sampler Lifehouse Elements. On 1 May 2007, he released an online software called The Lifehouse Method in which any "sitter" could create a musical "portrait". The site is now defunct. The artwork and design of the box set was undertaken by designer Laurence Sutherland.
Odds & Sods is an album of studio outtakes by British rock band the Who. It was released by Track Records in the UK and Track/MCA in the US in October 1974. Ten of the recordings on the original eleven-song album were previously unreleased. The album reached No. 10 on the UK charts and No. 15 in the US.
Who Came First is the debut studio album by the English musician Pete Townshend, released in 1972 on Track Records in the UK and Track/Decca in the US.
"My Wife" is a song by the British rock band the Who, written and sung by bass guitarist John Entwistle. It was originally released in 1971 on Who's Next and later as the B-side of the single "Baba O'Riley" on 6 November 1971 in Europe by Polydor Records.
"5:15" is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, while the 1979 re-release reached No. 45 on the Billboard Hot 100.
"The Real Me" is a song written by Pete Townshend on The Who's second full-scale rock opera, Quadrophenia in 1973. This is the second track on the album, although it is the first with lyrics. It concerns a boy named Jimmy, a young English Mod with four distinct personalities. The song describes how he angrily deals with several individuals to identify "the real me". The song was released as a single in the United States and Canada in 1974.
"Who Are You" is the title track on the Who's 1978 album, Who Are You, the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition "Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent.
"Magic Bus" is a song recorded by British rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album My Generation was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the United Kingdom on 11 October 1968. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. The song was included on their 1968 album Magic Bus: The Who on Tour.
"Zoot Suit" b/w "I'm the Face" was the first single of the British rock band the Who, who recorded it under the name the High Numbers in an attempt to appeal to a mod audience. "Zoot Suit" was written by Peter Meaden, the band's first manager. The song is a direct copy of "Misery" by the American R&B group the Dynamics, while the B-side, "I'm the Face", is a copy of Slim Harpo's "I Got Love If You Want It." The single was meant for a mod audience, but failed to chart. The band changed their name back to The Who, found new management, and released their own composition "I Can't Explain", which became a top ten hit in the United Kingdom.
"Love Ain't for Keeping" is a song written by Pete Townshend and originally released by the Who on their 1971 album Who's Next. Its themes include the joy of physical love, the power of nature and the need to live for the moment.
Rock Is Dead—Long Live Rock was the title of an unreleased 1972 autobiographical album by the British rock band The Who. In the liner notes for the Who's 1974 rarities collection Odds & Sods, guitarist and lead songwriter Pete Townshend said, "I had an idea once for a new album about the history of The Who called Rock Is Dead—Long Live Rock. That idea later blossomed into Quadrophenia." The sessions for the album spanned from 19 May to 6 June at Olympic Studios in London. Rock Is Dead—Long Live Rock was to be produced by The Who and Glyn Johns and scheduled for release in October 1972, but although the album was nearly completed the band felt as though it sounded too much like their 1971 LP Who's Next. Townshend later stated that Rock Is Dead—Long Live Rock was also going to be a TV special about The Who.
"Mary Anne with the Shaky Hand" is a song by the English rock band the Who. It was written by Pete Townshend and released on their 1967 album The Who Sell Out. The best known version of the song has an arrangement using acoustic guitar and Latin percussion instruments.
Quadrophenia is the soundtrack album to the 1979 film Quadrophenia which refers to the 1973 rock opera Quadrophenia. It was initially released on Polydor Records in 1979 as a cassette and LP and was re-released as a compact disc in 1993 and 2001. The album was dedicated to Peter Meaden, a prominent Mod and first manager of The Who, who had died a year prior to the album's release.
"Join Together" is a song by British rock band the Who, first released as a non-album single in June 1972. The song has since been performed live multiple times and has appeared on numerous compilation albums.
"Naked Eye" is a song by The Who, written by Pete Townshend. The studio version was released on the group's 1974 compilation album Odds and Sods. Live versions appear on Live at the Isle of Wight Festival 1970, View from a Backstage Pass, Greatest Hits Live, Thirty Years of Maximum R&B, and both reissues of Who's Next.
"Relay" is a song written by Pete Townshend, the guitarist of the Who, for the band's aborted Lifehouse project. The song was also released as a moderately successful single in 1972. It was also the last non-album single by the Who until "Real Good Looking Boy", 32 years later.
The Who Hits 50! is a compilation of singles by the English rock band the Who, released in 2014 by Polydor Records. The two-disc set contains every single released by the band in the United Kingdom, with the exceptions of: "A Legal Matter" and "La-La-La-Lies" from 1966; and "Long Live Rock" and the remake of "I'm One" from 1979. At the same time it also contains every single by the band released in the United States throughout their career, with the exceptions of: "The Real Me" from 1974; the reissue of "Substitute" from 1976; and "Long Live Rock" from 1979. A condensed single-disc standard edition appeared as well, both versions in conjunction with the band's 50th anniversary and associated tour of the same name. The album is notable for containing singles generally not included on other compilation albums, such as the band's Rolling Stones cover "The Last Time" done as an act of solidarity while Mick Jagger and Keith Richards were facing jail time, along with other lesser-known singles "Dogs" and "Call Me Lightning".
"A Thousand Stars" is a song written by Eugene Pearson and performed by Kathy Young and the Innocents.
Down at the Astoria the scene was changing,/bingo and rock were pushing out X-rating.